{"id":101885,"date":"2017-05-31T06:24:53","date_gmt":"2017-05-31T06:24:53","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=101885"},"modified":"2017-05-31T12:58:35","modified_gmt":"2017-05-31T12:58:35","slug":"beethoven-2017-martonvasar","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/beethoven-2017-martonvasar\/","title":{"rendered":"Beethoven 2017 – Martonv\u00e1s\u00e1r"},"content":{"rendered":"

Beethoven k\u00f6z\u00e9ps\u0151, h\u0151sinek is nevezett korszak\u00e1ba nyer\u00fcnk bepillant\u00e1st k\u00e9t, a korban forradalmian \u00faj hangv\u00e9tel\u0171nek sz\u00e1m\u00edt\u00f3, hasonl\u00f3 gondolatvil\u00e1g\u00fa remekm\u0171vel. Mindkett\u0151 ak\u00e1r a v\u00e9gzetes betegs\u00e9gen emberfeletti er\u0151vel \u00e9s akarattal fel\u00fclkereked\u0151 Beethoven cred\u00f3ja lehetne, hiszen a s\u00f6t\u00e9ts\u00e9gb\u0151l vezetnek a vil\u00e1goss\u00e1gba, a b\u00e9kly\u00f3zotts\u00e1gb\u00f3l a teljes szabads\u00e1gba. Az \u00e9let\u00e9t a szabads\u00e1geszme olt\u00e1r\u00e1n fel\u00e1ldoz\u00f3 n\u00e9metalf\u00f6ldi h\u0151st k\u00f6z\u00e9ppontba \u00e1ll\u00edt\u00f3 Goethe-sz\u00ednm\u0171h\u00f6z \u2013 a szint\u00e9n n\u00e9metalf\u00f6ldi felmen\u0151kkel is rendelkez\u0151 \u2013 Beethoven 1809-ben \u00e9s 1810-ben \u00edrta meg a k\u00eds\u00e9r\u0151zen\u00e9t, amelynek teljes elhangz\u00e1sa k\u00fcl\u00f6nleges alkalom, hiszen t\u00f6bbnyire csak a nyit\u00e1nyt szokt\u00e1k j\u00e1tszani. Az V. szimf\u00f3nia a klasszikus reperto\u00e1r egyik legismertebb alkot\u00e1sa, ebben a kontextusban azonban bizony\u00e1ra t\u00f6bbet mutat majd mag\u00e1b\u00f3l \u00e9s a k\u00fcl\u00f6nleges g\u00e9niusz kimer\u00edthetetlen gazdags\u00e1g\u00fa, t\u00f6k\u00e9letesen soha meg nem ismerhet\u0151 vil\u00e1g\u00e1b\u00f3l. A Kossuth-d\u00edjas Kov\u00e1cs J\u00e1nos az egyik legtapasztaltabb magyar dirigens; 2015-ben kapta meg a Prima Primissima-d\u00edjat, \u00e9vtizedek \u00f3ta a Magyar \u00c1llami Operah\u00e1z karmestere, ma m\u00e1r \u00f6r\u00f6k\u00f6s tagja. Az Egmont kedvese, Kl\u00e4rchen dalait \u00e9nekl\u0151 Fodor Gabriella m\u00e1r nagy sikerrel alak\u00edtotta Pamin\u00e1t Mozart Var\u00e1zsfuvol\u00e1j\u00e1ban, valamint a Schubert-maratonon a Rosamunda-k\u00eds\u00e9r\u0151zen\u00e9ben is hallhattuk \u0151t, ebben a st\u00edlusban az egyik legjobb \u00e9nekes sz\u00f3lista. Narr\u00e1tork\u00e9nt pedig a megannyi film-, sz\u00ednh\u00e1zi \u00e9s telev\u00edzi\u00f3s szerepet alak\u00edt\u00f3, n\u00e9pszer\u0171 sz\u00ednm\u0171v\u00e9szt, Kov\u00e1cs Istv\u00e1nt k\u00f6sz\u00f6nthetj\u00fck.<\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n","protected":false},"template":"","class_list":["post-101885","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"acf":{"alcim":"Kov\u00e1cs J\u00e1nos vez\u00e9nylet\u00e9vel","kiemelt_kep":null,"kiemelt_kep_en":null,"megjegyzes":"

