{"id":101692,"date":"2017-05-30T19:51:11","date_gmt":"2017-05-30T19:51:11","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&#038;p=101692"},"modified":"2018-05-17T17:34:43","modified_gmt":"2018-05-17T17:34:43","slug":"csajkovszkij-es-mendelssohn","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/csajkovszkij-es-mendelssohn\/","title":{"rendered":"Csajkovszkij, Mendelssohn, Julian Rachlin and the Hungarian National Philharmonic Orchestra"},"content":{"rendered":"<p><strong>JULIAN RACHLIN<\/strong><\/p>\n<p><strong>\u00a0<\/strong>Julian Rachlin\u00a0is one of the most exciting and respected violinists of our time.\u00a0In the first three decades of his career, he has established close\u00a0relationships with many of the most prestigious conductors and orchestras. Mr. Rachlin is Principal Guest Conductor of the Royal Northern Sinfonia and Turku Philharmonic Orchestra. He also leads the &#8220;Julian Rachlin\u00a0&amp; Friends Festival&#8221; in Palma de Mallorca.<br \/>\nHighlights of Mr. Rachlin&#8217;s\u00a02017\/18\u00a0season include the\u00a0opening of the St. Petersburg Philharmonic Orchestra season with Yuri Temirkanov, the opening of the Barcelona Symphony Orchestra season with Kazushi Ono, a tour with\u00a0La Scala Filarmonica and Riccardo Chailly, his return to\u00a0the\u00a0Orchestra\u00a0del Maggio Musicale with\u00a0Zubin Mehta,\u00a0and a residency at the Prague Spring Festival. He will also have his own cycle at the Vienna Musikverein.<br \/>\nAs conductor, he will tour Europe with the English Chamber Orchestra and will guest conduct, among others, the Royal Philharmonic Orchestra,\u00a0State Academic Symphony Orchestra of Russia, Vienna Symphony Orchestra, Moscow Philharmonic Orchestra, Hungarian National Philharmonic, Royal Liverpool Philharmonic Orchestra, Orchestra della Svizzera Italiana, Moscow Virtuosi, National Taiwan Symphony Orchestra and Prague Philharmonia.<br \/>\nBorn in Lithuania, Mr. Rachlin immigrated to Vienna in 1978. He studied violin with Boris Kuschnir at the Vienna Conservatory\u00a0and\u00a0with\u00a0Pinchas\u00a0Zukerman. After winning the &#8220;Young Musician of the Year&#8221; Award at the Eurovision Competition in 1988, he became the youngest soloist ever to play with the Vienna\u00a0Philharmonic, debuting under Riccardo Muti. At the recommendation of Mariss Jansons, Mr. Rachlin\u00a0studied\u00a0conducting with Sophie Rachlin. Since September 1999, he is on the violin faculty at the\u00a0Music and Arts University of the City of Vienna. He is also an accomplished viola player, and his\u00a0recordings for Sony Classical, Warner Classics and Deutsche Grammophon have been met with great acclaim. Mr. Rachlin, a UNICEF Goodwill Ambassador, is committed to educational outreach and charity work.<br \/>\nJulian Rachlin\u00a0plays the 1704 &#8220;ex Liebig&#8221;\u00a0Stradivari\u00a0and a\u00a01785 Lorenzo\u00a0Storioni\u00a0viola, on\u00a0loan to him courtesy of the\u00a0Dkfm. Angelika\u00a0Prokopp\u00a0Privatstiftung. His strings are kindly sponsored by\u00a0Thomastik-Infeld.<\/p>\n","protected":false},"template":"","class_list":["post-101692","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Ferencsik b\u00e9rlet 8.","kiemelt_kep":{"ID":105750,"id":105750,"title":"julian-rachlin-event","filename":"julian-rachlin-event.png","filesize":413506,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/julian-rachlin-event.png","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/csajkovszkij-es-mendelssohn\/julian-rachlin-event\/","alt":"","author":"1","description":"","caption":"","name":"julian-rachlin-event","status":"inherit","uploaded_to":101692,"date":"2018-03-13 16:22:55","modified":"2018-05-16 09:39:20","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1600,"height":583,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/julian-rachlin-event-150x150.png","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/julian-rachlin-event-300x109.png","medium-width":300,"medium-height":109,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/julian-rachlin-event-768x280.png","medium_large-width":640,"medium_large-height":233,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/julian-rachlin-event-1024x373.png","large-width":640,"large-height":233,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/julian-rachlin-event.png","1536x1536-width":1536,"1536x1536-height":560,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/julian-rachlin-event.png","2048x2048-width":1600,"2048x2048-height":583,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/julian-rachlin-event-165x165.png","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/julian-rachlin-event.png","person-size-2-width