{"id":101852,"date":"2017-05-30T19:15:05","date_gmt":"2017-05-30T19:15:05","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&#038;p=101852"},"modified":"2018-02-21T07:54:20","modified_gmt":"2018-02-21T07:54:20","slug":"dvorak-stabat-mater-2","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/dvorak-stabat-mater-2\/","title":{"rendered":"Dvo\u0159\u00e1k:  Stabat Mater, op. 58"},"content":{"rendered":"<p><strong>ANTON\u00cdN DVOR\u00c1K: Stabat Mater, op. 58<\/strong><\/p>\n<p>In September 1875, Dvorak (1841-1904) lost a young daughter after a freak household accident. Soon after, he turned his attention to setting the Stabat Mater, a popular poem attributed to Jacop da Todi (1230-1306), which views the crucifixion from the tragic perspective of a mother losing her child. Before the score was finally complete, Dvorak lost two other children, although by then, the composition as we know it was substantially complete.<\/p>\n<p>The Stabat Mater was enthusiastically received, although many critics felt the undisputed attractiveness of the music inappropriate for such a text. Audiences were less inclined to quibble, particularly in England, where it enjoyed immense popularity. Later though, it fell out of fashion and by the 1960s, was almost never performed. In recent years, as Dvorak\u2019s oeuvre is being reassessed, the Stabat Mater has reestablished itself in the choral repertoire, and is generally regarded as the most successful of Dvorak\u2019s sacred works.<\/p>\n<p>Dvorak divided the text into ten movements, expanding the Stabat Mater into a full-scale oratorio. Only three movements exclude the chorus. The principal theme of the first movement returns in the last, and the <em>Amen <\/em>is the only fast section in the whole work. There are many expressive melodies, almost all of a devotional nature, and their treatment is unfailingly fresh and varied. The second movement, for example, opens as a four-part canon, and in the fourth and sixth movements the chorus sings as a refrain to the solo sections. Dvorak&#8217;s use of chromaticism is extremely effective, but never cloying, and the orchestral scoring has many imaginative touches. The first performance was given in Prague in 1880, and the first outside Czechoslovakia was in London, conducted by Joseph Pamby in 1883, which effectively established his reputation in England, leading to a lucrative source for future commissions.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"template":"","class_list":["post-101852","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Kobayashi Season Pass 3.","kiemelt_kep":{"ID":105081,"id":105081,"title":"carlo-event-new","filename":"carlo-event-new.jpg","filesize":172806,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/carlo-event-new.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/dvorak-stabat-mater-2\/carlo-event-new\/","alt":"","author":"1","description":"","caption":"","name":"carlo-event-new","status":"inherit","uploaded_to":101852,"date":"2018-01-25 10:27:29","modified":"2018-01-25 10:27:36","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1920,"height":560,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/carlo-event-new-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/carlo-event-new-300x88.jpg","medium-width":300,"medium-height":88,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/carlo-event-new-768x224.jpg","medium_large-width":640,"medium_large-height":187,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/carlo-event-new-1024x299.jpg","large-width":640,"large-height":187,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/carlo-event-new.jpg","1536x1536-width":1536,"1536x1536-height":448,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/carlo-event-new.jpg","2048x2048-width":1920,"2048x2048-height":560,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/carlo-event-new-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/carlo-event-new.jpg","person-size-2-width":165,"person-size-2-height":48,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/carlo-event-new-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/carlo-event-new-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/carlo-event-new-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/carlo-event-new-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/carlo-event-new-1600x560.jpg","slider-size-width":1600,"slider-size-height":560}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20180221","esemeny_idopontja":"19.30","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87537,"post_author":"1","post_date":"2016-09-08 