Es\u0151nap: 2017. j\u00falius 16.<\/p>\n","esemeny_datum":"20170715","esemeny_idopontja":"19.00 - 21.30","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87568,"post_author":"1","post_date":"2016-09-08 08:02:37","post_date_gmt":"2016-09-08 08:02:37","post_content":"","post_title":"{:hu}Brunszvik-kast\u00e9ly parkja{:}{:en}Park of the Brunszvik Castle{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"brunszvik-kastely-parkja","to_ping":"","pinged":"","post_modified":"2016-09-08 08:02:37","post_modified_gmt":"2016-09-08 08:02:37","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/brunszvik-kastely-parkja\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"{:hu}Martonv\u00e1s\u00e1r{:}{:en}Martonv\u00e1s\u00e1r{:}","orszag":"{:hu}Magyarorsz\u00e1g{:}{:en}Hungary{:}","cim":"","megjegyzes":"","weboldal":""},"helyszin_kategoria":"videk","karmester":null,"hazigazda":null,"muvek":[{"ID":91883,"post_author":"1","post_date":"2016-09-08 08:57:58","post_date_gmt":"2016-09-08 08:57:58","post_content":"{:hu}

Ludwig van Beethoven (1770\u20131827) Egmont-k\u00eds\u00e9r\u0151zen\u00e9je (op. 84) keletkez\u00e9s\u00e9ben jelent\u0151s szerepet j\u00e1tszott B\u00e9cs 1809-es francia megsz\u00e1ll\u00e1sa. Miut\u00e1n az udvar \u00e9s Nap\u00f3leon k\u00f6z\u00f6tt \u0151sszel megsz\u00fcletett a b\u00e9keszerz\u0151d\u00e9s \u00e9s az \u00e9let lassan visszat\u00e9rt a r\u00e9gi ker\u00e9kv\u00e1g\u00e1sba, m\u0171sorra t\u0171zt\u00e9k Goethe Egmont c\u00edm\u0171 trag\u00e9di\u00e1j\u00e1t, amelynek k\u00f6z\u00e9ppontj\u00e1ban \u00e9ppen az idegen zsarnoks\u00e1gt\u00f3l val\u00f3 megszabadul\u00e1s \u00e1ll. A sz\u00ednpadi k\u00eds\u00e9r\u0151zene meg\u00edr\u00e1s\u00e1ra Beethovent k\u00e9rt\u00e9k fel, akihez nemcsak a t\u00e9ma \u00e1llt k\u00fcl\u00f6n\u00f6sen k\u00f6zel, hanem Goeth\u00e9t a legnagyobb \u00e9l\u0151 \u00edr\u00f3nak tartotta. A zene nem k\u00e9sz\u00fclt el az 1810 m\u00e1jus v\u00e9gi premierre, de a harmadik el\u0151ad\u00e1s j\u00fanius 15-\u00e9n m\u00e1r Beethoven zen\u00e9j\u00e9vel zajlott.<\/p>\r\n

