{"id":101750,"date":"2017-05-31T07:29:12","date_gmt":"2017-05-31T07:29:12","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=101750"},"modified":"2020-10-14T12:42:24","modified_gmt":"2020-10-14T12:42:24","slug":"rachmaninov-hamar-es-ravel-kocsis-muvek","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/rachmaninov-hamar-es-ravel-kocsis-muvek\/","title":{"rendered":"RAVEL-KOCSIS, RACHMANINOV, DOHN\u00c1NYI"},"content":{"rendered":"

RAVEL-KOCSIS: Le tombeau de Couperin<\/strong><\/p>\n

By his own admission, Ravel already imagined hearing certain orchestral tones in the movements of Le Tombeau de Couperin<\/strong> from the earliest days of the work\u2019s composition, primarily that of the oboe, which naturally led to the arrangement of the series originally intended as a piano work into four movements. It is more than likely that instrumentation for a relatively small orchestra was attractive to Ravel to allow the work to be performed more widely, so it should come as no surprise that the Fugue and Toccata were omitted from the piece, the former perhaps for structural reasons, the latter probably due to the instrumentation required. In terms of its content, the Fugue is more reminiscent of the music of some form of consort from the middle ages, while the Toccata demands a large ensemble by its very nature.\u00a0 (Zolt\u00e1n Kocsis)<\/em><\/p>\n

SERGEI RACHMANINOV: Symphonic Dances<\/strong><\/p>\n

\u00a0<\/strong>Symphonic Dances, bearing the opus number 45, is Sergei Rachmaninov\u2019s last work and was composed between 22 September and 29 October 1940. However, it draws in part on music conceived a quarter of a century earlier. In 1915, the composer determined to write a ballet entitled \u2018The Scythians\u2019 , and although the plan never bore fruit, some musical ideas survived from the early drafts and found their way into the Symphonic Dances. During composition, Rachmaninov gave his new piece the working title of \u2018Fantastic Dances\u2019, but he later rechristened the work having learned of Shostakovich\u2019s 1922 work \u2018Three Fantastic Dances\u2019. At the same time, the movement titles of \u2018Noon\u2019, \u2018Twilight\u2019 and \u2018Midnight\u2019 also fell by the wayside. The work, now with its final title, was premiered by Jen\u0151\u00a0 \u2018Eugene\u2019 Orm\u00e1ndy as conductor of the Philadelphia Orchestra on 3 January 1941.<\/p>\n

The Symphonic Dances not only draws upon the uncompleted ballet \u2018The Scythians\u2019, it also features elements of Russian folk music and Latin and Orthodox ecclesiastical choral music, and we can even detect the influence of Rimsky-Korsakov\u2019s The Golden Cockerel<\/em>\u00a0 behind the main section of the first dance. The movement is closed by the characteristic fatalistic motif from Rachmaninov\u2019s own first symphony. There is perhaps a similarly intentional reference concealed in the unmistakable waltz-like character of the second dance, which cannot fail to remind the listener of Tchaikovsky, but more serious musical scholars will also note fragments of several Kazakh folk songs (which were certainly familiar to Rachmaninov) among the motifs of this movement. The ecclesiastical melodies of the third movement mentioned previously appear in the third movement: following the confluence of Orthodox song with the Dies irae, it is as if the finale were announcing the triumph of faith over death. This interpretation is supported by the note inscribed by the composer at the end of the score: \u201cThank you, Lord.