08:02:37","post_date_gmt":"2016-09-08 08:02:37","post_content":"","post_title":"{:hu}Zeneakad\u00e9mia{:}{:en}Liszt Academy{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"zeneakademia","to_ping":"","pinged":"","post_modified":"2021-02-17 10:09:02","post_modified_gmt":"2021-02-17 10:09:02","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/zeneakademia\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"Budapest","orszag":"Hungary","cim":"VI. Liszt Ferenc t\u00e9r 8.","megjegyzes":"","weboldal":""},"helyszin_kategoria":"budapest","karmester":{"ID":87194,"post_author":"1","post_date":"2016-10-17 20:59:38","post_date_gmt":"2016-10-17 20:59:38","post_content":"{:hu}<p>A Nemzeti Filharmonikusok els\u0151 \u00e1lland\u00f3 vend\u00e9gkarmestere<\/p>\r\n<p>Nagy \u00f6r\u00f6m sz\u00e1munkra, hogy a Nemzeti Filharmonikusok els\u0151 \u00e1lland\u00f3 vend\u00e9gkarmesterek\u00e9nt \u00fcdv\u00f6z\u00f6lhet\u00fcnk egy olyan kiemelked\u0151 tehets\u00e9g\u0171 \u00e9s tud\u00e1s\u00fa m\u0171v\u00e9szt, akivel egy\u00fctteseink hossz\u00fa \u00e9vek \u00f3ta gy\u00fcm\u00f6lcs\u00f6z\u0151 kapcsolatot \u00e1polnak.\u00a0A cecinai sz\u00fclet\u00e9s\u0171 heged\u0171m\u0171v\u00e9sz \u00e9s karmester, Carlo Montanaro p\u00e1ly\u00e1ja az 1990-es \u00e9vek elej\u00e9n a firenzei Maggio Musicale esem\u00e9nyein vette kezdet\u00e9t.<br \/>\r\nFelfedez\u0151je \u00e9s mentora korunk egyik legnagyobb dirigense, Zubin\u00a0 Mehta volt. T\u00f6bbek k\u00f6z\u00f6tt Vars\u00f3, Mil\u00e1n\u00f3, Velence, Drezda, M\u00fcnchen, Hamburg, Frankfurt, San Francisco, Toki\u00f3 operarajong\u00f3i tapsoltak az \u00e1ltala vez\u00e9nyelt produkci\u00f3knak, de Ausztr\u00e1li\u00e1ban \u00e9s D\u00e9l-Kore\u00e1ban is nagy sikerrel l\u00e9pett fel. Vend\u00e9gszerepelt Cincinnati, Atlanta, Seattle, Boston, Dallas, Fort Worth zenekarai \u00e9l\u00e9n, de vend\u00e9g\u00fcl l\u00e1tta a WDR K\u00f6ln egy\u00fcttese \u00e9s az Accademia di Santa Cecilia zenekara is.<\/p>\r\n<p>Amellett, hogy elk\u00f6telezett operakarmester, a szimfonikus m\u0171fajok vil\u00e1g\u00e1ban is teljes otthonoss\u00e1ggal t\u00e1j\u00e9koz\u00f3dik. K\u00f6z\u00f6s koncertjeinken minden alkalommal csod\u00e1ltuk pontoss\u00e1g\u00e1t \u00e9s energi\u00e1j\u00e1t, dr\u00e1mai \u00e9rz\u00e9k\u00e9t, \u00e9rzelemgazdags\u00e1g\u00e1t, szuggesztivit\u00e1s\u00e1t. Egy\u00fcttm\u0171k\u00f6d\u00e9s\u00fcnket ebben a form\u00e1ban a 2028\/2029-es \u00e9vad v\u00e9g\u00e9ig tervezz\u00fck \u2013 izgatottan tekint\u00fcnk Maestro Montanaro \u00fajabb vend\u00e9gszerepl\u00e9sei el\u00e9!<\/p>\r\n<p><a href=\"https:\/\/gmartandmusic.com\/conductors\/carlo-montanaro\/\"><strong>Carlo Montanaro<\/strong><\/a><\/p>\r\n<p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/FOQfdeAUcPE?si=L91KTWfCz_OZ7VRp\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>{:}{:en}<\/p>Principal Guest Conductor of the Hungarian National Philharmonic<\/p>\r\n\r\n<\/p>IT IS A GREAT PLEASURE FOR US at the Hungarian National Philharmonic to welcome Carlo Montanaro, an artist of outstanding talent and skill with whom our ensembles have enjoyed a fruitful relationship for many years, as our new principal guest conductor. Born in Cecina, the violinist and conductor kicked off his career in the early \u201990s at the events of the Maggio Musicale Fiorentino festival.