{"id":101760,"date":"2017-05-30T15:09:28","date_gmt":"2017-05-30T15:09:28","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=101760"},"modified":"2017-12-04T10:35:28","modified_gmt":"2017-12-04T10:35:28","slug":"ravel-bach-bernstein-gerswhin-es-kocsis-atirat-2","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/ravel-bach-bernstein-gerswhin-es-kocsis-atirat-2\/","title":{"rendered":"Ravel, Bach, Bernstein, Gershwin \u00e9s Kocsis-\u00e1tirat"},"content":{"rendered":"

R\u00c1CZ ZOLT\u00c1N<\/strong> karmester \u00e9s vibrafon<\/p>\n

A Nemzeti Filharmonikusok egykori f\u0151zeneigazgat\u00f3ja, Kocsis Zolt\u00e1n nev\u00e9t visel\u0151 b\u00e9rletben a korszakos jelent\u0151s\u00e9g\u0171 zongoram\u0171v\u00e9sz \u00e9s karmester olyan muzsikus partnerei l\u00e9pnek fel, akikkel gyakran l\u00e9pett sz\u00ednpadra, valamint zeneszerz\u0151i-hangszerel\u0151i \u00e9letm\u0171v\u00e9nek legjelent\u0151sebb darabjai k\u00f6z\u00fcl is megsz\u00f3lal n\u00e9h\u00e1ny. Az est karmestere, R\u00e1cz Zolt\u00e1n az ut\u00f3bbi \u00e9vtizedekben komoly \u00e9rdemeket szerzett a zenekari reperto\u00e1r felfriss\u00edt\u00e9s\u00e9ben, elhanyagolt remekm\u0171vek, klasszikus szerz\u0151k m\u00e9ltatlanul elfeledett alkot\u00e1sainak bemutat\u00e1s\u00e1ban, nemcsak, mint az Amadinda \u00fct\u0151hangszeres egy\u00fcttes vezet\u0151jek\u00e9nt. Ezen a koncerten sz\u00f3listak\u00e9nt is fell\u00e9p, Bach versenym\u0171v\u00e9ben. A m\u0171sort keretez\u0151 alkot\u00e1sok szerz\u0151i 1937-ben, nyolcvan \u00e9ve hunytak el \u2013 Ravel a zenekari sz\u00ednek, hangulatok, n\u00e9pzenei mot\u00edvumok mesteri \u00f6tv\u00f6z\u0151je, k\u00fcl\u00f6n\u00f6sen igaz ez spanyolos hangz\u00e1svil\u00e1g\u00fa alkot\u00e1saira, mint amilyen a zongoram\u0171b\u0151l meghangszerelt Alborada del Gracioso. George Gershwin szint\u00e9n nagy \u201ekever\u0151m\u0171v\u00e9sz\u201d; \u0151 az eur\u00f3pai hagyom\u00e1ny \u00e9s a jazz \u00f6sszeh\u00e1zas\u00edt\u00e1s\u00e1val ker\u00fclt be a zenet\u00f6rt\u00e9net zseni\u00e1lis \u00faj\u00edt\u00f3inak sor\u00e1ba. Az \u0151 nyomdokain haladva \u00edrta meg a modern R\u00f3me\u00f3 \u00e9s J\u00falia-adapt\u00e1ci\u00f3hoz \u00edrt legn\u00e9pszer\u0171bb musical zen\u00e9j\u00e9t Leonard Bernstein, amelyb\u0151l k\u00e9s\u0151bb az itt hallhat\u00f3 zenekari szvit k\u00e9sz\u00fclt. A Kocsis Zolt\u00e1n hangszerel\u00e9s\u00e9ben elhangz\u00f3 Debussy-zongoram\u0171 k\u00fcl\u00f6nlegess\u00e9ge,, hogy a zeneszerz\u0151 hal\u00e1la ut\u00e1n hatvan \u00e9vvel jelent meg nyomtat\u00e1sban, innen ered a c\u00edm\u00e9hez tartoz\u00f3 \u201eelfeledett\u201d jelz\u0151.<\/p>\n","protected":false},"template":"","class_list":["post-101760","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"acf":{"alcim":"Kocsis Zolt\u00e1n b\u00e9rlet 3.","kiemelt_kep":null,"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20171208","esemeny_idopontja":"19.00","sajat_program":false,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87815,"post_author":"1","post_date":"2016-09-08 08:02:39","post_date_gmt":"2016-09-08 08:02:39","post_content":"","post_title":"{:hu}Csabagy\u00f6ngye Kultur\u00e1lis K\u00f6zpont{:}{:en}Csabagy\u00f6ngye Cultural Centre{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"csabagyongye-kulturalis-kozpont","to_ping":"","pinged":"","post_modified":"2016-09-08 08:02:39","post_modified_gmt":"2016-09-08 08:02:39","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/csabagyongye-kulturalis-kozpont\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"{:hu}B\u00e9k\u00e9scsaba{:}{:en}B\u00e9k\u00e9scsaba{:}","orszag":"{:hu}Magyarorsz\u00e1g{:}{:en}Hungary{:}","cim":"","megjegyzes":"","weboldal":""},"helyszin_kategoria":"videk","karmester":{"ID":87088,"post_author":"1","post_date":"2017-05-30 19:59:34","post_date_gmt":"2017-05-30 19:59:34","post_content":"{:hu}Zenei tanulm\u00e1nyait 1967-ben kezdte zongor\u00e1n, majd 1970-t\u0151l p\u00e1rhuzamosan \u00fct\u0151hangszereken is elkezdett\u00a0 j\u00e1tszani. A Bart\u00f3k B\u00e9la Konzervat\u00f3riumban, \u00e9s a Liszt Ferenc Zenem\u0171v\u00e9szeti F\u0151iskol\u00e1n v\u00e9gzett tanulm\u00e1nyai ut\u00e1n 1983-ban szerzett \u00fct\u0151hangszeres m\u0171v\u00e9szdiplom\u00e1t.\u00a0 M\u00e1r zeneakad\u00e9mista kor\u00e1ban felkeltett\u00e9k \u00e9rdekl\u0151d\u00e9s\u00e9t az \u00fct\u0151hangszerekre \u00edrt sz\u00f3l\u00f3- \u00e9s kamaradarabok.\r\nRendszeresen k\u00f6zrem\u0171k\u00f6d\u00f6tt az \u00daj Zenei St\u00fadi\u00f3 hangversenyein, \u00e9s sz\u00e1mos \u00faj darabot mutatott be koncerteken \u00e9s lemezfelv\u00e9teleken. 1981-ben, a Bart\u00f3k centen\u00e1rium \u00e9v\u00e9ben Kocsis Zolt\u00e1nnal \u00e9s R\u00e1nki Dezs\u0151vel t\u00f6bbsz\u00f6r el\u0151adta, valamint hanglemezre vette Bart\u00f3k Szon\u00e1ta k\u00e9t zongor\u00e1ra \u00e9s \u00fct\u0151hangszerekre c\u00edm\u0171 darabj\u00e1t.