\u201d<\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"template":"","class_list":["post-101750","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Zolt\u00e1n Kocsis Season Pass 4. ","kiemelt_kep":{"ID":105471,"id":105471,"title":"nu-event-modositas","filename":"nu-event-modositas.png","filesize":1479606,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/nu-event-modositas.png","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/rachmaninov-hamar-es-ravel-kocsis-muvek\/nu-event-modositas\/","alt":"","author":"1","description":"","caption":"","name":"nu-event-modositas","status":"inherit","uploaded_to":101750,"date":"2018-02-20 11:42:28","modified":"2018-02-20 11:42:28","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1920,"height":560,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/nu-event-modositas-150x150.png","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/nu-event-modositas-300x88.png","medium-width":300,"medium-height":88,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/nu-event-modositas-768x224.png","medium_large-width":640,"medium_large-height":187,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/nu-event-modositas-1024x299.png","large-width":640,"large-height":187,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/nu-event-modositas.png","1536x1536-width":1536,"1536x1536-height":448,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/nu-event-modositas.png","2048x2048-width":1920,"2048x2048-height":560,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/nu-event-modositas-165x165.png","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/nu-event-modositas.png","person-size-2-width":165,"person-size-2-height":48,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/nu-event-modositas-263x263.png","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/nu-event-modositas-360x203.png","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/nu-event-modositas-359x450.png","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/nu-event-modositas-555x555.png","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/nu-event-modositas-1600x560.png","slider-size-width":1600,"slider-size-height":560}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20180227","esemeny_idopontja":"19.30","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87546,"post_author":"1","post_date":"2016-09-08 08:02:37","post_date_gmt":"2016-09-08 08:02:37","post_content":"","post_title":"{:hu}Olasz Kult\u00farint\u00e9zet{:}{:en}Italian Cultural Institute{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"olasz-kulturintezet","to_ping":"","pinged":"","post_modified":"2016-09-08 08:02:37","post_modified_gmt":"2016-09-08 08:02:37","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/olasz-kulturintezet\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"{:hu}Budapest{:}{:en}Budapest{:}","orszag":"{:hu}Magyarorsz\u00e1g{:}{:en}Hungary{:}","cim":"1088. Br\u00f3dy S. u. 8.","megjegyzes":"Olasz Kultur\u00e1lis Int\u00e9zet