<\/p>\r\n\r\n<p>He was soon discovered and mentored by Zubin Mehta, one of the great maestros of our time. He has since delighted opera fans with his conducting in Warsaw, Milan, Venice, Dresden, Munich, Hamburg, Frankfurt, San Francisco, Tokyo and many other cities, including in Australia and South Korea. He has also taken up the baton as a guest with ensembles in Cincinnati, Atlanta, Seattle, Boston, Dallas and Fort Worth, as well as with WDR Cologne and the Orchestra dell\u2019Accademia di Santa Cecilia.<\/p>\r\n\r\n<p>In addition to his dedication to conducting opera, he is also completely at home in the world of symphonic music. At the concerts we performed together, we admired his precision and energy, his dramatic sense, the richness of his emotionallanguage, and his evocativeness. Our collaboration in this form will run until the end of the 2028\/2029 season \u2013 and we are excitedly awaiting what Maestro Montanaro's further guest appearances have in store!<\/p>\r\n\r\n<p><a href=\"https:\/\/gmartandmusic.com\/conductors\/carlo-montanaro\/\"><strong><span style=\"color: blue;\">Carlo Montanaro<\/span><\/strong><\/a><\/p>\r\n\r\n<p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/FOQfdeAUcPE?si=2-tyqg8naENXyK6Z\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/p><\/iframe>{:}","post_title":"{:hu}Carlo Montanaro{:}{:en}Carlo Montanaro{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"carlo-montanaro","to_ping":"","pinged":"","post_modified":"2025-11-06 14:35:08","post_modified_gmt":"2025-11-06 14:35:08","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=87194","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":90974,"post_author":"1","post_date":"2016-09-08 08:57:46","post_date_gmt":"2016-09-08 08:57:46","post_content":"{:hu}1875 szeptember\u00e9ben Dvo\u0159\u00e1k (1841-1904) egy szerencs\u00e9tlen h\u00e1zi balesetben elvesztette egyik kisl\u00e1ny\u00e1t. Nem sokkal ezut\u00e1n fogott hozz\u00e1, hogy zen\u00e9v\u00e9 k\u00f6ltse a hagyom\u00e1nyosan Jacopone da Todinak (1230-1306) tulajdon\u00edtott Stabat Matert, a gyermeke keresztf\u00e1j\u00e1n\u00e1l \u00e1ll\u00f3 anya siralm\u00e1t. A v\u00e9gleges partit\u00fara m\u00e9g el sem k\u00e9sz\u00fclt, amikor Dvo\u0159\u00e1k m\u00e1sik k\u00e9t gyermek\u00e9t is el kellett temesse (hab\u00e1r a m\u0171 a ma ismert form\u00e1j\u00e1ban m\u00e1r nagyr\u00e9szt megvolt).\r\n\r\nA Stabat Mater lelkes fogadtat\u00e1sra tal\u00e1lt, b\u00e1r a kritikusok egy r\u00e9sze t\u00fals\u00e1gosan is megnyer\u0151nek \u00edt\u00e9lte a zen\u00e9t a sz\u00f6veg s\u00falyoss\u00e1g\u00e1hoz m\u00e9rten. A k\u00f6z\u00f6ns\u00e9g azonban kev\u00e9sb\u00e9 volt akad\u00e9koskod\u00f3, k\u00fcl\u00f6n\u00f6sen Angli\u00e1ban, ahol a m\u0171 rendk\u00edv\u00fcli n\u00e9pszer\u0171s\u00e9gre tett szert. A k\u00e9s\u0151bbiekben azonban elfelejt\u0151d\u00f6tt, \u00e9s az 1960-as \u00e9vekt\u0151l szinte alig j\u00e1tszott\u00e1k. A Dvo\u0159\u00e1k-\u00e9letm\u0171 k\u00f6zelm\u00faltban v\u00e9gbement \u00fajrafelfedez\u00e9se a Stabat Matert is visszahelyezte az \u0151t megillet\u0151 helyre a k\u00f3rusreperto\u00e1rban, \u00e9s ma m\u00e1r Dvo\u0159\u00e1k legjobb egyh\u00e1zzenei munk\u00e1j\u00e1nak szok\u00e1s tartani.\r\n\r\n<!--more-->\r\n\r\nA zeneszerz\u0151 a sz\u00f6veget t\u00edz t\u00e9telre osztotta, teljes orat\u00f3riumm\u00e1 b\u0151v\u00edtve ez\u00e1ltal a Stabat Matert. A k\u00f3rus h\u00e1rom kiv\u00e9tel\u00e9vel mindegyik t\u00e9telben szerepel. Az els\u0151 \u00e9s az utols\u00f3 t\u00e9tel p\u00e1rhuzamos f\u0151t\u00e9m\u00e1ja keretet ad a m\u0171nek, amelynek egyetlen gyors temp\u00f3j\u00fa szakasza az \u00c1men. Dvo\u0159\u00e1k dallamai kifejez\u00e9steliek, szinte kiv\u00e9tel n\u00e9lk\u00fcl vall\u00e1sos t\u00f6ltet\u0171ek, feldolgoz\u00e1suk ugyanakkor \u00fajszer\u0171 \u00e9s v\u00e1ltozatos. A m\u00e1sodik t\u00e9tel p\u00e9ld\u00e1ul n\u00e9gysz\u00f3lam\u00fa k\u00e1nonnal nyit, m\u00edg a negyedik \u00e9s a hatodik t\u00e9telben \u00e9nekkari refr\u00e9nek v\u00e1ltakoznak a sz\u00f3l\u00f3 r\u00e9szekkel. Dvo\u0159\u00e1k hat\u00e1sosan, de sohasem szentiment\u00e1lisan alkalmazza a kromatikus megold\u00e1sokat, a zenekar hangszerel\u00e9se egyedi megold\u00e1sokban gazdag. A m\u0171 premierje Pr\u00e1g\u00e1ban volt 1880-ban, m\u00edg a Csehorsz\u00e1gon k\u00edv\u00fcli els\u0151 bemutat\u00f3t Joseph Pamby vez\u00e9nyelte 1883-ban, Londonban. Az el\u0151ad\u00e1s sikere teremtette meg Dvo\u0159\u00e1k angliai h\u00edrnev\u00e9t \u00e9s a k\u00e9s\u0151bbi nagy megrendel\u00e9sek alapj\u00e1t.