\r\n\r\n1984-ben t\u00e1rsaival megalap\u00edtotta az Amadinda \u00dct\u0151egy\u00fcttest, amelynek az\u00f3ta m\u0171v\u00e9szeti vezet\u0151je. 1985-ben az egy\u00fcttes I. d\u00edjat nyert a rotterdami Gaudeamus Kort\u00e1rszenei Versenyen. Az elm\u00falt \u00e9vtizedekben az Amadinda a vil\u00e1g \u00e9lvonalbeli \u00fct\u0151egy\u00fcttes\u00e9v\u00e9 n\u0151tte ki mag\u00e1t, koncerturn\u00e9ik sor\u00e1n n\u00e9gy kontinens, 33\u00a0 orsz\u00e1g\u00e1ban l\u00e9ptek sz\u00ednpadra. Rendszeresen tesznek eleget tekint\u00e9lyes eur\u00f3pai fesztiv\u00e1lok megh\u00edv\u00e1sainak: Paris Autumn; Pr\u00e1gai Tavasz; Z\u00e1gr\u00e1bi Bienn\u00e1l\u00e9; Vars\u00f3i \u0130sz; Bath Fesztiv\u00e1l; Huddersfield Kort\u00e1rszenei Fesztiv\u00e1l; BBC Proms; Berlini Biennale \u00e9s a B\u00e9csi \u00dcnnepi Hetek. Az Amadinda koncertezett az Egyes\u00fclt \u00c1llamokban, Jap\u00e1nban, Hong Kongban, Mexico City-ben, Ausztr\u00e1li\u00e1ban, Libanonban \u00e9s Taiwanon.\r\n\r\nT\u00f6bb, mint t\u00edz CD-t k\u00e9sz\u00edtettek a Hungarotonn\u00e1l. 1990 \u00e9s 2010 k\u00f6z\u00f6tt lemezre vett\u00e9k John Cage valamennyi\u00a0 \u00fct\u0151hangszerre kompon\u00e1lt darabj\u00e1t \u00e9s hanglemezfelv\u00e9teleket k\u00e9sz\u00edtettek a TELDEC (The Ligeti Project) \u00e9s a Tzadik (Lukas Ligeti) lemezkiad\u00f3k sz\u00e1m\u00e1ra is.\r\nJohn Cage az Amadinda sz\u00e1m\u00e1ra \u00edrta 72 perces m\u0171v\u00e9t, a Four4-t, amelyet az egy\u00fcttes 1992-ben mutatott be Toki\u00f3ban. Szint\u00e9n az Amadind\u00e1nak k\u00e9sz\u00fclt Ligeti Gy\u00f6rgy m\u0171ve, a mezzoszopr\u00e1nra \u00e9s \u00fct\u0151hangszerekre \u00edrt S\u00edppal, dobbal, n\u00e1diheged\u0171vel c\u00edm\u0171 darab, amelynek bemutat\u00f3ja 2000-ben volt Metzben. Steve Reich az\u00a0 Amadinda 25 \u00e9ves jubileum\u00e1ra kompon\u00e1lta Mallet Quartet c\u00edm\u0171 darabj\u00e1t. A m\u0171 \u0151sbemutat\u00f3ja Budapesten, a\u00a0 M\u0171v\u00e9szetek Palot\u00e1j\u00e1ban volt, 2009-ben.\r\n1988-ban az Amadinda \u00dct\u0151egy\u00fcttes Liszt Ferenc-d\u00edjat, 1997-ben a Magyar K\u00f6zt\u00e1rsas\u00e1gi \u00c9rdemrend Tisztikeresztj\u00e9t, 2004-ben Kossuth-d\u00edjat, 2008-ban Bart\u00f3k B\u00e9la - P\u00e1sztory Ditta d\u00edjat kapott.\r\nR\u00e1cz Zolt\u00e1n munk\u00e1ss\u00e1ga sz\u00f3listak\u00e9nt is jelent\u0151s. A BIS kiad\u00f3 sz\u00e1m\u00e1ra hanglemezre vette \u00e9s t\u00f6bb alkalommal (B\u00e9csben, Berlinben, Budapesten) koncerten is el\u0151adta E\u00f6tv\u00f6s P\u00e9ter Triangel c\u00edm\u0171 \u00fct\u0151hangszerekre \u00e9s kamaraegy\u00fcttesre \u00edrott concert\u00f3j\u00e1t, a zeneszerz\u0151 vez\u00e9nylet\u00e9vel. Bart\u00f3k Szon\u00e1ta k\u00e9t zongor\u00e1ra \u00e9s \u00fct\u0151hangszerekre c\u00edm\u0171 m\u0171v\u00e9t Schiff Andr\u00e1ssal \u00e9s Bruno Caninoval sz\u00e1mos eur\u00f3pai orsz\u00e1gban adta el\u0151,\u00a0 (Wigmore Hall, Berliner Festwochen, Mondsee Fesztiv\u00e1l; Velencei Bienn\u00e1l\u00e9) majd a DECCA kiad\u00f3 sz\u00e1m\u00e1ra hanglemezre vette.\r\n1992 \u00e9s 1996 k\u00f6z\u00f6tt a Budapesti Fesztiv\u00e1lzenekar els\u0151 timpanist\u00e1ja, majd \u00f6t \u00e9ven \u00e1t a Magyar Telev\u00edzi\u00f3 kort\u00e1rszenei programszerkeszt\u0151je. 1997-t\u0131l a Budapesti Tavaszi Fesztiv\u00e1l m\u0171v\u00e9szeti tan\u00e1csad\u00f3 test\u00fclet\u00e9nek tagja. 1997-ben Wilheim Andr\u00e1s zenet\u00f6rt\u00e9n\u00e9sszel megalap\u00edtotta az UMZE Kamaraegy\u00fcttest, amelynek magalakul\u00e1sa \u00f3ta m\u0171v\u00e9szeti vezet\u0151je.\r\n1990-t\u0151l a Liszt Ferenc Zeneakad\u00e9mia tan\u00e1ra. Mesterkurzusokat tartott a vil\u00e1g sz\u00e1mos pontj\u00e1n: Ferienkurse f\u00fcr Neue Musik, Darmstadt (1996); Groznjan, Horv\u00e1torsz\u00e1g (1997); Julliard School, Yale University (1998); Senzoku Gakuen Egyetem, Toho Gakuen Egyetem \u00e9s Nagoya Egyetem, Jap\u00e1n (1999); International Summer Music Camp,Taiwan (1999); Edith Cowan Egyetem, Perth, Ausztr\u00e1lia (2002) Janacek Academy, Brno (2008) \u00e9s a szombathelyi Bart\u00f3k \u00daj Zene Fesztiv\u00e1l(1990,1998,2002, 2003).\r\n2002-ben a Francia K\u00f6zt\u00e1rsas\u00e1g kultur\u00e1lis minisztere, a Chevalier de l'Ordre des Arts et des Lettres c\u00edmet adom\u00e1nyozta R\u00e1cz Zolt\u00e1nnak.{:}{:en} \r\n\r\nBorn in Budapest (1960) he has begun his musical studies in 1967 first on the piano and some years later also on percussion instruments. Having finished studies at B\u00e9la Bart\u00f3k Conservatory he graduated from Ferenc Liszt Academy of Music in 1983.\r\n\r\nAs a student he became more and more interested in percussion solo and chamber music repertoire. He has regularly participated in the programs of New Music Studio (Budapest) and presented several new pieces in concerts and recordings. During the Bart\u00f3k Centenary Year 1981 he performed and recorded Sonata for Two Pianos and Percussion with Zolt\u00e1n Kocsis and Dezs\u0151 R\u00e1nki.