Tel.: +(36 1) 483-2040, 317-6653","weboldal":"http:\/\/www.iicbudapest.esteri.it\/IIC_Budapest\/"},"helyszin_kategoria":"budapest","karmester":null,"hazigazda":null,"muvek":[{"ID":91543,"post_author":"1","post_date":"2016-09-08 08:57:53","post_date_gmt":"2016-09-08 08:57:53","post_content":"{:hu}A berlini peri\u00f3dusban (m\u00e1sodik alkot\u00f3i korszak\u00e1ban) Dohn\u00e1nyi \u00e9rdekl\u0151d\u00e9si k\u00f6re kib\u0151v\u00fclt: a gyermekkor ut\u00e1n \u00fajra kompon\u00e1lt dalokat \u00e9s sz\u00ednpadi m\u0171veket is.\u00a0 Ebben az id\u0151szakban, 1913-14-ben k\u00e9sz\u00fclt el a V\u00e1ltozatok egy gyermekdalra (op. 25), melynek sikere napjainkban is t\u00f6retlen. A zongor\u00e1ra \u00e9s zenekarra kompon\u00e1lt Gyermekdal-vari\u00e1ci\u00f3k bevezet\u0151 zen\u00e9je komoly, egyre s\u00f6t\u00e9tebb \u00e9s izz\u00f3bb muzsika. Szinte egy vil\u00e1gdr\u00e1ma hangjait v\u00e9lj\u00fck felfedezni; vagy \u00fajabb \u00f6r\u00f6m\u00f3da-dallamra v\u00e1runk. E helyett azonban az \u00e1rtatlan, egy ujjal gyermekm\u00f3dra is le\u00fct\u00f6gethet\u0151 dalocska sz\u00f3lal meg (\u201eHull a pelyhes feh\u00e9r h\u00f3\u201d) kig\u00fanyolva minden \u00e1l-komolys\u00e1got, m\u0171v\u00e9szi er\u0151vel l\u00e1ttatva a r\u00e9gi \u00e9s sokszor feled\u00e9sbe mer\u00fcl\u0151 igazs\u00e1got: a zene m\u0171v\u00e9szete \u2013 ha az alkot\u00f3 \u00fagy akarja \u2013 j\u00e1t\u00e9k. Komoly \u00e9s sz\u00e9p, szellemes j\u00e1t\u00e9k. Ez Dohn\u00e1nyi ars poetic\u00e1ja.\u00a0 A Gyermekdal-vari\u00e1ci\u00f3k tal\u00e1n t\u00f6bbet \u00e9s igazabbat \u00e1rul el Dohn\u00e1nyi m\u0171v\u00e9sz-egy\u00e9nis\u00e9g\u00e9r\u0151l, mint a zongoraj\u00e1t\u00e9k\u00e1t meg\u00f6r\u00f6k\u00edt\u0151 n\u00e9h\u00e1ny felv\u00e9tel. Aranyl\u00f3 der\u0171, p\u00e1ratlan mesters\u00e9gbeli tud\u00e1s, f\u00f6l\u00e9nyes virtuozit\u00e1s jellemzi az 1914-ben elk\u00e9sz\u00fclt kompoz\u00edci\u00f3t. Bizonyos, hogy ez a muzsika sem mutat, s nem is mutatott soha a j\u00f6v\u0151be. De val\u00f3s\u00e1gos kincsesb\u00e1ny\u00e1ja a hangszerel\u00e9si \u00f6tleteknek, az egy\u00e9ni harm\u00f3niai lelem\u00e9nyeknek, a sz\u00f3lamvezet\u00e9s kifinomult m\u0171v\u00e9szet\u00e9nek. \u00c9s mindenekel\u0151tt a humornak. \u201eA humor bar\u00e1tainak \u00f6r\u00f6m\u00e9re, m\u00e1soknak bossz\u00fas\u00e1g\u00e1ra\u201d \u2013 \u00edrta az \u00f6r\u00f6k tr\u00e9famester a kottasorok f\u00f6l\u00e9. \u00dagy l\u00e1tszik, a humor bar\u00e1tai vannak t\u00f6bbs\u00e9gben, hiszen a m\u0171 ma is diadal\u00fatj\u00e1t j\u00e1rja a vil\u00e1g \u00f6sszes hangversenyterm\u00e9ben.\r\n\r\n {:}{:en} \r\n\r\nDuring Dohn\u00e1nyi\u2019s time in Berlin (his second creative period), the composer\u2019s sphere of interest expanded, and he returned to a childhood passion for writing songs and works for the stage. It was in this era that he composed Variations on a Nursery Tune<\/em> (op. 25) between 1913 and 1914, the success of which continues unbroken today.\r\n\r\nThe introduction to these variations of children\u2019s songs composed for piano and orchestra is earnest and grows increasingly dark and incandescent. It is almost the sound of a drama of global proportions waiting to unfold; or perhaps the building anticipation of a new ode to joy. Instead, we hear an innocent little tune (\u201cTwinkle Twinkle Little Star\u201d) that can be played as a child does with a single finger, mocking every form of false sincerity and revealing an ancient and oft-forgotten truth through the power of art: the art of music \u2013 if its creator so wishes \u2013 is nothing but a game. A genuine and pleasing, humorous game. This is Dohn\u00e1nyi\u2019s ars poetica<\/em>.