{:}{:en}In September 1875, Dvo\u0159\u00e1k (1841-1904) lost a young daughter after a freak household accident. Soon after, he turned his attention to setting the Stabat Mater, a popular poem attributed to Jacopo da Todi (1230-1306), which views the crucifixion from the tragic perspective of a mother losing her child. Before the score was finally complete, Dvo\u0159\u00e1k lost two other children, although by then, the composition as we know it was substantially complete. The Stabat Mater was enthusiastically received, although many critics felt the undisputed attractiveness of the music inappropriate for such a text. Audiences were less inclined to quibble, particularly in England, where it enjoyed immense popularity. Later though, it fell out of fashion and by the 1960s, was almost never performed.\r\n\r\n&nbsp;\r\n\r\nIn recent years, as Dvo\u0159\u00e1k's oeuvre is being reassessed, the Stabat Mater has reestablished itself in the choral repertoire, and is generally regarded as the most successful of Dvo\u0159\u00e1k's sacred works.Dvo\u0159\u00e1k divided the text into ten movements, expanding the Stabat Mater into a full-scale oratorio. Only three movements exclude the chorus. The principal theme of the first movement returns in the last, and the Amen is the only fast section in the whole work. There are many expressive melodies, almost all of a devotional nature, and their treatment is unfailingly fresh and varied. The second movement, for example, opens as a four-part canon, and in the fourth and sixth movements the chorus sing as a refrain to the solo sections. Dvo\u0159\u00e1k's use of chromaticism is extremely effective, but never cloying, and the orchestral scoring has many imaginative touches.\r\n\r\n&nbsp;\r\n\r\nThe first performance was given in Prague in 1880, and the first outside Czechoslovakia was in London, conducted by Joseph Pamby in 1883, which effectively established his reputation in England, leading to a lucrative source for future commissions.{:}","post_title":"{:hu}Stabat Mater{:}{:en}Stabat Mater{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"stabat-mater","to_ping":"","pinged":"","post_modified":"2017-05-30 06:47:14","post_modified_gmt":"2017-05-30 06:47:14","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/stabat-mater\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Dvo\u0159\u00e1k"]}],"muvekrol_reszletesen":null,"kozr_szemelyek":[{"ID":86050,"post_author":"1","post_date":"2017-07-23 09:09:50","post_date_gmt":"2017-07-23 09:09:50","post_content":"{:hu}<strong>V\u00e1radi Zita<\/strong> 1996-ban szerzett \u00e9nekm\u0171v\u00e9szi \u00e9s tan\u00e1ri diplom\u00e1t a Zeneakad\u00e9mi\u00e1n.\r\n\r\n1995 \u00e9s 2001 k\u00f6z\u00f6tt a Debreceni Csokonai Sz\u00ednh\u00e1z, 2001-t\u0151l az Operah\u00e1z mag\u00e1n\u00e9nekesn\u0151je. 2016-ban megkapta a Magyar \u00c9rdemrend lovagkeresztj\u00e9t.{:}{:en}<strong>Zita V\u00e1radi<\/strong> graduated in singing and teaching from the Liszt Academy in 1996.\r\n\r\nShe worked as a soloist at the Csokonai Theatre in Debrecen between 1995 and 2001, before joining the Hungarian State Opera in 2001. In 2016, she was awarded the Knight's Cross of the Hungarian Order of Merit.{:}","post_title":"{:hu}V\u00e1radi Zita{:}{:en}Zita V\u00e1radi{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"varadi-zita","to_ping":"","pinged":"","post_modified":"2020-03-05 14:36:14","post_modified_gmt":"2020-03-05 14:36:14","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=86050","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}szopr\u00e1n{:}{:en}soprano{:}"},{"ID":87338,"post_author":"1","post_date":"2016-09-21 12:02:14","post_date_gmt":"2016-09-21 12:02:14","post_content":"{:hu}<p style=\"text-align: justify;\">V\u00f6r\u00f6s Szilvia zen\u00e9sz csal\u00e1dban sz\u00fcletett. 