\r\n\r\nIn 1984 he has founded Amadinda Percussion Group remaining its artistic director to this day. In 1985 the group won the first prize at Gaudeamus Contemporary Music Competition in Rotterdam. During the past years Amadinda became one of the most renowned percussion groups all over the world - performing at all prestigious music festivals in Europe like Paris Autumn, Prague Spring, Zagreb Biennale, Warsaw Autumn, Tampere Biennale, Bath Festival, Huddersfield Contemporary Festival, BBC Proms, Berlin Biennale and Wiener Festwochen. Amadinda performed also at Carnegie Hall and Meyerson Hall in the USA, Japan, Mexico City, Australia, China, Lebanon, Armenia and five times in Taiwan at Taipei International Percussion Convention. Professionals from all over the world came to celebrate the 30th anniversary of the formation of Amadinda at the world\u2019s most remarkable percussion event, the Percussive Arts Society International Convention, held in Indianapolis (USA), in 2014.Amadinda has recorded more than ten CD-s for Hungaroton, including the complete percussion works of John Cage. Additional recordings were made for TELDEC ( The Ligeti Project ) and for Tzadik, New York.\r\n\r\nJohn Cage<\/strong> dedicated his 72 minutes long composition Four4 to Amadinda. The piece was premiered in Tokyo during the group's first tour in Japan in 1992.\u00a0 In 2000, they performed the world premiere of Gy\u00f6rgy<\/strong> Ligeti<\/strong> 's new piece S\u00edppal, dobbal, n\u00e1diheged\u0171vel, for mezzosoprano and percussion, composed for the group as well. In 2009, Steve Reich, <\/strong>one of the greatest living composers composed and dedicated a new piece for the group - Mallet Quartet \u2013 on the occasion of\u00a0 Amadinda\u2019s 25th<\/sup> anniversary.\r\n\r\nIn 1988 Amadinda Percussion Group was awarded Franz Liszt Prize by the Hungarian government as well as the Order of the Merit of the Hungarian Republic by the President of Hungary in 1997. In 2004 Amadinda received the Kossuth Prize, the highest artistic prize of Hungary. In addition they received a very prestigious prize in 2008: the Bart\u00f3k B\u00e9la \u2013 P\u00e1sztory Ditta prize.\r\n\r\nDuring these years Zolt\u00e1n R\u00e1cz appeared as a soloist and conductor as well. He played and also recorded for the BIS label Peter E\u00f6tv\u00f6s 's percussion concerto Triangel - under the baton of\u00a0 the composer.\u00a0 Performance venues included Berlin, Vienna and Budapest, among others. He performed Bart\u00f3k's Sonata for Two Pianos and Percussion with Andr\u00e1s Schiff and Bruno Canino in several European countries, e.g. in Wigmore Hall London, Berliner Festwochen, Mondsee Festival, Biennale di Venezia. Their recording of the piece was published on DECCA label. He has been the principal timpanist of the Budapest Festival Orchestra between 1992 and 1996 as well as editor of a contemporary music program for the Hungarian Television for five years. From 1997 until 2005 he was member of the artistic advisory board of the Budapest Spring Festival which is Hungary's most important annual artistic event.\r\n\r\nSince 2006 he serves as music director for Hungary\u2019s leading contemporary music group, the UMZE Chamber Ensemble. His appearances, as conductor of this ensemble include Espinho Music Festival (Portugal), Zagreb Biennale (Croatia) Bernaola Festival (Spain) and Schleswig-Holstein Music Festival (Germany) as well as most of the major Hungarian music festivals. He is the artistic director of the annual Hommage \u00e0 Ligeti concert series of the Palace of Arts \u2013 Budapest. In the past years, besides having conducted Concerto Budapest Symphony Orchestra regularly, he was invited several times to conduct the Budapest Festival Orchestra as well. The year 2017 marks his debut as a conductor with the Hungarian National Philharmonic Orchestra.\r\n\r\nSince 1990 he is professor at Franz Liszt Academy of Music. He has held numerous masterclasses: Ferienkurse f\u00fcr Neue Musik in Darmstadt (1996), Groznjan, Croatia (1997) Juilliard School of Music and Yale University, USA (1998)\u00a0 Senzoku Gakuen College of Music, Toho Gakuen College of Music and Nagoya College of\u00a0 Music in Japan (1999) First International Percussion Summer Camp, Taiwan (1999) Edith Cowan University, Perth, Australia (2002) Janacek Academy, Brno, Czech Republic (2008), P\u00f4le Sup\u00e9rieur Paris Boulogne-Billancourt (2009), Auditorio Parco Della Musica, Rome (2010), Conservatorio Superior de M\u00fasica J. Rodrigo, Valencia (2012), Yale Summer School of Music, Norfolk CT, USA (2012), Northwestern University, Evanston IL, USA (2014, 2016), Eastman School of Music, Rochester NY, USA (2014), Peabody Institute Baltimore MD, USA (2014), Manhattan School of Music, New York NY, USA (2016), Royal College of Music, London, Great Britain (2017), and Bart\u00f3k - New Music Festival held in Hungary in 1990, 1998, 2002 and 2003.\r\n\r\nIn 2002 Zolt\u00e1n R\u00e1cz received the award of Chevalier de l'Ordre des Arts et des Lettres given by Madame Catherine Tasca, Minister of Culture and Communication of the French Republic.