{"id":101738,"date":"2017-05-30T14:27:31","date_gmt":"2017-05-30T14:27:31","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=101738"},"modified":"2017-10-11T14:27:48","modified_gmt":"2017-10-11T14:27:48","slug":"mozart-beethoven-es-kocsis-atirat-2","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/mozart-beethoven-es-kocsis-atirat-2\/","title":{"rendered":"Mozart, Beethoven, Rachmaninov-Kocsis"},"content":{"rendered":"

K\u00e1lm\u00e1n Berkes\u00a0 clarinet soloist<\/span><\/span> and conductor<\/p>\n

 <\/p>\n

Rachmaninov-Kocsis \u00a0Etude-Tableaux<\/strong><\/p>\n

Rachmaninov\u2019 \u00e9tudes \u2013 by Zolt\u00e1n Kocsis<\/p>\n

\u201eComposed in 1911 and 1916 (Op. 33 and Op. 39,respectively), the \u00e9tudes-tableaux were highly successful and were popular repertoire pieces of celebrated pianists. True to its name, the set consists of painterly descriptions, motivated accounts of experiences, moving psychological portraits, rather than mere \u00e9tudes. And as such, they lend themselves well to orchestration. Unsurprisingly, Respighi\u2019s cycle of five pieces (\u00c9tudes-tableaux (5) Op. 160) stood the test of time and when in 2003 I first presented them to the Hungarian audiences, I secretly envied the brilliant orchestrator for having a free hand to pick the most characteristic and effective pieces of the two sets. Perhaps subconsciously it was then that I decided to follow suite and orchestrate a few \u00e9tudes-tableaux.\u201d (Zolt\u00e1n Kocsis)<\/p>\n

 <\/p>\n

Beethoven \u00a0Symphony no. 7 in A major, op. 92<\/strong><\/p>\n

P<\/strong>oco sostenuto. Vivace II. Allegretto III. Presto IV. Allegro con brio<\/strong><\/p>\n

The Seventh Symphony was written in 1811-1812 and the manuscript records it was completed on May 13th. The emotions displayed in the work are determined by world events (the Napoleonic wars) and an upbeat period in the composer\u2019s private life (a notable episode of which was summer spent in Czech Teplitz when Beethoven, despite his closed, misanthropic nature, enjoyed a lively social life.) The symphony strikes a tone which had not been heard in Beethoven before and which had no precedent elsewhere. \u201cThis symphony is an expression of heightened, passionate celebration and almost cloudless brilliance, transposed into music as never before. Its themes are more passionate and dynamic, its orchestration more brilliant and strident than any orchestral work so far! Even Mendelssohn could marvel at the splendour of the orchestration without reservation. It is not by accident that Beethoven once said he was teaching people with his music the divine frenzy of the spirit.\u201d (D\u00e9nes Bartha)<\/p>\n