2008-t\u00f3l a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen tanult Marton \u00c9va oszt\u00e1ly\u00e1ban. 2013-ban fejezte be az opera-szakot, 2015-ben pedig \u00e9nekm\u0171v\u00e9sz-tan\u00e1ri diplom\u00e1t szerzett. Sz\u00f3listak\u00e9nt t\u00f6bb \u00edzben \u00e9nekelt Budapest nagy koncerttermeiben, t\u00f6bbek k\u00f6z\u00f6tt Orb\u00e1n Gy\u00f6rgy Stabat Mater\u00e9ben, Mozart Requiemj\u00e9ben \u00e9s Arvo P\u00e4rt Miserere c. <span style=\"font-family: Arial;\">o<\/span>rat\u00f3rium\u00e1ban alt sz\u00f3l\u00f3t, \u00e9nekelt Bach J\u00e1nos \u00e9s M\u00e1t\u00e9 passi\u00f3j\u00e1ban, Rossini Stabat Mater\u00e9ben \u00e9s Liszt: Erzs\u00e9bet legenda c. orat\u00f3rium\u00e1ban is. Az oratorikus m\u0171veken k\u00edv\u00fcl a dalirodalom is nagy r\u00e9sz\u00e9t k\u00e9pezi a m\u0171v\u00e9szn\u0151 reperto\u00e1rj\u00e1nak. 2013 december\u00e9ben nagy sikerrel deb\u00fct\u00e1lt Medium szerep\u00e9ben az E\u00f6tv\u00f6s Foundation \u00e1ltal szervezett zeneszerz\u0151verseny d\u00f6nt\u0151s, k\u00e9t kamaraoper\u00e1j\u00e1ban (Out at S.E.A), amelyet 2014\/15-ben eur\u00f3pai turn\u00e9ra is vittek. Sz\u00ednpadon Mozart Var\u00e1zsfuvol\u00e1j\u00e1ban \u00e9s Cavalli La Calisto c. oper\u00e1j\u00e1ban l\u00e1thatta a k\u00f6z\u00f6ns\u00e9g. Az Operah\u00e1zban Verdi, Wagner, Puccini, R. Strauss oper\u00e1kban l\u00e9pett fel.\r\n2011 m\u00e1jus\u00e1ban a szakmai zs\u0171ri neki \u00edt\u00e9lte a Gundel m\u0171v\u00e9szeti-d\u00edjat opera\u00e9nekes kateg\u00f3ri\u00e1ban, \u00f6szt\u00f6nd\u00edjasa volt a Liszt Ferenc Zenem\u0171v\u00e9szeti egyetem egyik d\u00e9l-koreai partnerint\u00e9zm\u00e9ny\u00e9nek, a Keimjung Egyetem \u00e1ltal m\u0171k\u00f6dtetett Dongszan Alap\u00edtv\u00e1nynak \u00e9s az Ari Kupsus Salon Concerts Society-nek. 2012-ben Junior Pr\u00edma-d\u00edjjal t\u00fcntett\u00e9k ki, 2014-ben pedig megnyerte az I. Nemzetk\u00f6zi Marton \u00c9va \u00c9nekverseny nagyd\u00edj\u00e1t (Grand Prix).<\/p>\r\n<p style=\"text-align: justify;\"><\/p>{:}{:en}Szilvia V\u00f6r\u00f6s is a soloist of the Hungarian State Opera, her roles have been so far: Fenena (Nabucco), High Priestess (Aida), Siebel (Faust), Bersi (Andrea Chenier), Suzuki (Madama Butterfly), Waltraute (Die Walk\u00fcre), Suora infermiera (Suor Angelica), 3rd Maid (Elektra). She was born into a family of musicians on 27<sup>th<\/sup> of April 1988. She completed her secondary education in P\u00e1pa, and, in 2008, while a pupil of Veronika Dobi-Kiss, won first prize in the 6th Simandy Hungarian National Singing Competition. In that year she began her studies at the Franz Liszt Music University, Budapest, as a pupil of \u00c9va Marton, where she finished the Opera course in 2013 and the Teaching course in 2014.\u00a0 As a soloist she has made several appearances at the Budapest Palace of Arts, in the Great Hall of the Music Academy and in a great many of churches. Abroad she has sung in Brussel in the Hungarian Cultural Institut and in the Royal Library of Belgium, in Dresden Schloss Albrechtsberg. In 2014 she sang 3<sup>rd <\/sup>dame in Mozart\u2019s Magic Flute, in a contemporery opera (Out at S.E.A \u2013 in role of Medium) in Budapest, Milan, Paris that has been ordered by P\u00e9ter E\u00f6tv\u00f6s Foundation and \u00a03<sup>rd<\/sup> Maid in Elektra by Richard Strauss. She has also sung frequently in oratorio - including pieces of Buxtehude, Pergolesi, Bach, Mozart, Haydn, Beethoven, Rossini, Bruckner and Arvo P\u00e4rt. She has worked on stage with Marco Armiliato, Patrick Fournillier, Maurizio Benini, and as a concert soloist with Carlo Montanaro, \u00c1d\u00e1m Fischer, Michael Schonwandt, Zolt\u00e1n Kocsis, Marco Comin.\u00a0 She has taken part in numerous master- classes including those with \u00c9va Marton, Nicholas Clapton and Andrea Mel\u00e1th, Francesco Torreggiani, Leonardo de Lisi, Alberto Gazale and Elena Lo Forte, Sylvia Sass.