\r\n\r\nVariations on a Nursery Tune<\/em> may reveal more about Dohn\u00e1nyi and better reflect his identity as an artist than the handful of recordings of his piano playing. The composition written in 1914 is characterised by gleaming clarity, unparalleled mastery of his craft and superior virtuosity. It is clear that this music does not light the way to the future, nor has it ever done so. Yet it is a veritable treasure trove of innovations in instrumentation, individual harmonic creativity, and the refined art of scoring music for different parts. And, above all else, of humour. \u201cFor the enjoyment of humorous people and for the annoyance of others,\u201d the eternal prankster wrote above the score. It appears those disposed to humour are in the ascendency as the work continues to win over audiences in all the world\u2019s concert halls even now.{:}","post_title":"{:hu}V\u00e1ltozatok egy gyermekdalra, op. 25{:}{:en}Variations on a Nursery Tune, op. 25{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"valtozatok-egy-gyermekdalra-op-25","to_ping":"","pinged":"","post_modified":"2018-02-21 12:55:42","post_modified_gmt":"2018-02-21 12:55:42","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/valtozatok-egy-gyermekdalra-op-25\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Dohn\u00e1nyi"]},{"ID":101537,"post_author":"3","post_date":"2017-05-30 06:52:29","post_date_gmt":"2017-05-30 06:52:29","post_content":"Szergej Rahmanyinov utols\u00f3 m\u0171ve, a 45-\u00f6s opus-sz\u00e1mot visel\u0151 Szimfonikus t\u00e1ncok, 1940. szeptember 22. \u00e9s okt\u00f3ber 29. k\u00f6z\u00f6tt keletkezett, de zen\u00e9je r\u00e9szben egy negyedsz\u00e1zaddal kor\u00e1bbra ny\u00falik vissza. 1915-ben ugyanis a zeneszerz\u0151 egy \u201eSzk\u00edt\u00e1k\u201d c\u00edm\u0171 balett meg\u00edr\u00e1s\u00e1t hat\u00e1rozta el, s b\u00e1r a terv v\u00e9g\u00fcl f\u00fcstbe ment, az elk\u00e9sz\u00fclt v\u00e1zlatok n\u00e9h\u00e1ny zenei gondolata v\u00e9g\u00fcl a Szimfonikus t\u00e1ncok partit\u00far\u00e1j\u00e1ban tal\u00e1lta meg a hely\u00e9t. Az \u00faj m\u0171 egy\u00e9bk\u00e9nt a kompon\u00e1l\u00e1s idej\u00e9n m\u00e9g a \u201eFantasztikus t\u00e1ncok\u201d c\u00edmet viselte, de Rahmanyinov k\u00e9s\u0151bb \u2013 tudom\u00e1st szerezv\u00e9n Sosztakovics 1922-ben \u00edrott \u201eH\u00e1rom fantasztikus t\u00e1nc\u201d-\u00e1r\u00f3l \u2013 a v\u00e1ltoztat\u00e1s mellett d\u00f6nt\u00f6tt, s egyidej\u0171leg elhagyta a h\u00e1rom t\u00e9tel \u201eD\u00e9l\u201d, \u201eAlkonyat\u201d, illetve \u201e\u00c9jf\u00e9l\u201d feliratait is. A m\u0171vet, imm\u00e1r v\u00e9gleges c\u00edm\u00e9vel, Orm\u00e1ndy Jen\u0151 mutatta be a Philadelphia Orchestra \u00e9l\u00e9n, 1941. janu\u00e1r 3-\u00e1n.\r\n\r\nA Szimfonikus t\u00e1ncok nem csup\u00e1n a m\u00e1r eml\u00edtett, befejezetlen \u201eSzk\u00edt\u00e1k\u201d balett zen\u00e9j\u00e9t id\u00e9zi \u00fajra: felbukkan itt az orosz n\u00e9pzene, a latin \u00e9s ortodox egyh\u00e1zi \u00e9nek, s\u0151t, az els\u0151 t\u00e1nc f\u0151r\u00e9sz\u00e9nek egy t\u00e9m\u00e1ja m\u00f6g\u00f6tt Rimszkij-Korszakov Aranykakas\u00e1nak ihlet\u00e9s\u00e9t is felismerhetj\u00fck, s a t\u00e9telt Rahmanyinov saj\u00e1t Els\u0151 szimf\u00f3ni\u00e1j\u00e1nak nevezetes sors-mot\u00edvuma z\u00e1rja. Tal\u00e1n \u00e9ppilyen sz\u00e1nd\u00e9kos utal\u00e1s a m\u00e1sodik t\u00e1nc is, melynek f\u00e9lreismerhetetlen valcer-karaktere elker\u00fclhetetlen\u00fcl Csajkovszkijt juttatja esz\u00fcnkbe; de alaposabb kutat\u00f3k n\u00e9h\u00e1ny (Rahmanyinov \u00e1ltal biztosan ismert) kazah n\u00e9pdal t\u00f6red\u00e9keit is felfedezt\u00e9k e t\u00e9tel mot\u00edvumai k\u00f6z\u00f6tt. A harmadik t\u00e9telben jelennek meg a m\u00e1r eml\u00edtett egyh\u00e1zi dallamok: az ortodox \u00e9nek \u00e9s a Dies irae tal\u00e1lkoz\u00e1sa ut\u00e1n a befejez\u00e9s mintha a hit gy\u0151zelm\u00e9t hirdetn\u00e9 a hal\u00e1l felett, s ezt az \u00e9rtelmez\u00e9st t\u00e1masztj\u00e1k al\u00e1 a zeneszerz\u0151 a partit\u00fara v\u00e9g\u00e9re \u00edrt szavai is: \u201eK\u00f6sz\u00f6n\u00f6m neked, Uram.