 <\/p>\n","protected":false},"template":"","class_list":["post-101738","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Zolt\u00e1n Kocsis Season Pass 2. ","kiemelt_kep":{"ID":103935,"id":103935,"title":"berkes-kalman-esemeny-fejlec","filename":"berkes-kalman-esemeny-fejlec.jpg","filesize":669101,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/berkes-kalman-esemeny-fejlec.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/mozart-beethoven-es-kocsis-atirat-2\/berkes-kalman-esemeny-fejlec\/","alt":"","author":"1","description":"","caption":"","name":"berkes-kalman-esemeny-fejlec","status":"inherit","uploaded_to":101738,"date":"2017-10-10 14:08:44","modified":"2017-10-10 14:08:56","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1920,"height":560,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/berkes-kalman-esemeny-fejlec-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/berkes-kalman-esemeny-fejlec-300x88.jpg","medium-width":300,"medium-height":88,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/berkes-kalman-esemeny-fejlec-768x224.jpg","medium_large-width":640,"medium_large-height":187,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/berkes-kalman-esemeny-fejlec-1024x299.jpg","large-width":640,"large-height":187,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/berkes-kalman-esemeny-fejlec.jpg","1536x1536-width":1536,"1536x1536-height":448,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/berkes-kalman-esemeny-fejlec.jpg","2048x2048-width":1920,"2048x2048-height":560,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/berkes-kalman-esemeny-fejlec-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/berkes-kalman-esemeny-fejlec.jpg","person-size-2-width":165,"person-size-2-height":48,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/berkes-kalman-esemeny-fejlec-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/berkes-kalman-esemeny-fejlec-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/berkes-kalman-esemeny-fejlec-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/berkes-kalman-esemeny-fejlec-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/berkes-kalman-esemeny-fejlec-1600x560.jpg","slider-size-width":1600,"slider-size-height":560}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20171111","esemeny_idopontja":"19.30","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87546,"post_author":"1","post_date":"2016-09-08 08:02:37","post_date_gmt":"2016-09-08 08:02:37","post_content":"","post_title":"{:hu}Olasz Kult\u00farint\u00e9zet{:}{:en}Italian Cultural Institute{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"olasz-kulturintezet","to_ping":"","pinged":"","post_modified":"2016-09-08 08:02:37","post_modified_gmt":"2016-09-08 08:02:37","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/olasz-kulturintezet\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"{:hu}Budapest{:}{:en}Budapest{:}","orszag":"{:hu}Magyarorsz\u00e1g{:}{:en}Hungary{:}","cim":"1088. Br\u00f3dy S. u. 8.","megjegyzes":"Olasz Kultur\u00e1lis Int\u00e9zet