\r\nA darab a 16. sz\u00e1zadi holland nemes, Lamoral Egmont gr\u00f3f t\u00f6rt\u00e9net\u00e9t dolgozza fel. A gr\u00f3f eleinte loj\u00e1lis volt a n\u00e9metalf\u00f6ldet is birtokl\u00f3 II. F\u00fcl\u00f6p spanyol kir\u00e1lyhoz, de az er\u0151s\u00f6d\u0151 zsarnoks\u00e1g l\u00e1tt\u00e1n n\u00e9pe oldal\u00e1ra \u00e1llt. B\u00e1tor ki\u00e1ll\u00e1sa miatt Alba herceg elfogatta \u00e9s kiv\u00e9geztette. Hal\u00e1la nem volt hi\u00e1baval\u00f3: ez ind\u00edtotta el a n\u00e9metalf\u00f6ldi szabas\u00e1gharcot, melynek gy\u0151zelm\u00e9t a dr\u00e1ma el\u0151re vet\u00edti.\r\nBeethoven nyit\u00e1nyt \u00e9s kilenc \u201esz\u00e1mot\u201d kompon\u00e1lt a sz\u00edndarabhoz szopr\u00e1n sz\u00f3l\u00f3ra, ad libitum f\u00e9rfi narr\u00e1torra \u00e9s zenekarra: az 5 felvon\u00e1st \u00f6sszek\u00f6t\u0151 n\u00e9gy k\u00f6zzen\u00e9t, n\u00e9gy jelenethez kapcsol\u00f3d\u00f3 zenei bet\u00e9tet \u00e9s egy r\u00f6vid lez\u00e1r\u00f3 szimfonikus t\u00e9telt. A m\u0171 legismertebb \u00e9s leger\u0151teljesebb r\u00e9sze a szon\u00e1ta form\u00e1ban \u00edr\u00f3dott nyit\u00e1ny, amely t\u00f6bbnyire \u00f6n\u00e1ll\u00f3an, zenekari koncerteken sz\u00f3lal meg. Mag\u00e1ba s\u0171r\u00edti az eg\u00e9sz dr\u00e1ma f\u0151 karaktereit \u00e9s gondolat\u00e1t: az elnyom\u00e1s f\u00e1jdalm\u00e1t \u00e9rz\u00e9keltet\u0151 lass\u00fa bevezet\u00e9s v\u00e9g\u00e9n mintegy megsz\u00fcletik a f\u0151 zenei anyag, a szerz\u0151 k\u00f6z\u00e9ps\u0151 korszak\u00e1nak jellegzetes, h\u0151si zen\u00e9je, amely st\u00edlus\u00e1ban az 5. szimf\u00f3nia k\u00f6zeli rokona. A k\u00f3da el\u0151tt hirtelen meg\u00e1ll egy pillanatra a zene sodr\u00e1sa: a heged\u0171k k\u00e9t hangos, c\u2019-g mot\u00edvuma mintha Egmont kiv\u00e9gz\u00e9s\u00e9t \u00e1br\u00e1zoln\u00e1, majd f-mollb\u00f3l F-d\u00farba v\u00e1ltva hars\u00e1ny gy\u0151zelmi zene z\u00e1rja a nyit\u00e1nyt.\r\nAz I. felvon\u00e1s 3. jelenet\u00e9ben a n\u0151i f\u0151szerepl\u0151, Kl\u00e1ra dalt \u00e9nekel a csat\u00e1ba indul\u00f3 seregr\u0151l \u00e9s az \u00e9len lovagl\u00f3 kedves\u00e9r\u0151l, Egmontr\u00f3l (no.1, Die Trommel ger\u00fchret... \/ Sz\u00f3l a dob...). A k\u00eds\u00e9r\u0151zene m\u00e1sik vok\u00e1lis t\u00e9tel\u00e9t is \u0151 adja el\u0151 a III. felvon\u00e1sban (no.4 Freudvoll und leidvoll... \/ \u00d6r\u00f6mmel \u00e9s f\u00e1jdalommal telten...), rom\u00e1nc\u00e1ban ez\u00fattal a szerelem jelent\u0151s\u00e9g\u00e9t hangs\u00falyozza.\r\nA k\u00f6zzen\u00e9k a felvon\u00e1sok k\u00f6z\u00f6tt teremtenek kapcsolatot: az el\u0151z\u0151 szitu\u00e1ci\u00f3kb\u00f3l a k\u00f6vetkez\u0151 jelenet hangulat\u00e1ba vezetnek \u00e1t. Az I. felvon\u00e1s v\u00e9g\u00e9n Kl\u00e1ra Egmont miatt visszautas\u00edtja k\u00e9r\u0151j\u00e9t, akinek rezign\u00e1lt \u00e1br\u00e1zol\u00e1sa ut\u00e1n a II. felvon\u00e1s t\u00f6megjelenete k\u00f6vetkezik, benne a politiz\u00e1l\u00f3 n\u00e9metalf\u00f6ldiekkel (no.2).\r\nA k\u00f6vetkez\u0151 k\u00f6zzene (no.3) Egmontot jellemzi, a III. felvon\u00e1s ut\u00e1n pedig h\u00e1romf\u00e9le zene sz\u00f3lal meg (no.5): Kl\u00e1ra rom\u00e1nc\u00e1nak mot\u00edvuma oboa sz\u00f3l\u00f3val, Alba herceg bevonul\u00e1s\u00e1ra utal\u00f3 indul\u00f3, illetve a megf\u00e9leml\u00edtett alattval\u00f3k zen\u00e9je. Az 5. felvon\u00e1s el\u0151tt (no.6) a kor\u00e1bbi k\u00f6zzen\u00e9k anyagai t\u00e9rnek vissza, majd az Egmontot kiszabad\u00edtani nem tud\u00f3 Kl\u00e1ra \u00f6ngyilkoss\u00e1g\u00e1hoz kapcsol\u00f3dik a 3. jelenet gy\u00e1sz-zen\u00e9je (no.7). A z\u00e1r\u00f3jelenet (no.8) melodr\u00e1ma: a kiv\u00e9gz\u00e9s\u00e9re v\u00e1r\u00f3 f\u0151h\u0151s szavait a zenekar k\u00eds\u00e9ri. \u00c1lm\u00e1ban a Szabads\u00e1g-Istenn\u0151 jelenik meg Kl\u00e1ra alakj\u00e1ban, majd fel\u00e9bred \u00e9s viszik a veszt\u0151helyre. A hal\u00e1lban t\u00f6rt\u00e9nt megdics\u0151\u00fcl\u00e9se ut\u00e1n a nyit\u00e1ny k\u00f3d\u00e1j\u00e1nak visszat\u00e9r\u00e9se (no.9 \u201eGy\u0151zelmi szimf\u00f3nia\u201d) \u00fcnnep\u00e9lyes hangulatban z\u00e1rja Goethe dr\u00e1m\u00e1j\u00e1t. (Gombos L\u00e1szl\u00f3)<\/em><\/p>\r\n