\r\n\r\n {:}","post_title":"{:hu}R\u00e1cz Zolt\u00e1n{:}{:en}Zolt\u00e1n R\u00e1cz{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"racz-zoltan","to_ping":"","pinged":"","post_modified":"2017-12-04 10:30:01","post_modified_gmt":"2017-12-04 10:30:01","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=87088","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":101490,"post_author":"3","post_date":"2017-05-29 19:36:53","post_date_gmt":"2017-05-29 19:36:53","post_content":"{:hu}Maurice Ravel 1904\/1905-ben kompon\u00e1lta Miroirs (T\u00fckr\u00f6k) c\u00edm\u0171 ciklus\u00e1t zongor\u00e1ra. A sorozat \u00f6t darabb\u00f3l \u00e1ll: Noctuelles (\u00c9jjeli lepk\u00e9k), Oiseaux tristes (Szomor\u00fa madarak), Une barque sur l\u2019oc\u00e9an (B\u00e1rka az \u00f3ce\u00e1non), Alborada del gracioso \u00e9s La vall\u00e9e des cloches (Harangok v\u00f6lgye). A zeneszerz\u0151 mindegyik zongoradarabot egy-egy bar\u00e1tj\u00e1nak aj\u00e1nlotta, akikkel 1902-t\u0151l rendszeresen tal\u00e1lkozott az Apaches (Apacsok) nev\u0171, a kort\u00e1rs irodalom, zene \u00e9s k\u00e9pz\u0151m\u0171v\u00e9szet k\u00e9rd\u00e9seir\u0151l eszmecser\u00e9t folytat\u00f3 csoport \u00f6sszej\u00f6vetelein. Az Alborada c\u00edmzettje Michel-Dimitri Calvocoressi, zenet\u00f6rt\u00e9n\u00e9sz \u00e9s kritikus, akivel Ravel a p\u00e1rizsi Conservatoire n\u00f6vend\u00e9kek\u00e9nt ismerkedett meg, \u00e9s k\u00f6t\u00f6tt \u00e9letre sz\u00f3l\u00f3 bar\u00e1ts\u00e1got.\r\nAz Alborada del gracioso a sorozat tal\u00e1n legn\u00e9pszer\u0171bb darabja, az egyetlen, amely nem francia, hanem spanyol c\u00edmet visel. Az \u201ealborada\u201d (hajnali dal, szeren\u00e1d) a nagy \u00fcnnepek alkalm\u00e1val hangzott el, s a n\u00e9pi gyakorlatban is el\u0151fordult a legk\u00fcl\u00f6nf\u00e9l\u00e9bb funkci\u00f3ban. A \u201egracioso\u201d a spanyol sz\u00ednpadi szerz\u0151k, t\u00f6bbek k\u00f6z\u00f6tt Calderon \u00e9s Lope de Vega darabjainak komikus szolgafigur\u00e1ja (angol nyelvter\u00fcleten \u00e1ltal\u00e1ban \u201ebolond\u201d-nak, n\u00e1lunk \u201eboh\u00f3c\u201d-nak szokt\u00e1k ford\u00edtani). Ravel m\u0171ve ugyan a c\u00edm\u00e9n k\u00edv\u00fcl nem mutat semmilyen konkr\u00e9t hasonl\u00f3s\u00e1got a spanyol n\u00e9pi alborad\u00e1kkal, a zene m\u00e9gis egy\u00e9rtelm\u0171en \u201espanyolos\u201d. A komponist\u00e1ra \u00e1ltal\u00e1ban jellemz\u0151 volt a Franciaorsz\u00e1gban egzotikusnak sz\u00e1m\u00edt\u00f3 zenei elemek haszn\u00e1lata; a sz\u00e1mos m\u0171v\u00e9ben jelen l\u00e9v\u0151 spanyol kolorit azonban m\u00e1ssal magyar\u00e1zhat\u00f3: \u00e9desanyja baszk\/spanyol sz\u00e1rmaz\u00e1s\u00fa volt, \u00edgy az ib\u00e9riai f\u00e9lsziget zenei vil\u00e1ga szinte sz\u00fclet\u00e9s\u00e9t\u0151l fogva ismer\u0151s lehetett sz\u00e1m\u00e1ra.\r\nRavel kor\u00e1nak egyik legkiv\u00e1l\u00f3bb hangszerel\u0151je volt. Gyakran \u00edrta \u00e1t a saj\u00e1t, illetve m\u00e1s szerz\u0151k zongoram\u0171veit zenekarra \u2013 a legh\u00edresebb ilyen munk\u00e1ja Muszorgszkij Egy ki\u00e1ll\u00edt\u00e1s k\u00e9pei c\u00edm\u0171 darabj\u00e1nak zenekari v\u00e1ltozata. A Miroirs ciklusb\u00f3l \u0151 maga csak az Une barque sur i\u2019oc\u00e9ant \u00e9s az Alborada del gacios\u00f3t hangszerelte meg (ez ut\u00f3bbit 1918-ban); a m\u00e1sik h\u00e1romb\u00f3l k\u00e9s\u0151bb, m\u00e1s szerz\u0151k k\u00e9sz\u00edtettek \u00e1tiratot. Ravel eset\u00e9ben tal\u00e1n nem is a legmegfelel\u0151bb sz\u00f3 az \u201e\u00e1tirat\u201d; \u0151 val\u00f3j\u00e1ban saj\u00e1tos m\u00f3don \u00fajrakompon\u00e1lta-\u00fajra\u00e9rtelmezte az eredend\u0151en zongoraszer\u0171 m\u0171veket, \u00fagy, hogy azok eredend\u0151en zenekari m\u0171vekk\u00e9 v\u00e1ltak. (Nem v\u00e9letlen, hogy az Alborada del gracios\u00f3nak mindk\u00e9t form\u00e1ja egyar\u00e1nt n\u00e9pszer\u0171.) A zenekari v\u00e1ltozat, b\u00e1r els\u0151 l\u00e1t\u00e1sra nem sokban k\u00fcl\u00f6nb\u00f6zik a zongoradarabt\u00f3l, a zseni\u00e1lis hangszerel\u00e9s r\u00e9v\u00e9n m\u00e9gis teljesen m\u00e1snak hat, s a m\u0171 eredend\u0151en humoros, parodisztikus jelleg\u00e9t tal\u00e1n m\u00e9g ink\u00e1bb \u00e9rv\u00e9nyre juttatja. K\u00e9tf\u00e9le zenei anyagra \u00e9p\u00fcl: az els\u0151 ritmikailag izgalmas, t\u00e1ncos, szinte elt\u00falzottan \u201espanyolos\u201d zene, s ut\u00e1na kezd\u0151dik a tulajdonk\u00e9ppeni esetlen, \u00e9rzelmes gesztusokkal teli szeren\u00e1d, amely recitativo-szer\u0171 szabads\u00e1ggal sz\u00f3lal meg a fagotton. A h\u00e1tt\u00e9rben azonban mindv\u00e9gig ott bujk\u00e1l a kezd\u0151 t\u00e1nckarakter, s a darab utols\u00f3 r\u00e9sz\u00e9ben teljes pomp\u00e1j\u00e1ban t\u00e9r vissza, l\u00e1tv\u00e1nyos befejez\u00e9st adva ennek a rendk\u00edv\u00fcl eredeti, sz\u00ednpomp\u00e1s hangz\u00e1s\u00fa m\u0171nek.