Tel.: +(36 1) 483-2040, 317-6653","weboldal":"http:\/\/www.iicbudapest.esteri.it\/IIC_Budapest\/"},"helyszin_kategoria":"budapest","karmester":{"ID":86634,"post_author":"1","post_date":"2017-10-10 10:18:25","post_date_gmt":"2017-10-10 10:18:25","post_content":"{:hu}N\u00e9gy\u00e9ves kor\u00e1t\u00f3l tanult zen\u00e9t, el\u0151bb zongor\u00e1zni, majd heged\u00fclni. A klarin\u00e9tot 14 \u00e9ves kor\u00e1ban v\u00e1lasztotta hangszer\u00e9\u00fcl. Tan\u00e1rai a Bart\u00f3k B\u00e9la Zenem\u0171v\u00e9szeti Szakk\u00f6z\u00e9piskol\u00e1ban V\u00e9csei Istv\u00e1n, a Liszt Ferenc Zenem\u0171v\u00e9szeti F\u0151iskol\u00e1n Kov\u00e1cs B\u00e9la, Kurt\u00e1g Gy\u00f6rgy, Mih\u00e1ly Andr\u00e1s, Simon Albert \u00e9s S\u00e1ndor Frigyes voltak. Karmesteri tanulm\u00e1nyait Ferencsik J\u00e1nosn\u00e1l \u00e9s Giuseppe Patan\u00e9n\u00e1l folytatta.\r\n\r\n1972-ben elnyerte a genfi Nemzetk\u00f6zi Verseny ez\u00fcst\u00e9rm\u00e9t, 1974-ben (Belgr\u00e1d) \u00e9s 1975-ben (M\u00fcnchen) kamarazene-versenyek d\u00edjazottja. 1972 \u00e9s 1993 k\u00f6z\u00f6tt a Magyar \u00c1llami Operah\u00e1z, a Budapesti Filharm\u00f3niai T\u00e1rsas\u00e1g \u00e9s a Budapesti Fesztiv\u00e1lzenekar els\u0151 klarin\u00e9tosa. 1973-83 k\u00f6z\u00f6tt a Budapesti Kamaraegy\u00fcttes tagja. 1982-ben megalak\u00edtotta a Budapesti F\u00fav\u00f3segy\u00fcttest, amelynek jelenleg is m\u0171v\u00e9szeti vezet\u0151je. 1988-t\u00f3l 1992-ig a Magyar Virtu\u00f3zok karmestere.\r\n\r\nMesterkurzusokat tartott az Egyes\u00fclt \u00c1llamokban, Kanad\u00e1ban, Angli\u00e1ban, Hollandi\u00e1ban \u00e9s Finnorsz\u00e1gban. 1992-t\u0151l a toki\u00f3i Musashino Zeneakad\u00e9mia tan\u00e1ra \u00e9s a szimfonikus zenekar vezet\u0151 karmestere. 2004 \u0151sz\u00e9t\u0151l 2006 december\u00e9ig a Nemzeti Filharmonikusok \u00e1lland\u00f3 vend\u00e9gkarmestere.\r\n\r\nRendszeresen koncertezik Eur\u00f3p\u00e1ban, \u00c9szak- \u00e9s D\u00e9l-Amerik\u00e1ban, Jap\u00e1nban. Gyakori vend\u00e9ge a fontosabb zenei fesztiv\u00e1loknak, ahol partnerekkel l\u00e9pett sz\u00ednpadra mint Kocsis Zolt\u00e1n, R\u00e1nki Dezs\u0151, Schiff Andr\u00e1s, Jand\u00f3 Jen\u0151, Per\u00e9nyi Mikl\u00f3s, Maurice Andr\u00e9, James Galway, a Tak\u00e1cs- \u00e9s a Keller von\u00f3sn\u00e9gyes. Sz\u00e1mos CD-felv\u00e9telt k\u00e9sz\u00edtett a Naxos, Hungaroton, Decca, Telefunken, Harmonia Mundi \u00e9s EMI megb\u00edz\u00e1s\u00e1b\u00f3l. 1995-ben Pauk Gy\u00f6rggyel \u00e9s Jand\u00f3 Jen\u0151vel k\u00f6z\u00f6sen a Grammy-d\u00edj arany\u00e9rm\u00e9t nyert\u00e9k.\r\n\r\n2009 \u00e1prilis 1. \u00f3ta a Gy\u0151ri Filharmonikus Zenekar m\u0171v\u00e9szeti vezet\u0151je.\r\n\r\nD\u00edjak:\r\n1986 Liszt-d\u00edj\r\n2016 Magyarorsz\u00e1g \u00c9rdemes M\u0171v\u00e9sze d\u00edj{:}{:en}K\u00e1lm\u00e1n Berkes graduated from the clarinet faculty of the Franz Liszt Music Academy, where his teachers were B\u00e9la Kov\u00e1cs, Gy\u00f6rgy Kurt\u00e1g, Andr\u00e1s Mih\u00e1ly, Albert Simon and Frigyes S\u00e1ndor. He also studied conducting with J\u00e1nos Ferencsik and Giuseppe Patan\u00e9. In 1972, he won the silver medal at the Geneva International Competition, and was a prize winner at chamber music competitions in Belgrade in 1974 and Munich in 1975.