<\/p>{:}{:en}Beethoven\u2019s set of incidental music, Egmont (op. 84), was composed in 1809\u20131810 following Vienna\u2019s occupation by the French, for a performance of Goethe\u2019s tragedy focusing on liberation from foreign tyranny. In the 16th-century story the Dutch Count Egmont sides with his own people in the struggle against King Philip II of Spain, for which he is captured and executed.\r\n\r\nBeethoven composed nine \u201cnumbers\u201d for the drama. The best-known movement of the work is the overture which encapsulates the main characters and message of the play. After an introduction evocative of oppression, the composer\u2019s characteristic heroic music sounds, with a triumphant coda rounding off the overture.\r\n\r\nIn Act I the female protagonist Kl\u00e4rchen sings a song about the army marching into battle and her sweetheart Egmont (no.1, Die Trommel ger\u00fchret...), and sings the other vocal movement in Act III (no.4 Freudvoll und leidvoll...). The four entr\u2019actes (no.2, 3, 5 and 6) establish a connection between the acts as they anticipate the atmosphere of the following scene.\r\nIn Act V, unable to free Egmont, Kl\u00e4rchen commits suicide (no. 7). The closing scene (no. 8) is a melodrama. Awaiting execution, Egmont\u2019s words are accompanied by the orchestra. The Goddess of Liberty appears in a dream and carries him to the place of execution. His apotheosis in death closes Goethe\u2019s drama following the return of the overture\u2019s coda (no. 9). (L\u00e1szl\u00f3 Gombos<\/em>){:}","post_title":"{:hu}Egmont - k\u00eds\u00e9r\u0151zene, op. 84{:}{:en}Egmont incidental music, Op. 84{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"egmont-kiserozene-op-84","to_ping":"","pinged":"","post_modified":"2017-05-31 05:57:53","post_modified_gmt":"2017-05-31 05:57:53","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/egmont-kiserozene-op-84\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Beethoven"]},{"ID":91414,"post_author":"1","post_date":"2016-09-08 08:57:51","post_date_gmt":"2016-09-08 08:57:51","post_content":"{:hu}