{:}{:en}Ravel composed his cycle Mirrors for piano in 1904\/1905. Perhaps the most popular piece of the series is Alborada del gracioso, the only one having a Spanish, not a French, title. The word \u201calborada\u201d means aubade or morning love song, and \u201cgracioso\u201d is the comic Jester character in Spanish stage writers (such as Calderon and Lope de Vega). The piano piece was orchestrated by the composer himself in 1918, possibly highlighting to a greater extent than the original the humorous character of the piece.{:}","post_title":"{:hu}Alborada del gracioso{:}{:en}Alborada del gracioso{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"alborada-del-gracioso","to_ping":"","pinged":"","post_modified":"2017-11-29 12:54:25","post_modified_gmt":"2017-11-29 12:54:25","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=101490","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Ravel"]},{"ID":101494,"post_author":"3","post_date":"2017-05-29 19:39:10","post_date_gmt":"2017-05-29 19:39:10","post_content":"{:hu}Claude Debussy 1894-ben m\u00e1r kompon\u00e1lt egy h\u00e1rom darabb\u00f3l \u00e1ll\u00f3, Images<\/em> (K\u00e9pek) c\u00edm\u0171 zongoraciklust. A teljes sorozat nyomtat\u00e1sban csak 1977-ben jelent meg, Images (oubli\u00e9es)<\/em> c\u00edmmel \u2013 az oubli\u00e9es<\/em> (elfelejtett) jelz\u0151vel az\u00e9rt eg\u00e9sz\u00edtett\u00e9k ki az eredeti c\u00edmet, hogy a ciklus ne legyen \u00f6sszet\u00e9veszthet\u0151 a k\u00e9t n\u00e9pszer\u0171, 1905-ben \u00e9s 1907-ben publik\u00e1lt Images <\/em>sorozattal. A Sarabande<\/em>-ot Maurice Ravel hangszerelte meg 1923-ban, a m\u00e1sik k\u00e9t darabb\u00f3l pedig Kocsis Zolt\u00e1n k\u00e9sz\u00edtett zenekari \u00e1tiratot. A \u201emelankolikusan \u00e9s \u00e9desen\u201d el\u0151adand\u00f3 els\u0151 darab ut\u00e1n k\u00f6vetkez\u0151 Sarabande<\/em> el\u00e9 ezt \u00edrta Debussy: \u201e\u2026m\u00e9lt\u00f3s\u00e1gteljes \u00e9s lass\u00fa eleganci\u00e1val, kicsit \u00fagy, mint amilyen egy r\u00e9gi portr\u00e9, eml\u00e9k a Louvre-b\u00f3l stb.\u2026\u201d A nagyon \u00e9l\u00e9nk, szipork\u00e1z\u00f3an humoros harmadik darab a \u201eNous n\u2019irons plus au bois\u201d kezdet\u0171 francia gyermekdal els\u0151 sor\u00e1ra \u00e9p\u00fcl.{:}{:en}Claude Debussy composed Images, a three-piece cycle for piano, in 1894. The cycle was only eventually published in its entirety in 1977, entitled Image (oubli\u00e9es). The reason for adding the words \u201cforgotten\u201d was to prevent it from being confused with his other two popular Images cycles, published in 1905 and 1907 respectively. Maurice Ravel orchestrated the Sarabande in 1923, and Zolt\u00e1n Kocsis created an orchestral transcription of the other two pieces. The first, \u201cmelancholic and sweet\u201d first piece is followed by the Sarabande, which Debussy instructed to be performed \u201c[...] with dignified and slow elegance, not unlike an old portrait, a memory from the Louvre, etc. [...]\u201d The vigorous and humorous third piece is based on the first line of the French nursery song \u201cNous n\u2019irons plus au bois\u201d.\r\n\r\nImages (oubli\u00e9es)\r\n\r\nNo. I.\u00a0Lent (M\u00e9lancolique et doux)\r\n\r\nNo. II. Sarabande (Ravel\u2019s orchestration)\r\n\r\nNo. III. Quelques aspects{:}","post_title":"{:hu}Images oubli\u00e9es{:}{:en}Images oubli\u00e9es{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"image-obiligee","to_ping":"","pinged":"","post_modified":"2017-11-29 12:57:58","post_modified_gmt":"2017-11-29 12:57:58","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=101494","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Debussy-Kocsis"]},{"ID":101498,"post_author":"3","post_date":"2017-05-29 19:41:01","post_date_gmt":"2017-05-29 19:41:01","post_content":"{:hu}George Gershwin a nagy siker\u0171 Rosalie<\/em> c\u00edm\u0171 show <\/em>\u2013 melynek zen\u00e9j\u00e9t a magyar sz\u00e1rmaz\u00e1s\u00fa Sigmund Romberggel k\u00f6z\u00f6sen kompon\u00e1lta \u2013 1928. janu\u00e1ri bemutat\u00f3ja ut\u00e1n m\u00e1rciusban Eur\u00f3p\u00e1ba utazott, hogy kiss\u00e9 kipihenje mag\u00e1t. Ekkor tervezte befejezni a k\u00e9t \u00e9vvel kor\u00e1bbi p\u00e1rizsi utaz\u00e1sakor \u201eVery Parisienne\u201d felirattal pap\u00edrra vetett v\u00e1zlatait, azaz az Egy amerikai P\u00e1rizsban <\/em>c\u00edm\u0171 m\u0171v\u00e9t. A p\u00e1rizsi sug\u00e1rutakon hallhat\u00f3 taxidud\u00e1k hangja olyannyira elk\u00e1pr\u00e1ztatta, hogy egy bar\u00e1tj\u00e1val az Avenue de la Grand Armee aut\u00f3s\u00fczleteiben v\u00e1s\u00e1rolt n\u00e9h\u00e1nyat, hogy hangjukat k\u00e9sz\u00fcl\u0151 m\u0171v\u00e9be is belekompon\u00e1lhassa.\r\n\r\nA h\u00e1rom egym\u00e1shoz szorosan kapcsol\u00f3d\u00f3 r\u00e9szb\u0151l \u00e1ll\u00f3 m\u0171ben Gershwin \u2013 saj\u00e1t szavaival \u00e9lve \u2013 megjelen\u00edti \u201eegy amerikai l\u00e1togat\u00f3 impresszi\u00f3it, amint k\u00f3borol P\u00e1rizsban, hallgatja a k\u00fcl\u00f6nb\u00f6z\u0151 utcai zajokat \u00e9s mag\u00e1ba sz\u00edvja a francia atmoszf\u00e9r\u00e1t.