\r\n\r\n \r\n\r\nFrom 1972 to 1993, he was the principal clarinettist of the Hungarian Opera House, the Philharmonia Society Orchestra and the Budapest Festival Orchestra. From 1973 to 1983 he was a member of the Budapest Chamber Ensemble. In 1982, K\u00e1lm\u00e1n Berkes founded the Budapest Wind Ensemble where he is its artistic director, and from 1988 to 1992, was conductor of the Hungarian Virtuosi Chamber Orchestra. He has held master classes in the United States, Canada, England, Holland and Finland. Since 1992 he has been a teacher at the Musashino Music Academy in Japan and is principal conductor of its symphony orchestra.\r\n\r\n \r\n\r\nFrom\u00a02004 to 2006, K\u00e1lm\u00e1n Berkes was\u00a0permanent guest conductor of the Hungarian National Philharmonic Orchestra. He regularly performs in Europe, North and South America, as well as Japan and is a frequent guest at major music festivals. His chamber music partners have included Zolt\u00e1n Kocsis, Dezs\u0151 R\u00e1nki, Andr\u00e1s Schiff, Jen\u0151 Jand\u00f3, Mikl\u00f3s Per\u00e9nyi, Maurice Andr\u00e9, James Galway as well as the Tak\u00e1cs and Keller Quartets. He has made numerous CD recordings for the Naxos, Decca, Telefunken, Harmonia Mundi and EMI labels. In 1995, he was the joint recipient with Gy\u00f6rgy Pauk and Jen\u0151 Jand\u00f3 of a Grammy Prize.{:}","post_title":"{:hu}Berkes K\u00e1lm\u00e1n{:}{:en}K\u00e1lm\u00e1n Berkes{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"berkes-kalman","to_ping":"","pinged":"","post_modified":"2017-10-10 10:22:10","post_modified_gmt":"2017-10-10 10:22:10","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=86634","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":101468,"post_author":"3","post_date":"2017-05-29 19:04:49","post_date_gmt":"2017-05-29 19:04:49","post_content":"Az igazi f\u00fav\u00f3szene voltak\u00e9ppen k\u00fcl\u00f6n csoport Mozart kamarazenei m\u0171vei k\u00f6z\u00f6tt, a sz\u00f3 eredeti \u00e9rtelm\u00e9ben nem is kamarazene, mert szabadt\u00e9ri el\u0151ad\u00e1sra sz\u00e1nt\u00e1k. Mozart az 1780-as \u00e9vek elej\u00e9n t\u00f6bb jelent\u00e9keny f\u00fav\u00f3sdarabot is kompon\u00e1lt. Minden bizonnyal a sz\u00e1m\u00e1ra is legfontosabb k\u00f6z\u00fcl\u00fck az 1782 nyar\u00e1n B\u00e9csben keletkezett c-moll szeren\u00e1d volt. Erre utal, hogy n\u00e9h\u00e1ny \u00e9vvel k\u00e9s\u0151bb von\u00f3s\u00f6t\u00f6sre is \u00e1t\u00edrta ezt a darabot (K. 106\/516\/b).\r\nEz Mozart els\u0151 val\u00f3ban fontos c-moll m\u0171ve, nagy hajt\u00f3erej\u0171, \u00e1lland\u00f3 fesz\u00fclts\u00e9ggel teli darab. Hangneme szokatlan, a h\u0151sies, szenved\u00e9lyes, s\u0151t gyakran gy\u00e1szos asszoci\u00e1ci\u00f3t kelt\u0151 c-moll ink\u00e1bb megfelel a kamarazene c\u00e9ljainak, mint utcai szeren\u00e1dzen\u00e9nek.