\r\n\r\nIn May 2011 she was awarded the Gundel Art Prize (opera singer category) and in 2012 the Junior Prima Prize. In September 2014 she won the I<sup>st<\/sup> Eva Marton International Singing Competion\u2019s Grand Prix. In September 2015 she got a special prize in the Competizione dell\u2019Opera Singing Competition\u2019s final in Linz.\r\n\r\nIn 2016 she was able to participate the Young Singers Project in Salzburg. She has sung on the side of Anna Netrebko in Manon Lescaut by Puccini and Placido Domingo in Thais by Massenet.{:}","post_title":"{:hu}V\u00f6r\u00f6s Szilvia{:}{:en}Szilvia V\u00f6r\u00f6s{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"voros-szilvia","to_ping":"","pinged":"","post_modified":"2020-04-22 10:51:28","post_modified_gmt":"2020-04-22 10:51:28","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=87338","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}alt{:}{:en}alto{:}"},{"ID":105491,"post_author":"951582","post_date":"2018-02-21 07:53:27","post_date_gmt":"2018-02-21 07:53:27","post_content":"{:en}Czech tenor Ales Briscein will sing in fall 2017 Tambourmajor in a new production of <em>Wozzeck<\/em> at Theater an der Wien conducted by Leo Hussain and staged by Robert Carsen.\r\n\r\n2018 he will return to Munich State Opera for a new production <em>From the House of the Dead<\/em>, where he will perform the part of Filka Morozov Ko, and to Komische Oper Berlin for his debut in the role of Paul in Korngold\u2019s <em>Die tote Stadt<\/em>.\r\n\r\n2019 he will perform a new production of Smetana\u2019s <em>Dalibor<\/em> in Frankfurt.\r\n\r\nHe is guesting at many theatres and festivals of his home country in roles like Jiri in Dvorak\u2018s <em>Jakobin<\/em>, Ladislav in Smetana\u2018s <em>Two widows<\/em>, Prince in <em>Rusalka<\/em>, Conte di Albafloria in Martinu\u2018s <em>Mirandolina<\/em>, as Jarom\u00e9r in Fibich\u2019s <em>P\u00e1d Arkuna<\/em>, as Lukas in Smetana\u2019s <em>The Kiss<\/em>, as Alfredo in <em>La Traviata<\/em>, in the title role of <em>Lohengrin<\/em> or 2015 as Pollione in Bellini\u2019s <em>Norma<\/em>.\r\n\r\nRecent highlights include his debut 2017 in the title role of Zemlinksky\u2019s <em>Der Zwerg<\/em> in Graz, 2016 a new production Eugene Oneguin at Komische Oper Berlin, his debut as Skuratov in Janacek\u2019s <em>From the House of the Dead<\/em> at Savonlinna Opera Festival, and Albert Gregor in a concert performance of <em>Vec Makropulos <\/em>under Jiri Belohlavek at the BBC Proms. He went on tour to Japan with State Opera Prague as Pollione in Bellini\u2019s <em>Norma<\/em> and to Hong Kong with National Theatre of Brno as Alber Gregor in and with the <em>Glagolitic Mass<\/em>.\r\n\r\n2015 he debuted in the part of K\u00f6nigssohn in Humperdinck\u2019s <em>K\u00f6nigskinder<\/em> at Opera Frankfurt, performed Laca in Janacek\u2019s <em>Jenufa<\/em> at the Teatro Comunale di Bologna and sang Stravinskiy\u2019s <em>Les Noces<\/em> in Rome. 2013\/14 he guested in new productions of <em>Cos\u00ec fan tutte<\/em> at the Komische Oper and of <em>Jenufa<\/em> in Graz. 2013 he was heard as Andrej in Tchaikowsky\u2019s <em>Mazeppa<\/em> at Komische Oper and as Steva in <em>Jenufa<\/em> at the Bavarian State Opera in Munich.\r\n\r\nIn summer 2012 he had a huge success in the title role of Wagner\u2019s <em>Lohengrin<\/em> at the Tyrolean Festival in Erl under Gustav Kuhn and sang Smetana\u2019s seldom performed opera <em>Two Widows<\/em> in Angers and Nantes.\r\n\r\nIn summer 2011 he debuted at Salzburg Festival in a new production <em>Vec Makropulos<\/em> conducted by Esa-Pekka Salonen and staged by Christoph Marthaler.\r\n\r\nHe also guested in N\u00fcrnberg, Vancouver, Tokyo, Cyprus, Lille, Caen, Antwerp, Valencia, Vienna, London and Frankfurt.