\u201d Ez a le\u00edr\u00e1s legink\u00e1bb az els\u0151 r\u00e9szre illik, amelyet egy blues-os m\u00e1sodik szakasz k\u00f6vet, amelyben \u201eamerikai bar\u00e1tunk megadja mag\u00e1t a honv\u00e1gynak\u201d. Ugyanakkor \u2013 mint Gershwin \u00edrja \u2013 \u201ea nosztalgia nem hal\u00e1los betegs\u00e9g\u201d, \u00edgy az amerikai l\u00e1togat\u00f3 a m\u0171 harmadik r\u00e9sz\u00e9ben \u201eism\u00e9t \u00e9ber szeml\u00e9l\u0151je a p\u00e1rizsi \u00e9letnek\u201d.\r\n\r\nAz Egy amerikai P\u00e1rizsban <\/em>c\u00edm\u0171 szimfonikus zenekari kompoz\u00edci\u00f3 \u0151sbemutat\u00f3j\u00e1ra 1928. december 13-\u00e1n ker\u00fclt sor a Carnegie Hallban, a New Yorki Filharmonikus Zenekar el\u0151ad\u00e1s\u00e1ban, Walter Damrosch vez\u00e9nylet\u00e9vel. Gershwin arra a k\u00e9rd\u00e9sre, hogy vajon a klasszikus reperto\u00e1r r\u00e9sz\u00e9v\u00e9 v\u00e1lhat-e a m\u0171ve, \u00edgy v\u00e1laszolt: \u201eTudj\u00e1k, ez nem egy Beethoven-szimf\u00f3nia. Ez egy humoros darab, semmi \u00fcnnep\u00e9lyess\u00e9g nincs benne. Nem arra val\u00f3, hogy k\u00f6nnyeket fakasszon. Ha \u2013 mint egy k\u00f6nny\u0171, vid\u00e1m darab, benyom\u00e1sok sor\u00e1nak zenei kifejez\u00e9se \u2013 \u00f6r\u00f6m\u00f6t okoz a szimf\u00f3ni\u00e1k k\u00f6z\u00f6ns\u00e9g\u00e9nek, akkor el\u00e9rte a c\u00e9lj\u00e1t.\u201d\r\n\r\nAz Egy amerikai P\u00e1rizsban <\/em>Gershwin egyik legn\u00e9pszer\u0171bb kompoz\u00edci\u00f3ja lett. A m\u0171 els\u0151 lemezfelv\u00e9tele 1929-ben k\u00e9sz\u00fclt az RCA Victor lemezc\u00e9g sz\u00e1m\u00e1ra. A felv\u00e9telre megh\u00edvt\u00e1k a zeneszerz\u0151t is, azonban a lemezc\u00e9g zenekar\u00e1t vez\u00e9nyl\u0151 Nathaniel Shilkret \u2013 arra hivatkozva, hogy a hangfelv\u00e9tel min\u0151s\u00e9g\u00e9\u00e9rt \u0151 maga felel \u2013 kitess\u00e9kelte \u0151t a st\u00fadi\u00f3b\u00f3l. Valamivel k\u00e9s\u0151bb m\u00e9gis visszah\u00edvta, ugyanis kider\u00fclt, hogy nincs, aki elj\u00e1tssza a r\u00f6vid cseleszta sz\u00f3l\u00f3t, amit \u00edgy a felv\u00e9telen a zeneszerz\u0151 el\u0151ad\u00e1s\u00e1ban r\u00f6gz\u00edtettek. 1951-ben zen\u00e9s film is k\u00e9sz\u00fclt An American in Paris <\/em>c\u00edmmel (rendez\u0151: Vincente Minnelli, f\u0151szerepl\u0151k: Gene Kelly \u00e9s Leslie Caron), melybe t\u00f6bb m\u00e1s Gershwin-zene mellett egy t\u00e1ncjelenet k\u00eds\u00e9r\u0151zen\u00e9jek\u00e9nt \u2013 Johnny Green \u00e1tdolgoz\u00e1s\u00e1ban \u2013 a c\u00edmad\u00f3 m\u0171vet is beillesztett\u00e9k.{:}{:en}George Gershwin composed An American in Paris in March 1928. Consisting of three, closely connected parts, the orchestral work seeks \u201cto portray the impression of an American visitor in Paris as he strolls about the city and listens to various street noises and absorbs the French atmosphere.\u201d This description best fits the first part, which is followed by a blues-style second part in which \u201cour American friend [...] has succumbed to a spasm of homesickness\u201d. Yet, as Gershwin notes, \u201cnostalgia is not a fatal disease\u201d, and in the third part the American visitor \u201conce again is an alert spectator of Parisian life\u201d.\r\n\r\nAn American in Paris received its world premi\u00e8re in New York on 13 December 1928. Asked whether it would become part of the classical repertoire, the composer said, \u201cIt\u2019s not a Beethoven Symphony, you know [...] It\u2019s a humorous piece, nothing solemn about it. It\u2019s not intended to draw tears. If it pleases symphony audiences as a light, jolly piece, a series of impressions musically expressed, it succeeds.\u201d\r\n\r\n {:}","post_title":"{:hu}Egy amerikai P\u00e1rizsban{:}{:en}An American in Paris{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"egy-amerikai-parizsban","to_ping":"","pinged":"","post_modified":"2017-11-29 12:56:53","post_modified_gmt":"2017-11-29 12:56:53","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=101498","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Gershwin"]},{"ID":101492,"post_author":"3","post_date":"2017-05-29 19:38:01","post_date_gmt":"2017-05-29 19:38:01","post_content":"{:hu}A fiatal J. S. Bach sz\u00e1m\u00e1ra meghat\u00e1roz\u00f3 \u00e9lm\u00e9nyt jelentett az olasz concerto (versenym\u0171) megismer\u00e9se. Weimari udvari orgonistak\u00e9nt Vivaldi \u00e9s m\u00e1s szerz\u0151k heged\u0171versenyeit \u00edrta \u00e1t orgon\u00e1ra, illetve csembal\u00f3ra, s ett\u0151l kezdve p\u00e1ly\u00e1j\u00e1nak minden szakasz\u00e1ban kompon\u00e1lt versenym\u0171veket. Heged\u0171versenyei a leg\u00fajabb kutat\u00e1sok szerint val\u00f3sz\u00edn\u0171leg lipcsei szolg\u00e1lata idej\u00e9n keletkeztek. A zeneszerz\u0151 a Tam\u00e1s-templom karnagyak\u00e9nt m\u0171k\u00f6d\u00f6tt a v\u00e1rosban 1723-t\u00f3l hal\u00e1l\u00e1ig, 1750-ig; vil\u00e1gi zene kompon\u00e1l\u00e1s\u00e1ra mindenekel\u0151tt egy hivat\u00e1sos zen\u00e9szekb\u0151l \u00e9s egyetemi di\u00e1kokb\u00f3l \u00e1ll\u00f3 t\u00e1rsas\u00e1g, a Collegium Musicum adott sz\u00e1m\u00e1ra lehet\u0151s\u00e9get, melyet 1929-t\u0151l egy r\u00f6vid megszak\u00edt\u00e1ssal eg\u00e9szen az 1740-es \u00e9vek elej\u00e9ig vezetett. Az egy\u00fcttes heti rendszeress\u00e9ggel tartott hangversenyeire ny\u00e1ron szabad t\u00e9ren, t\u00e9len egy k\u00e1v\u00e9h\u00e1zban ker\u00fclt sor.