\r\nA nyit\u00f3 Allegro f\u0151t\u00e9m\u00e1ja maga is kisebb dr\u00e1m\u00e1t rejt, de az Andante t\u00e9tel is a szenved\u00e9ly \u00e9s v\u00edv\u00f3d\u00e1s kifejez\u0151je. L\u00fcktet\u0151 bels\u0151 sz\u00f3lamaival, hat\u00e1rozott, \u00e9les, sokszor kiugr\u00f3 hangs\u00falyaival, a bels\u0151 formaszervez\u00e9s szokatlan egy\u00e9niess\u00e9g\u00e9vel messze t\u00falmutat az alkalmi utcai muzsika keretein. A Men\u00fcett t\u00e9tel sem kev\u00e9sb\u00e9 rendhagy\u00f3, m\u00e1r a felirata (\"in Canone\") is ellenpontoz\u00f3 sz\u00f6v\u00e9sm\u00f3dot jelez, \u00e9s ez igaz\u00e1n t\u00e1vol \u00e1ll a s\u00e9t\u00e1l\u00e1s k\u00f6zbeni esti muzsik\u00e1l\u00e1s hagyom\u00e1nyos ig\u00e9nyeit\u0151l. A t\u00e9tel r\u00e1k-k\u00e1nonja (az ellenpontos \u00edr\u00e1sm\u00f3d egyik kifinomult tr\u00fckkje), mint technika barokk el\u0151k\u00e9peken nyugszik, de ez esetben ink\u00e1bb Haydn vil\u00e1g\u00e1t id\u00e9zi. Az Allegro z\u00e1r\u00f3t\u00e9tel vari\u00e1ci\u00f3sorozat, amelynek hangszeres \u00f6tletei messze sokr\u00e9t\u0171bbek, mint azt a m\u0171faj megk\u00f6vetelte volna. Ha figyelembe vessz\u00fck, hogy Mozart - ahogyan egy level\u00e9ben \u00edrta - k\u00fcl\u00f6n\u00f6sen nagy siets\u00e9ggel kompon\u00e1lta ezt a darabot, akkor meg\u00e9rthetj\u00fck, hogy m\u00e9g a gyorsan tet\u0151 al\u00e1 hozott, alkalmi m\u0171veiben sem volt k\u00e9pes zenei ig\u00e9nyess\u00e9g\u00e9t h\u00e1tt\u00e9rbe szor\u00edtani.","post_title":"Szeren\u00e1d c-moll, K. 388","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"szerenad-c-moll-k-388","to_ping":"","pinged":"","post_modified":"2017-10-03 11:25:28","post_modified_gmt":"2017-10-03 11:25:28","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=101468","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Mozart"]},{"ID":91226,"post_author":"1","post_date":"2016-09-08 08:57:48","post_date_gmt":"2016-09-08 08:57:48","post_content":"{:hu}Rachmaninov \"gyakorlatai\" - Kocsis Zolt\u00e1n<\/strong>\r\n\r\n1929-ben Szergej Kuszevickij, a Boston Symphony akkori vezet\u0151karmestere felk\u00e9rte Ottorino Respighit, hogy k\u00e9sz\u00edtsen egy csokorra val\u00f3 hangszerel\u00e9st Rachmaninov Et\u0171d-Tabl\u00f3ib\u00f3l. Az elnevez\u00e9s \u2013 amit lehetne ak\u00e1r K\u00e9p-gyakorlatnak is ford\u00edtani \u2013 a komponista kital\u00e1lt sz\u00f3\u00f6sszet\u00e9tele. Val\u00f3ban, ezek az 1911-ben, illetve 1916-ban kompon\u00e1lt darabok (Op. 33 \u00e9s 39) sokkal ink\u00e1bb fest\u0151i le\u00edr\u00e1sok, nagy \u00edv\u0171 \u00e9lm\u00e9nybesz\u00e1mol\u00f3k, megrend\u00edt\u0151 l\u00e9lek\u00e1br\u00e1zol\u00e1sok, mint sem puszta gyakorlatok. S mint ilyenek, a hangszerel\u00e9sre szinte k\u00edn\u00e1lj\u00e1k magukat. Nem meglep\u0151, hogy Respighi \u00f6t sz\u00e1mb\u00f3l \u00e1ll\u00f3 ciklusa id\u0151t\u00e1ll\u00f3nak bizonyult, s j\u00f3magam, amikor azt a magyar k\u00f6z\u00f6ns\u00e9gnek 2003-ban bemutattam, titkon irigyeltem egy kicsit a zseni\u00e1lis hangszerel\u0151t, hogy munk\u00e1j\u00e1hoz mindenfajta megk\u00f6t\u00f6tts\u00e9g n\u00e9lk\u00fcl v\u00e1logathatott a k\u00e9t sorozat legkarakterisztikusabb, leghat\u00e1sosabb darabjaib\u00f3l. Tudat alatt tal\u00e1n ekkor d\u00f6nt\u00f6ttem el, hogy Respighihez hasonl\u00f3an \u00e9n is meghangszerelek n\u00e9h\u00e1ny Et\u0171d-Tabl\u00f3t, \u00e1m engem a kev\u00e9sb\u00e9 ismertek, eredeti form\u00e1jukban ritk\u00e1bban j\u00e1tszottak \u00f6szt\u00f6n\u00f6ztek erre igaz\u00e1n. Ha alaposan \u00f6sszevetj\u00fck Rachmaninov \u00e9s Respighi hangz\u00e1side\u00e1ljait, felt\u0171n\u0151, hogy az olasz mester milyen fontosnak