\r\n\r\nFor many years Ales Briscein regularly performed at Op\u00e9ra de Bastille in Paris in roles such as Brighella in <em>Ariadne auf Naxos<\/em>, Kedril in <em>From the House of the dead<\/em>, Ein junger Diener in <em>Elektra<\/em>, Hirt\/Junger Seemann in <em>Tristan und Isolde<\/em>, Valzacchi in <em>Der Rosenkavalier<\/em>, Janek in <em>Vec Makropulos<\/em>, Jen\u00edk in <em>The bartered bride<\/em>, Jaquino in <em>Fidelio<\/em> and as Kudriash in <em>K\u00e1t\u2018a Kabanova<\/em>.\r\n\r\nAles Briscein works with conductors such as Christoph von Dohnanyi, Sir Charles Mackeras, Valeri Gergiev, Jiri Belohlavek, John Fiore, Sylvain Cambreling, Kent Nagano, Tomas Netopil, Esa Pekka Salonen, or David Zinman\r\n\r\n&nbsp;{:}","post_title":"{:hu}Ales Briscein{:}{:en}Ales Briscein {:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ales-briscein","to_ping":"","pinged":"","post_modified":"2018-02-21 07:58:49","post_modified_gmt":"2018-02-21 07:58:49","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=105491","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}tenor{:}{:en}tenor{:}"},{"ID":86446,"post_author":"1","post_date":"2017-05-31 06:17:47","post_date_gmt":"2017-05-31 06:17:47","post_content":"{:hu}Kov\u00e1cs Istv\u00e1n a Magyar \u00c1llami Operah\u00e1zban t\u00f6bbek k\u00f6zt Walter, Raimondo, Sarastro, A k\u00e9kszak\u00e1ll\u00fa herceg \u00e9s Don Giovanni szerep\u00e9t alak\u00edtotta.\u00a0 Vend\u00e9gm\u0171v\u00e9szk\u00e9nt a Berlini \u00c1llami Operah\u00e1zban, valamint a frankfurti, a torin\u00f3i, a palerm\u00f3i, a nizzai, a bordeaux-i \u00e9s a toulouse-i operah\u00e1zban l\u00e9pett fel. Orat\u00f3rium\u00e9nekesk\u00e9nt olyan egy\u00fcttesekkel szerepelt, mint A lipcsei Gewandhaus Zenekara, az Internationale Bachakademie Stuttgart, az Izraeli Szimfonikus Zenekar \u00e9s a New Japan Philharmonic.{:}{:en}He has also taken the stage as a guest artist at Staatsoper Berlin as well as the opera houses of Frankfurt, Turin, Palermo, Nice, Bordeaux and Toulouse. As an oratorio singer, he has appeared with orchestras like Leipzig\u2019s Gewandhaus Orchestra, the Internationale Bachakademie Stuttgart, the Israel Symphony Orchestra and the New Japan Philharmonic.{:}","post_title":"{:hu}Kov\u00e1cs Istv\u00e1n{:}{:en}Istv\u00e1n Kov\u00e1cs{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"kovacs-istvan-2","to_ping":"","pinged":"","post_modified":"2020-10-01 14:28:59","post_modified_gmt":"2020-10-01 14:28:59","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=86446","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}basszus{:}{:en}bass{:}"}],"muveszekrol_reszletesen":true,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87528,"post_author":"1","post_date":"2016-09-08 07:58:45","post_date_gmt":"2016-09-08 07:58:45","post_content":"{:hu}<img class=\"alignnone size-medium wp-image-115522\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/10\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia11_555x555-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>A Nemzeti \u00c9nekkar 1985-ben alakult \u00c1llami \u00c9nekkar n\u00e9ven, 2016. janu\u00e1r 1-t\u0151l vezet\u0151 karnagya Somos Csaba. Az \u00e9nekkar Magyarorsz\u00e1g egyik vezet\u0151 hivat\u00e1sos k\u00f3rusa, amelynek profilja a zenekar-k\u00eds\u00e9retes kompoz\u00edci\u00f3k, orat\u00f3riumok, valamint a cappella m\u0171vek el\u0151ad\u00e1sa. Reperto\u00e1rja ennek megfelel\u0151en rendk\u00edv\u00fcl gazdag, a kora barokk Sch\u00fctz alkot\u00e1sait\u00f3l Bach, a b\u00e9csi klasszikusok \u00e9s a 19. sz\u00e1zad zeneszerz\u0151inek kompoz\u00edci\u00f3in kereszt\u00fcl a 20. sz\u00e1zad \u00e9s a kort\u00e1rs zen\u00e9ig minden ir\u00e1nyba nyitott, m\u0171faji hat\u00e1rok n\u00e9lk\u00fcl, de a ritk\u00e1n m\u0171sorra ker\u00fcl\u0151 alkot\u00e1sok megsz\u00f3laltat\u00e1s\u00e1ban is elk\u00f6telezett. A reperto\u00e1rj\u00e1n hangs\u00falyosan jelen lev\u0151 19. sz\u00e1zadi orat\u00f3riumok mellett az egy\u00fcttes kiemelt fontoss\u00e1got tulajdon\u00edt a kort\u00e1rs m\u0171vek el\u0151ad\u00e1s\u00e1nak, sz\u00e1mos m\u0171 \u0151sbemutat\u00f3ja, illetve magyarorsz\u00e1gi bemutat\u00f3ja f\u0171z\u0151dik a nev\u00e9hez.