\r\nHogy a Collegium Musicumot hetente ell\u00e1ssa j\u00e1tszani val\u00f3val, Bach minden bizonnyal gyakran fordult az \u00e1t\u00edr\u00e1s j\u00f3l bev\u00e1lt, a barokkban mindennapos gyakorlat\u00e1hoz: egy kiv\u00e9tellel p\u00e9ld\u00e1ul valamennyi csembal\u00f3versenye m\u00e1s hangszerre kompon\u00e1lt concerto \u00e1tirata \u2013 t\u00f6bbek k\u00f6z\u00f6tt az E-d\u00far heged\u0171versenyt is \u00e1t\u00edrta csembal\u00f3ra, D-d\u00farban. Mivel heged\u0171versenyeinek legnagyobb r\u00e9sze elveszett, k\u00fcl\u00f6n\u00f6s szerencse, hogy legal\u00e1bb ezekb\u0151l az \u00e1tiratokb\u00f3l t\u00f6bb\u00e9-kev\u00e9sb\u00e9 rekonstru\u00e1lni lehet az eredetit \u2013 p\u00e9ld\u00e1ul a h\u00edres d-moll oboa-heged\u0171 kett\u0151sverseny is ilyen k\u00e9s\u0151bbi, a k\u00e9tcsembal\u00f3s verzi\u00f3b\u00f3l k\u00e9sz\u00fclt rekonstrukci\u00f3. Eredeti form\u00e1j\u00e1ban mind\u00f6ssze k\u00e9t sz\u00f3l\u00f3-heged\u0171verseny \u2013 az E-d\u00far \u00e9s az a-moll \u2013, valamint a d-moll k\u00e9theged\u0171s verseny maradt fenn.\r\nA barokk concert\u00f3k Vivaldi \u00e1ltal is haszn\u00e1lt formamodellje h\u00e1rom t\u00e9teles. A gyors nyit\u00f3t\u00e9tel \u00e1ltal\u00e1ban a zenekari \u00e9s sz\u00f3l\u00f3r\u00e9szek v\u00e1ltakoz\u00e1s\u00e1ra \u00e9p\u00fcl\u0151, \u00fan. ritornell-form\u00e1t k\u00f6veti, melyben a t\u00e9telt ind\u00edt\u00f3, s azt\u00e1n \u00fajra \u00e9s \u00fajra visszat\u00e9r\u0151 zenekari anyag (a ritornell) szabadabb szerkeszt\u00e9s\u0171 sz\u00f3l\u00f3r\u00e9szekkel v\u00e1ltakozik, melyek teret adnak a sz\u00f3lista virtu\u00f3z k\u00e9pess\u00e9geinek megcsillogtat\u00e1s\u00e1ra is. Az E-d\u00far heged\u0171verseny 1. t\u00e9tele egyedi megform\u00e1l\u00e1s\u00fa: h\u00e1rom nagy r\u00e9szb\u0151l \u00e1ll. Az els\u0151ben a r\u00f6vid sz\u00f3l\u00f3k a zenekari ritornell-t\u00e9m\u00e1ba \u00e9p\u00fclnek be, vari\u00e1lva, tov\u00e1bbfejlesztve, mintegy fellaz\u00edtva azt. A cisz-mollban indul\u00f3 m\u00e1sodik r\u00e9sz a hosszabb sz\u00f3l\u00f3-szakaszok\u00e9, m\u00edg a harmadik az els\u0151 pontos visszat\u00e9r\u00e9se. A m\u0171 h\u00edres Adagi\u00f3ja (szint\u00e9n cisz-mollban) mark\u00e1ns basszus-t\u00e9m\u00e1val indul, melynek jellegzetes kezd\u0151mot\u00edvuma \u00e1tsz\u00f6vi az eg\u00e9sz t\u00e9telt. A heged\u0171versenyt p\u00e1ratlan \u00fctem\u0171, t\u00e1ncos karakter\u0171 3. t\u00e9tel z\u00e1rja.{:}{:en}J. S. Bach is believed to have composed his violin concertos during his service in Leipzig, where he worked as the Kapellmeister of Thomaskirche from 1723 to his death in 1750. However, thanks to a company consisting of professional musicians and college students, the Collegium Musicum, he had the opportunity to compose secular music. The first movement of the E-major violin concerto consists of three parts. In the first, the short solo sections are incorporated into the orchestra\u2019s opening theme in the form of variation and development. The second part consists of longer solo sections. The third is a return of the first part. The famous C-sharp-minor Adagio of the work begins with an emphatic bass theme, whose characteristic opening motif intertwines the entire movement. The violin concerto ends with the triple-time, dance-like third movement.{:}","post_title":"{:hu}Heged\u0171verseny E-d\u00far - vibrafonra \u00e9s zenekarra{:}{:en}Violin concerto in E major, BWV 1042{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"hegeduverseny-e-dur-vibrafonra-es-zenekarra","to_ping":"","pinged":"","post_modified":"2017-11-29 13:00:29","post_modified_gmt":"2017-11-29 13:00:29","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=101492","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Bach"]},{"ID":101496,"post_author":"3","post_date":"2017-05-29 19:40:13","post_date_gmt":"2017-05-29 19:40:13","post_content":"{:hu}Leonard Bernstein West Side Story <\/em>c\u00edm\u0171 m\u0171ve az els\u0151 mai \u00e9rtelemben vett musical. A m\u0171faj t\u00f6bbi, f\u0151leg k\u00e9s\u0151bbi kompoz\u00edci\u00f3j\u00e1hoz k\u00e9pest maradand\u00f3 \u00e9rt\u00e9k\u00e9t r\u00e9szben a j\u00f3l megv\u00e1lasztott irodalmi alapnak k\u00f6sz\u00f6nheti: a m\u0171 ugyanis Shakespeare R\u00f3me\u00f3 \u00e9s J\u00falia<\/em> c\u00edm\u0171 dr\u00e1m\u00e1j\u00e1nak zen\u00e9s adapt\u00e1ci\u00f3ja. Bernstein \u00e9s sz\u00f6veg\u00edr\u00f3i kezdetben egy Manhattanben \u00e9l\u0151 zsid\u00f3 \u00e9s katolikus csal\u00e1d k\u00f6zti vall\u00e1si konfliktus keretei k\u00f6zt tervezt\u00e9k feldolgozni a klasszikus szitu\u00e1ci\u00f3t, azonban k\u00e9s\u0151bb a szerepl\u0151k identit\u00e1s\u00e1t k\u00e9tszer is megv\u00e1ltoztatt\u00e1k. El\u0151bb a helysz\u00edn \u00e1tker\u00fclt a Keleti partra, mint amerikaiak \u00e9s mexik\u00f3i bev\u00e1ndorl\u00f3k fesz\u00fclts\u00e9ge, s csak \u00e9vekkel k\u00e9s\u0151bb nyerte el a sz\u00f6vegk\u00f6nyv a v\u00e9gs\u0151 form\u00e1j\u00e1t, amelyben az amerikaiak \u00e9s a Puerto Rico-i bev\u00e1ndorl\u00f3k a konfliktus f\u0151szerepl\u0151i. A West Side Story<\/em> 1957-es Broadway premiere hatalmas siker lett, a produkci\u00f3t hat Tony-d\u00edjjal jutalmazt\u00e1k, majd a musical 1961-es filmadapt\u00e1ci\u00f3ja a 11 Oscar-d\u00edj jel\u00f6l\u00e9sb\u0151l t\u00edzet elnyert.