I. Allegro con brio <\/em>\r\nII. Andante con moto <\/em>\r\nIII. Allegro <\/em>\r\nIV. Finale. Allegro<\/em><\/p>\r\n

\"Beethoven zen\u00e9je megnyitja a zsilipeket a borzong\u00e1s, a f\u00e9lelem, a r\u00e9m\u00fclet, a f\u00e1jdalom \u00e1radata el\u0151tt, \u00e9s fel\u00e9breszti a v\u00e9gtelen v\u00e1gyakoz\u00e1st, azt, ami a romantika l\u00e9nyege. Beethoven tiszt\u00e1n romantikus, \u00e9s \u00e9ppen ez\u00e9rt val\u00f3ban zenei komponista; tal\u00e1n ezzel f\u00fcgg \u00f6ssze, hogy a hat\u00e1rozatlan v\u00e1gyakoz\u00e1snak teret nem ad\u00f3 vok\u00e1lis zen\u00e9t, amely csak a szavakkal jel\u00f6lt affektusokat \u00e1br\u00e1zolja, Beethoven kevesebb sikerrel m\u0171velte, s hogy hangszeres zen\u00e9je ritk\u00e1n sz\u00f3l a t\u00f6megekhez.\" E. T. A. Hoffmann nevezetes Beethoven-cikk\u00e9b\u0151l, az V. szimf\u00f3nia elemz\u0151 recenzi\u00f3j\u00e1b\u00f3l sz\u00e1rmaznak ezek a gondolatok. Az 1810-ben publik\u00e1lt tanulm\u00e1ny bevezet\u0151 r\u00e9sze \"a romantikus zeneeszt\u00e9tika alap\u00edt\u00f3 okirata k\u00f6z\u00e9 tartozik\" - vallja a 20. sz\u00e1zadi n\u00e9met zenetudom\u00e1ny legjelent\u0151sebb gondolkod\u00f3ja, Carl Dahlhaus. A kompoz\u00edci\u00f3 els\u0151 komoly v\u00e1zlatai 1805-b\u0151l val\u00f3k, a szimf\u00f3nia kidolgoz\u00e1s\u00e1ra 1807-1808-ban ker\u00fclt sort. Az 1808 december\u00e9ben lezajlott bemutat\u00f3 ut\u00e1n Beethoven tov\u00e1bbi jav\u00edt\u00e1sokat hajtott v\u00e9gre a partit\u00far\u00e1n. Hitelesnek kell elfogadnunk Schindler feljegyz\u00e9s\u00e9t, miszerint Beethoven a nyit\u00f3t\u00e9tel nevezetes mot\u00edvum\u00e1t azonos\u00edtotta a \"sorssal\": \"\u00cdgy z\u00f6rget a sors az ajt\u00f3n.\" A teljes szimf\u00f3nia az ember k\u00e9ts\u00e9gbeesett k\u00fczdelm\u00e9t \u00e9s az emberi akarat v\u00e9gs\u0151 diadal\u00e1t (Finale) p\u00e9ld\u00e1zza. Az alapgondolat ezek szerint: per aspera ad astra <\/em>- meredek \u00faton a csillagokhoz. \"A szimf\u00f3nia mondhatni minden \u00fcteme ennek az alapeszm\u00e9nek a szolg\u00e1lat\u00e1ban \u00e1ll. V\u00e1ltozatos k\u00e9pekben, plasztikus epiz\u00f3dokban tal\u00e1n kev\u00e9sb\u00e9 gazdag, mint az Eroica, de j\u00f3val z\u00e1rtabb, logikusabb, egys\u00e9gesebb sz\u00f6v\u00e9s\u0171 amann\u00e1l. Val\u00f3ban: a t\u00e9telek sorrendj\u00e9nek sz\u00fcks\u00e9gszer\u0171 k\u00f6vetkez\u00e9se Beethoven e m\u0171v\u00e9ben er\u0151sebb, mint b\u00e1rhol m\u00e1sutt.\" (Bartha D\u00e9nes)<\/p>\r\n