tekinti az \u00f6lt\u00f6z\u00e9ket, a maga \u2013 latin szellemt\u0151l \u00e1titatott - m\u00f3dj\u00e1n mennyivel t\u00f6bbet cizell\u00e1l, mint maga a szerz\u0151. Munk\u00e1m sor\u00e1n term\u00e9szetesen igyekeztem ink\u00e1bb Rachmaninov saj\u00e1t hangszerel\u00e9si gyakorlat\u00e1t k\u00f6vetni, ami egy\u00e1ltal\u00e1n nem a zongoraj\u00e1t\u00e9k r\u00e9v\u00e9n megszokott fakt\u00far\u00e1kon, hanem a szerz\u0151 saj\u00e1ts\u00e1gos zenekarkezel\u00e9s\u00e9n alapul. Ak\u00e1rmennyire is sok az \u00e1tfed\u00e9s Rachmaninov zongoram\u0171vei \u00e9s zenekarra kompon\u00e1lt alkot\u00e1sai k\u00f6z\u00f6tt, a k\u00fcl\u00f6nbs\u00e9g m\u00e9gis l\u00e9nyegbev\u00e1g\u00f3. Ennek bizony\u00e1ra t\u00f6bb oka is van, \u00e9pp\u00fagy eredeztethet\u0151 az orosz komponista - az \u00e1tlagot messze meghalad\u00f3 - k\u00e9zm\u00e9ret\u00e9b\u0151l, mint dirigensi praxis\u00e1b\u00f3l. Ez\u00e9rt a munka t\u00e1volr\u00f3l sem volt olyan egyszer\u0171, mint amilyennek kezdetben \u00edg\u00e9rkezett. A c\u00edmv\u00e1laszt\u00e1st illet\u0151en azonban semmivel sem volt nehezebb dolgom, mint Respighinek.\r\n\r\nAz d-moll et\u0171d\u00f6t (Op. 33 No. 5) a szerz\u0151 nem sokkal a publik\u00e1ci\u00f3 el\u0151tt a m\u00e1r beharangozott sorozat m\u00e1sik k\u00e9t darabj\u00e1val egy\u00fctt visszavonta, a k\u00e9ziratot csak Rachmaninov hal\u00e1la ut\u00e1n tal\u00e1lt\u00e1k meg \u00e9s publik\u00e1lt\u00e1k Moszkv\u00e1ban. A d\u00f6nt\u00e9s oka nem ismeretes; a legval\u00f3sz\u00edn\u0171bb te\u00f3ria, hogy a komponista el\u00e9gedetlen volt ezzel a m\u0171v\u00e9vel. Igaza volt-e, vagy sem, d\u00f6ntse el a hallgat\u00f3. A darab hangszerel\u00e9se alatt Alekszej Tolsztoj b\u00e1jos gyermekk\u00f6nyv\u00e9nek, az Aranykulcsocsk\u00e1-nak f\u0151h\u0151se j\u00e1rt az eszemben, sz\u00e1momra az \u0151 kalandjait mes\u00e9li el miniat\u0171r form\u00e1ban ez az et\u0171d. De legal\u00e1bb ilyen er\u0151s illusztrat\u00edv asszoci\u00e1ci\u00f3kat kelt a t\u00f6bbi darab is: a c-moll et\u0171d\u00f6t (Op. 39 No. 1) \u00e1ll\u00edt\u00f3lag Arnold B\u00f6cklin \u2013 a Rachmaninov k\u00e9pzelet\u00e9t t\u00f6bbsz\u00f6r megmozgat\u00f3 szimbolista n\u00e9met fest\u0151 \u2013 Hull\u00e1mok j\u00e1t\u00e9ka (Spiel der Wellen) c\u00edm\u0171, nimf\u00e1k \u00e9s szat\u00edrok mitol\u00f3giai jelenet\u00e9t meg \u00f6r\u00f6k\u00edt\u0151 festm\u00e9nye inspir\u00e1lta; nekem azonban a zene j\u00f3val \u201eviharosabb\u201d, mint amit a festm\u00e9ny els\u0151 r\u00e1n\u00e9z\u00e9sre sugall.\r\n\r\nA folyamat term\u00e9szetesen visszafel\u00e9 is m\u0171k\u00f6dhet: a moll hangnemben is vid\u00e1man j\u00e1tszadoz\u00f3 medvebocsok, a z\u00fagva h\u00f6mp\u00f6lyg\u0151 Volga, a v\u00e1gtat\u00f3 doni koz\u00e1kok k\u00e9pzeteit m\u00e1r Rachmaninov et\u0171djei, maguk a zenei gondolatok \u00e9bresztik. Ha \u2013 sz\u00e1mos p\u00e9lda szerint - a szerz\u0151 n\u00e9ha sz\u00fcks\u00e9g\u00e9t \u00e9rzi, hogy meghat\u00e1rozza egyes darabjainak konkr\u00e9t programj\u00e1t, mi\u00e9rt ne lehetn\u00e9nek nek\u00fcnk, k\u00e9sei ut\u00f3doknak is bizonyos szabad asszoci\u00e1ci\u00f3ink?\r\n\r\nBudapest, 2015. m\u00e1rcius 23-\u00e1n.\r\n