\r\n\r\nA West Side Story<\/em>ban fontos szerepet kap a t\u00e1nc: sz\u00ednpadi l\u00e1tv\u00e1nyelem, kommunik\u00e1ci\u00f3s \u00e9s \u00e9rzelemkifejez\u00e9si lehet\u0151s\u00e9g is egyben. Nemcsak a t\u00e1nciskolai jelenet sz\u00ednes kavalk\u00e1dj\u00e1ban, de a z amerikai Jets <\/em>banda \u00e9s vezet\u0151je, Riff fojtott hangv\u00e9tel\u0171 jelenet\u00e9ben (a \u201eCool\u201d f\u00fag\u00e1ban) is t\u00e1ncot l\u00e1tunk, s\u0151t a k\u00e9t ellens\u00e9ges t\u00e1bor vezet\u0151je k\u00f6zti p\u00e1rbajjelenet is elt\u00e1ncolva megy v\u00e9gbe. A t\u00e1ncok igen hangs\u00falyos jelenl\u00e9te indokolja, hogy Bernstein a West Side Story<\/em> zen\u00e9j\u00e9b\u0151l 1961-ben \u00f6ssze\u00e1ll\u00edtott zenekari szvitnek a Szimfonikus t\u00e1ncok<\/em> c\u00edmet adta. A Szimfonikus t\u00e1ncok a West Side Storyb\u00f3l<\/em> virtu\u00f3z zenekari m\u0171, m\u00e9lt\u00e1n n\u00e9pszer\u0171 reperto\u00e1rdarabja a szimfonikus zenekaroknak. Zen\u00e9j\u00e9ben az eredeti m\u0171 \u00f6sszes zenei r\u00e9tege megtal\u00e1lhat\u00f3 a cool jazz<\/em>t\u0151l latin-amerikai t\u00e1rsast\u00e1ncokon \u00e1t eg\u00e9szen a szinte Stravinskyra eml\u00e9keztet\u0151 klasszikus zen\u00e9ig.\r\n\r\nA szvit az eredeti darab t\u00e9teleinek sorrendj\u00e9t k\u00f6veti. A Prol\u00f3gban megismerhetj\u00fck a Jets<\/em> \u00e9s a Sharks <\/em>nev\u0171 k\u00e9t band\u00e1t. A \u201eSomewhere\u201d c\u00edm\u0171 dal \u00e9s az azt k\u00f6vet\u0151 Scherzo \u00e1lomszer\u0171 k\u00e9pek a k\u00e9t csoport kib\u00e9k\u00fcl\u00e9s\u00e9r\u0151l. A Mambo, a Cha-cha \u00e9s a Tal\u00e1lkoz\u00e1s a t\u00e1nciskolai jelenet t\u00e1ncait \u00e9s a k\u00e9t ellens\u00e9ges t\u00e1borhoz tartoz\u00f3 fiatal els\u0151 tal\u00e1lkoz\u00e1s\u00e1t jelen\u00edtik meg. A virtu\u00f3z vibrafon-sz\u00f3l\u00f3val k\u00eds\u00e9rt \u201eCool\u201d f\u00faga a Jets <\/em>csapat fesz\u00fclt t\u00e1nca, ezt k\u00f6veti a tragikus P\u00e1rbajjelenet. A szvitet a \u201eSomewhere\u201d dallam\u00e1t visszaid\u00e9z\u0151 Finale z\u00e1rja.{:}{:en}Bernstein\u2019s West Side Story is the first musical in the modern sense of the word. Compared to many other musicals, it owes its value to a well-chosen script in that it is a musical setting of Shakespeare\u2019s Romeo and Juliet. The 1957 Broadway premi\u00e8re of West Side Story was an immense success, and the work earned six Tony Awards and the 1961 film adaptation won 10 of 11 Oscar nominations.\r\n\r\nIn West Side Story dance assumes a crucial role as a spectacular theatrical device and a means of communication and expressing emotion. There is dance not only in the colourful cavalcade of the dance-school scene (Mambo, Cha-cha), but also in the subdued scene of the American Jets gang and its leader Riff (the Cool fugue) and the duel between the leaders of the rival gangs is also expressed in dance. Accordingly, when Bernstein compiled an orchestral suite from the music of West Side story, he gave it the title Symphonic Dances. The music of the suite incorporates all of the musical layers of the original work, from cool jazz, Latin-American group dance to Stravinskyan classical music.{:}","post_title":"{:hu}West Side Story - szimfonikus t\u00e1ncok{:}{:en}Symphonic Dances from West Side Story{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"west-side-story","to_ping":"","pinged":"","post_modified":"2017-11-29 13:01:40","post_modified_gmt":"2017-11-29 13:01:40","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=101496","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Bernstein"]}],"muvekrol_reszletesen":true,"kozr_szemelyek":[],"muveszekrol_reszletesen":true,"kozr_szemelyek_feluldefinialasa":"

R\u00c1CZ ZOLT\u00c1N<\/strong> karmester \u00e9s vibrafon<\/p>\n","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}\"\"\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\"\"\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"link","jegyarak":"","hivatkozas_gomb_szovege":"Tov\u00e1bb","hivatkozas_gomg_url-je":"","youtube_id":"","old_id":"","is_muvekrol_reszletesen_en":true,"is_muveszekrol_reszletesen_en":true,"muvek_feluldefinialasa":false},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/101760","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=101760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}