Az V. szimf\u00f3nia Beethoven legismertebb (legt\u00f6bbet id\u00e9zett \u00e9s legt\u00f6bbsz\u00f6r \"felhaszn\u00e1lt\") m\u0171ve, a 19. sz\u00e1zad zenei gondolkod\u00e1s\u00e1ban sarokk\u0151. A 20. sz\u00e1zad koncertgyakorlat\u00e1ban meglehet\u0151sen elkoptatott szimf\u00f3nia a formatani elemz\u00e9sek kedvelt p\u00e9ld\u00e1ja. A zenei tervez\u00e9s, a tematikus munka olyan b\u00e1mulatosan t\u00f6m\u00f6r, logikus, \u00e9s ebb\u0151l ad\u00f3d\u00f3an ellen\u00e1llhatatlanul sodr\u00f3 zenei szerkezetben \u00f6lt testet, mely nemcsak megalapozza a k\u00f6vetkez\u0151 \u00e9vsz\u00e1zad zenei \u00edzl\u00e9s\u00e9t, hanem \u00f6ssze is foglalja, esszenci\u00e1lisan s\u0171r\u00edti a megel\u0151z\u0151 \u00e9vtizedek, a klasszika, Haydn \u00e9s Mozart zenei nyelvezet\u00e9t.<\/p>{:}{:en}

I. Allegro con brio<\/em>\r\nII. Andante con moto<\/em>\r\nIII. Allegro<\/em>\r\nIV. Finale. Allegro<\/em><\/p>\r\n

\"Beethoven's music opens the floodgates to horror, fear, terror and a deluge of pain, and awakens the infinite longing which is the essence of romanticism. Beethoven is purely romantic and it is precisely for this reason that he is a musical composer; this is perhaps why he is generally less successful with vocal music which does not give room to such unlimited longing with effects depicted merely by words, and that his instrumental music rarely addresses the masses.\" These thoughts are from E. T. A. Hoffman's famous Beethoven article, reviewing the Fifth Symphony. The introductory part of this study, published in 1810, \"must be counted as one of the founding charters of romantic musical aesthetics\", said one of the most important thinkers of 20th century German musicology, Carl Dahlhaus. The first serious sketches for the symphony date from 1805, and it was composed in 1807-1808. After its premiere in December 1808, Beethoven made some further alterations to the score.<\/p>\r\n

We must accept as authentic Schindler's memo that Beethoven identified the famous motif in the opening movement with \"fate\": \"Fate is banging on the door.\" The entire symphony exemplifies man's desperate battle and the final triumph of human will (Finale). The basic idea is per aspera ad astra - through rough ways to the stars. \"Pretty much every bar of this symphony serves this basic ideal. It is perhaps less rich than the Eroica in its diverse images and flexible episodes, but a good deal more contained and logical, and enjoys a more unified texture. In truth: the logic with which the movements follow one another is perhaps stronger in this Beethoven work than anywhere else.\" (D\u00e9nes Bartha)<\/p>\r\n

The Fifth Symphony is Beethoven's best known work (the most quoted and the most \"used\") and one of the corner stones of 19th century musical thinking. It has perhaps, as a staple component of the 20th century concert repertoire, even been over played and is a favourite example of formal analysis. Its musical design and thematic construction is so astoundingly terse and logical that it gives body to a dynamic musical structure which not just bequeathed the foundations to the musical taste of the ensuing century but is also a summation of the essence of the musical language of the preceding decades of classicism, that of Haydn and Mozart.<\/p>{:}","post_title":"{:hu}V. (c-moll, \u201eSors\u201d) szimf\u00f3nia, op. 67{:}{:en}Symphony No. 5 in C minor (\u201cFate\u201d), op. 67{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"v-szimfonia-c-moll-sors-op-67","to_ping":"","pinged":"","post_modified":"2020-03-04 12:42:12","post_modified_gmt":"2020-03-04 12:42:12","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/v-szimfonia-c-moll-sors-op-67\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":[]}],"muvekrol_reszletesen":true,"kozr_szemelyek":[{"ID":86194,"post_author":"1","post_date":"2016-09-21 08:47:25","post_date_gmt":"2016-09-21 08:47:25","post_content":"{:hu}