\u201d","post_title":"{:hu}Szimfonikus t\u00e1ncok{:}{:en}Symphonic Dances{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"szimfonikus-tancok","to_ping":"","pinged":"","post_modified":"2018-02-08 16:46:47","post_modified_gmt":"2018-02-08 16:46:47","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=101537","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Rachmaninov"]}],"muvekrol_reszletesen":true,"kozr_szemelyek":[{"ID":86508,"post_author":"1","post_date":"2018-02-20 14:19:05","post_date_gmt":"2018-02-20 14:19:05","post_content":"{:hu}1963-ban sz\u00fcletett Budapesten, zongor\u00e1zni nyolc \u00e9ves kor\u00e1ban kezdett. 1981-t\u0151l a Liszt Ferenc Zenem\u0171v\u00e9szeti F\u0151iskola hallgat\u00f3ja volt, tan\u00e1rai Lantos Istv\u00e1n \u00e9s Kocsis Zolt\u00e1n voltak. 1986-ban a Cziffra Alap\u00edtv\u00e1ny \u00f6szt\u00f6nd\u00edjasa lett, majd 1987-ben megszerezte zongoram\u0171v\u00e9szi \u00e9s tan\u00e1ri diplom\u00e1j\u00e1t. Az ezt k\u00f6vet\u0151 \u00e9vekben Eur\u00f3pa sz\u00e1mos orsz\u00e1g\u00e1ban adott nagysiker\u0171 koncerteket, k\u00f6z\u00fcl\u00fck is kiemelkedik mil\u00e1n\u00f3i sz\u00f3l\u00f3estje. Megismert\u00e9k Kanad\u00e1ban, az Egyes\u00fclt \u00c1llamokban, \u00c1zsi\u00e1ban, \u00e9s t\u00f6bb \u00edzben vend\u00e9gszerepelt Braz\u00edli\u00e1ban is.\r\n\r\nK\u00fclf\u00f6ldi fell\u00e9p\u00e9sei sor\u00e1n nem csak sz\u00f3l\u00f3esteket adott, hanem szimfonikus zenekarok sz\u00f3list\u00e1jak\u00e9nt is szerepelt, \u00edgy pl. Braz\u00edli\u00e1ban, Olaszorsz\u00e1gban, Horv\u00e1torsz\u00e1gban, Jugoszl\u00e1vi\u00e1ban, N\u00e9metorsz\u00e1gban, 2000. \u00e1prilis\u00e1ban a b\u00e9csi Musikverein Saal k\u00f6z\u00f6ns\u00e9ge el\u0151tt j\u00e1tszotta el Beethoven tal\u00e1n legritk\u00e1bban hallhat\u00f3 zongoraverseny\u00e9t, az Op. 61A-t. Koncertezett a legk\u00fcl\u00f6nf\u00e9l\u00e9bb zenei fesztiv\u00e1lokon: Rovinj (Jugoszl\u00e1via), Clermont-Ferrand (Franciaorsz\u00e1g),\u00a0\u00a0Donau-Fest Ulm, Sonoptikum Frankfurt, Saarland Fesztiv\u00e1l (N\u00e9metorsz\u00e1g), Interf\u00f3rum Fert\u0151d, Szombathelyi Bart\u00f3k Fesztiv\u00e1l, az 1998-as els\u0151 magyar Fazioli Fesztiv\u00e1l valamint a Budapesti Tavaszi Fesztiv\u00e1l, ahol egy\u00a0alkalommal Liszt \u00f6sszes zongoraet\u0171dj\u00e9t j\u00e1tszotta el.\r\n\r\n\u0150 volt az els\u0151 vend\u00e9gm\u0171v\u00e9sz, akit megh\u00edvtak Rom\u00e1ni\u00e1ba, k\u00f6zvetlen\u00fcl a forradalom ut\u00e1n. Az 1985 \u00f3ta eltelt \u00e9vekben Oravecz Gy\u00f6rgy egyre ink\u00e1bb Liszt-specialistak\u00e9nt vonult be a zenei k\u00f6ztudatba, a \"h\u00edrhedett zen\u00e9sz\" hagyat\u00e9k\u00e1nak tov\u00e1bbviv\u0151j\u00e9v\u00e9 v\u00e1lt, melynek elismer\u00e9sek\u00e9nt 1993-ban, R\u00f3m\u00e1ban felk\u00e9rt\u00e9k, hogy egy olasz t\u00f6rt\u00e9n\u00e9szek \u00e1ltal felkutatott, eredetileg Liszt sz\u00e1m\u00e1ra k\u00e9sz\u00edtet zongor\u00e1t fel\u00faj\u00edt\u00e1sa ut\u00e1n \u0150 mutasson be a nagyk\u00f6z\u00f6ns\u00e9gnek. 2001-ben elnyerte a Richard Wagner T\u00e1rsas\u00e1g \u00f6szt\u00f6nd\u00edj\u00e1t, aminek els\u0151 \u00e1llom\u00e1sak\u00e9nt megh\u00edvt\u00e1k a huszon\u00f6t\u00f6dik \u00e9vfordul\u00f3j\u00e1t \u00fcnnepl\u0151 T\u00e1rsas\u00e1g jubileumi koncertsorozat\u00e1ra.