<\/p>{:}{:en}Rachmaninov' \u00e9tudes - by Zolt\u00e1n Kocsis\r\n

Composed in 1911 and 1916 (Op. 33 and Op. 39,respectively), the \u00e9tudes-tableaux were highly successful and were popular repertoire pieces of celebrated pianists. True to its name, the set consists of painterly descriptions, motivated accounts of experiences, moving psychological portraits, rather than mere \u00e9tudes. And as such, they lend themselves well to orchestration. Unsurprisingly, Respighi\u2019s cycle of five pieces stood the test of time and when in 2003 I first presented them to the Hungarian audiences, I secretly envied the brilliant orchestrator for having a free hand to pick the most characteristic and effective pieces of the two sets. Perhaps subconsciously it was then that I decided to follow suite and orchestrate a few \u00e9tudes-tableaux.Personally, I was more inspired by the lesser known ones; those that were rarely performed in their original form.When comparing the sound ideals of Rachmaninov and Respighi, it is striking just how much importance the Italian master attaches to appearances and how much more so than the composerhe likes to polish his style in his Latin way. Naturally I endeavoured to follow Rachmaninov\u2019s orchestration practice that is based more on the composer\u2019s unique treatment of the orchestra than on customary pianistic architecture. As much as Rachmaninov\u2019s piano works and orchestral works overlap, there is a striking difference. There are many reasons for that, including the Russian composer\u2019s larger-than-average hand size and his activity as a conductor. Consequently, my job was considerably more challenging than expected. The job of choosing a title, however, was no more difficult than Respighi\u2019s had been.\r\nThe composer revoked the D-minor \u00c9tude (Op. 33 No. 5) shortly before publication, together with two other pieces of the much-anticipated set, and the manuscript was not found and published in Moscow until after Rachmaninov\u2019s death. It is not known why he decided to cancel publication. The most likely reason is because he was displeased with his work. Whether or not he was right is up to the listener to decide. While working on the orchestration I had Alexei Tolstoy\u2019s charming hero Buratino in mind, whose adventures the \u00e9tude tells in miniature form. The other pieces are equally evocative. The C-minor \u00c9tude (Op. 39 No. 1) is thought to have been inspired by Rachmaninov\u2019s favourite Symbolist German painter Arnold B\u00f6cklin\u2019sIn the Play of the Waves (Spiel der Wellen), a painting depicting a mythological scene with nymphs and satires. However, to my mind the music is considerably more \u201ctempestuous\u201d than the painting would suggest.<\/p>\r\n

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 <\/p>\n","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}\"\"\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\"\"\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"link","jegyarak":"3.500 Ft, 2.500 Ft","jegyvasarlas_gomb":"","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","hivatkozas_gomb_szovege":"Tov\u00e1bb","hivatkozas_gomg_url-je":"https:\/\/nfz.jegy.hu\/","is_muvekrol_reszletesen_en":false,"is_muveszekrol_reszletesen_en":true},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/101738","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=101738"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}