\u00c9nektanulm\u00e1nyait\u00a0sz\u00fcl\u0151v\u00e1ros\u00e1ban P\u00e1p\u00e1n kezdte, majd Gy\u0151rben \u00e9s Budapesten folytatta. A Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen 2003-ban diplom\u00e1zott Andor \u00c9va \u00e9s Kovalik Bal\u00e1zs n\u00f6vend\u00e9kek\u00e9nt. R\u00e9szt vett Anna Reynolds, Laki Krisztina, Hamari J\u00falia \u00e9s Ralph D\u00f6ring mesterkurzusain. 2001 \u00f3ta az Ars Classica Kamaraopera t\u00e1rsulat tagja, itt \u00e9nekelte t\u00f6bbek k\u00f6z\u00f6tt Donna Anna \u00e9s Almaviva gr\u00f3fn\u00e9 szerep\u00e9t. Lendvay Kamill\u00f3 A tisztess\u00e9gtud\u00f3 utcal\u00e1ny\u00e1nak c\u00edmszerep\u00e9t alak\u00edtotta Mundrucz\u00f3 Korn\u00e9l els\u0151 operarendez\u00e9s\u00e9ben. Els\u0151 jelent\u0151s alak\u00edt\u00e1sa Csajkovszkij Anyeginj\u00e9nek Tatj\u00e1n\u00e1ja volt a 2004-es Miskolci Nemzetk\u00f6zi Operafesztiv\u00e1l Kovalik Bal\u00e1zs \u00e1ltal rendezett premierj\u00e9n. Az Operah\u00e1zban m\u00e9g f\u0151iskol\u00e1sk\u00e9nt mutatkozott be Britten A csavar fordul egyet c\u00edm\u0171 oper\u00e1j\u00e1nak Miss Jessel szerep\u00e9ben. 2007 \u0151sz\u00e9n az Elektra 5. szolg\u00e1l\u00f3jak\u00e9nt, majd p\u00e1r h\u00e9ttel k\u00e9s\u0151bb Desdemonak\u00e9nt is sz\u00ednpadra l\u00e9pett.<\/p>{:}{:en}

\"\"She started her singing studies in her native town P\u00e1pa, then continued in Gy\u0151r and Budapest. She graduated from Liszt Ferenc Academy of Music in 2003 as a student of \u00c9va Andor and Bal\u00e1zs Kovalik. She has participated in master classes of Anna Reynolds, Krisztina Laki, J\u00falia Hamari and Ralph D\u00f6ring. Since 2001 she has been a member of Ars Classica Chamber Opera, where she has sung the roles of Donna Anna and the Countess Almaviva, among others. She appeared in the title role of Kamill\u00f3 Lendvay's La putaine respecteuse<\/i>, which was Korn\u00e9l Mundrucz\u00f3's first opera direction. Her first major role was that of Tatyana in Tchaikovsky's Eugene Onegin<\/i> at the 2004 premiere directed by Bal\u00e1zs Kovalik at the Miskolc International Opera Festival. She debuted in the Opera House in the autumn of 2007 in the role of the Fifth Maid in Elektra<\/i>, and some weeks later appeared in the role of Desdemona.<\/p>\r\n\r\n

<\/div>{:}","post_title":"{:hu}Fodor Gabriella{:}{:en}Gabriella Fodor{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"fodor-gabriella","to_ping":"","pinged":"","post_modified":"2016-09-21 08:47:25","post_modified_gmt":"2016-09-21 08:47:25","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=86194","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}szopr\u00e1n{:}{:en}soprano{:}"}],"muveszekrol_reszletesen":true,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}\"\"\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\"\"\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"link","jegyarak":"4.000 Ft, 3.100 Ft, 2.100 Ft","jegyvasarlas_gomb":"","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","hivatkozas_gomb_szovege":"Tov\u00e1bb","hivatkozas_gomg_url-je":"https:\/\/nfz.jegy.hu\/"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/101885","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=101885"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}