\r\n\r\nT\u00f6bb r\u00e1di\u00f3 \u00e9s TV-ad\u00f3 k\u00e9sz\u00edtett felv\u00e9teleket r\u00f3la: MTV, a francia, az olasz TV, a Brazil TV Kult\u00fara, a Magyar R\u00e1di\u00f3 \u00e9s a RAI olasz r\u00e1di\u00f3. Els\u0151k\u00e9nt j\u00e1tszotta Liszt Ferenc Hal\u00e1lt\u00e1nc\u00e1nak\u00a0\u00a0sz\u00f3l\u00f3v\u00e1ltozat\u00e1t lemezre \u00e9s a 2002-ben megjelent Schubert-Liszt v\u00e1logat\u00e1s se n\u00e9lk\u00fcl\u00f6zte a kuri\u00f3zumokat. 2002 nyar\u00e1n Hong Kongban vend\u00e9gszerepelt, ahol Gershwin K\u00e9k Rapsz\u00f3di\u00e1ja mellett Grieg a-moll zongoraverseny\u00e9t valamint Liszt Magyar Fant\u00e1zi\u00e1j\u00e1t adta el\u0151.\r\n\r\nKoncertjei voltak D\u00e9l Kore\u00e1ban, Vietnamban,\u00a0 Kazahszt\u00e1nban \u00e9s Azerbajdzs\u00e1nban\u00a0is. Kijevben az \u0151 el\u0151ad\u00e1s\u00e1ban csend\u00fclt fel Liszt k\u00e9t zongoraversenye (Esz-d\u00far, A-d\u00far) az ukr\u00e1n filharm\u00f3nia jubileumi koncertj\u00e9n, az ut\u00f3bbi \u00e9vekben pedig rendszeres f\u0151szerepl\u0151je okt\u00f3ber 22-\u00e9n a kijevi Liszt sz\u00fclet\u00e9snapi koncertnek.\r\n\r\nV\u00e9gezet\u00fcl tal\u00e1n id\u00e9zz\u00fck Kocsis Zolt\u00e1nt, aki ezt nyilatkozta r\u00f3la: \"Nagy rem\u00e9nyekre jogos\u00edt\u00f3, v\u00e9rbeli p\u00f3diumm\u0171v\u00e9sszel van dolgunk szem\u00e9ly\u00e9ben, aki t\u00f6bb \u00edzben tan\u00fabizonys\u00e1got tett virtu\u00f3z technikai k\u00e9szs\u00e9g\u00e9r\u0151l, stil\u00e1ris biztons\u00e1g\u00e1r\u00f3l, valamint - nem utols\u00f3sorban - zenei egy\u00e9nis\u00e9g\u00e9nek k\u00e9ts\u00e9gbevonhatatlan eredetis\u00e9g\u00e9r\u0151l.\"){:}{:en}

Gy\u00f6rgy Oravecz was born in Budapest in 1963 and began to play the piano at the age of eight. He graduated from the Franz Liszt Music Academy, where his teachers were Istv\u00e1n Lantos and Zolt\u00e1n Kocsis. In 1985, he won the special Cziffra Foundation Prize at the Hungarian Radio Piano Competition. After this, he became known primarily as a Liszt specialist. He has performed in Austria, Brazil, France, Croatia, German, Italy, Canada and the United States. Zolt\u00e1n Kocsis has talked about Oravecz as follows: \"He is a true podium artist with great prospects, who on many occasions given clear proof of his virtuosic technical skill, his stylistic security and last but not least, the undoubted originality of his musical personality.\"<\/p>{:}","post_title":"{:hu}Oravecz Gy\u00f6rgy{:}{:en}Gy\u00f6rgy Oravecz{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"oravecz-gyorgy","to_ping":"","pinged":"","post_modified":"2018-02-21 12:50:11","post_modified_gmt":"2018-02-21 12:50:11","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=86508","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}zongora{:}{:en}piano{:}"}],"muveszekrol_reszletesen":true,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}\"\"\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\"\"\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"link","jegyarak":"3.500 Ft, 2.500 Ft","jegyvasarlas_gomb":"","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","hivatkozas_gomb_szovege":"Next ","hivatkozas_gomg_url-je":"https:\/\/nfz.jegy.hu\/program\/kocsis-zoltan-berlet-4-vezenyel-hamar-zsolt-81152\/383987","muvek_feluldefinialasa":false,"is_muvekrol_reszletesen_en":false,"is_muveszekrol_reszletesen_en":true,"esemeny_vege":"","karmester_2":false},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/101750","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=101750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}