\r\n\r\nA k\u00f3rus visszat\u00e9r\u0151 k\u00f6zrem\u0171k\u00f6d\u0151je a Nemzeti Filharmonikusok martonv\u00e1s\u00e1ri ny\u00e1ri Beethoven-sorozat\u00e1nak, kiemelked\u0151 szerepl\u0151je a zenekar csal\u00e1di matin\u00e9 koncertsorozat\u00e1nak, valamint a Kocsis Zolt\u00e1n m\u0171v\u00e9szeti vezet\u00e9s\u00e9vel 2006 \u00f3ta fel\u00e9p\u00fcl\u0151 Bart\u00f3k \u00daj Sorozatnak. A Nemzeti Filharmonikusok Richard Strauss oper\u00e1it bemutat\u00f3 nagy siker\u0171 sz\u00e9ri\u00e1j\u00e1ban \u00e9s Schoenberg M\u00f3zes \u00e9s \u00c1ron c\u00edm\u0171 oper\u00e1j\u00e1ban, az \u00e9nekkar mellett t\u00f6bb tagja sz\u00f3listak\u00e9nt is fell\u00e9pett. Az \u00e9nekkar a hazai koncertek mellett nemzetk\u00f6zi felk\u00e9r\u00e9seknek is eleget tesz, rendszeresen koncertezik a magyarok \u00e1ltal is lakott hat\u00e1ront\u00fali telep\u00fcl\u00e9seken. A Nemzeti \u00c9nekkar a M\u00fcp\u00e1ban megrendezett nagyszab\u00e1s\u00fa Wagner-napok rendszeresen megh\u00edvott k\u00f6zrem\u0171k\u00f6d\u0151je.{:}{:en}<img class=\"alignnone size-medium wp-image-115522\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/10\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia11_555x555-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\n\r\nThe Hungarian National Choir (originally called State Choir) was founded in 1985. Between 1990 and 2016 it was headed by M\u00e1ty\u00e1s Antal, who was succeeded by Csaba Somos on 1 January 2016. The choir is one of Hungary\u2019s leading professional choirs. It boasts a rich repertoire chiefly consisting of orchestra-accompanied and a capella choral music, as well as oratorios, ranging from works by the early-Baroque Sch\u00fctz to Bach, Viennese Classical, 19<sup>th<\/sup> and 20<sup>th<\/sup>-century composers, and contemporary music. The Hungarian National Choir is open to every genre and is dedicated to performing rarely heard works. While the backbone of the repertoire consists of 19<sup>th<\/sup>-century oratorios, the Hungarian National Choir attaches great importance to performing contemporary music. Numerous world and national premi\u00e8res are linked with its name.\r\n\r\nThey are\u00a0 returning guests at the Hungarian National Philharmonic Orchestra\u2019s summer Beethoven series in Martonv\u00e1s\u00e1r. It regularly appears in the Orchestra\u2019s family matin\u00e9e concerts, as well as the <em>Bart\u00f3k New Series<\/em>, launched in 2006. The successful performance of Richard Strauss\u2019s operas and Schoenberg\u2019s <em>Moses and Aron<\/em> has involved the National Choir and many of its soloists. In addition to concerts at home, the choir performs extensively abroad and regularly gives concerts in minority Hungarian areas across the border. The Hungarian National Choir is a regular participant of large-scale events at the Palace of Art, such as the Wagner Days.{:}","post_title":"{:hu}Nemzeti \u00c9nekkar (karigazgat\u00f3: Somos Csaba){:}{:en}Hungarian National Choir (choirmaster: Csaba Somos){:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-enekkar-karigazgato-somos-csaba","to_ping":"","pinged":"","post_modified":"2020-07-22 10:07:10","post_modified_gmt":"2020-07-22 10:07:10","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-enekkar-karigazgato-somos-csaba\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the <em>Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;{:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"link","jegyarak":"6.000 Ft, 4.500 Ft, 3.000 Ft","jegyvasarlas_gomb":"","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","hivatkozas_gomb_szovege":"Tickets ","hivatkozas_gomg_url-je":"https:\/\/nfz.jegy.hu\/program\/kobayashi-berlet-3-vezenyel-carlo-montanaro-80738\/382506","muvek_feluldefinialasa":false,"is_muvekrol_reszletesen_en":false,"is_muveszekrol_reszletesen_en":true},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/101852","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=101852"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}