":165,"person-size-2-height":60,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/julian-rachlin-event-263x263.png","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/julian-rachlin-event-360x203.png","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/julian-rachlin-event-359x450.png","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/julian-rachlin-event-555x555.png","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/julian-rachlin-event-1600x583.png","slider-size-width":1600,"slider-size-height":583}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20180519","esemeny_idopontja":"19.30","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87689,"post_author":"1","post_date":"2016-09-08 08:02:38","post_date_gmt":"2016-09-08 08:02:38","post_content":"","post_title":"{:hu}M\u00fcpa - Bart\u00f3k B\u00e9la Nemzeti Hangversenyterem{:}{:en}M\u00fcpa - B\u00e9la Bart\u00f3k National Concert Hall{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"mupa-bartok-bela-nemzeti-hangversenyterem","to_ping":"","pinged":"","post_modified":"2016-09-08 08:02:38","post_modified_gmt":"2016-09-08 08:02:38","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/mupa-bartok-bela-nemzeti-hangversenyterem\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"{:hu}Budapest{:}{:en}Budapest{:}","orszag":"{:hu}Magyarorsz\u00e1g{:}{:en}Magyarorsz\u00e1g{:}","cim":"<p>1095 Budapest, Komor Marcell u. 1.<\/p>","megjegyzes":"","weboldal":"http:\/\/www.muveszetekpalotaja.hu"},"helyszin_kategoria":"budapest","karmester":{"ID":101768,"post_author":"1","post_date":"2017-05-30 15:22:04","post_date_gmt":"2017-05-30 15:22:04","post_content":"{:hu}Julian Rachlin, korunk egyik legmegragad\u00f3bb \u00e9s legn\u00e9pszer\u0171bb heged\u0171m\u0171v\u00e9sze Litv\u00e1ni\u00e1ban sz\u00fcletett. 1978-ban B\u00e9csbe emigr\u00e1lt, az ottani zeneakad\u00e9mi\u00e1n Boris Kuschnir \u00e9s Pinkas Zukerman n\u00f6vend\u00e9kek\u00e9nt folytatta tanulm\u00e1nyait. 1988-ban az Eurov\u00edzi\u00f3 verseny\u00e9n az \u201e\u00c9v Legjobb Ifj\u00fa Zen\u00e9sze\u201d c\u00edmet nyerte el, \u00e9s ezut\u00e1n a B\u00e9csi Filharmonikusokkal koncertezett a zenekar \u00e1ltal valaha k\u00eds\u00e9rt legfiatalabb sz\u00f3listak\u00e9nt. 1999 szeptembere \u00f3ta B\u00e9cs v\u00e1ros M\u0171v\u00e9szeti Egyetem\u00e9nek heged\u0171 tanszak\u00e1n tan\u00edt. Julian br\u00e1cs\u00e1n is kiv\u00e1l\u00f3an j\u00e1tszik, lemezfelv\u00e9telei m\u00e9lt\u00e1n aratnak nagy sikert.\r\n\r\nJulian Rachlin az \u00e9szak-angliai Royal Northern Sinfonia, valamint a turkui Filharm\u00f3niai Zenekar \u00e1lland\u00f3 vend\u00e9gkarmestere. \u00c9vente jelent\u0151s zenei esem\u00e9ny Palma de Mallorc\u00e1n az \u00e1ltala ir\u00e1ny\u00edtott \u201eJ. Rachlin \u00e9s bar\u00e1tai Fesztiv\u00e1l\u201d. Karmesterk\u00e9nt az Angol Kamarazenekar \u00e9l\u00e9n turn\u00e9zik Eur\u00f3p\u00e1ban, \u00e9s emellett sz\u00e1mos vezet\u0151 zenekar dirigensek\u00e9nt is fell\u00e9p.\r\n\r\nJulian az UNICEF j\u00f3szolg\u00e1lati nagyk\u00f6vete, \u00e9s elk\u00f6telezett t\u00e1mogat\u00f3ja k\u00fcl\u00f6nf\u00e9le k\u00f6z\u00f6ss\u00e9gi \u00e9s j\u00f3t\u00e9konys\u00e1gi programoknak.{:}{:en}Julian Rachlin is one of the most exciting and respected violinists of our time. Born in Lithuania, Julian immigrated to Vienna in 1978, before studying violin with Boris Kuschnir and Pinchas Zukerman at the Vienna Conservatory. After winning the \"Young Musician of the Year\" Award at the Eurovision Competition in 1988, he became the youngest soloist ever to play with the Vienna Philharmonic. Since September 1999, he has worked in the violin department of the Music and Arts University of the City of Vienna. Julian is also an accomplished viola player, while his recordings have been met with great acclaim.\r\n\r\nRachlin is Principal Guest Conductor of the Royal Northern Sinfonia and the Turku Philharmonic Julian. He also leads the Julian Rachlin &amp; Friends Festival in Palma de Mallorca. As a conductor, he regularly tours Europe with the English Chamber Orchestra and has conducted several other leading orchestras in Europe.\r\n\r\nJulian is a UNICEF Goodwill Ambassador and is committed to educational outreach and charity work.{:}","post_title":"{:hu}Julian Rachlin{:}{:en}Julian Rachlin{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"julian-rachlin","to_ping":"","pinged":"","post_modified":"2018-05-17 17:31:50","post_modified_gmt":"2018-05-17 17:31:50","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=101768","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":101622,"post_author":"3","post_date":"2017-05-30 09:42:39","post_date_gmt":"2017-05-30 09:42:39","post_content":"{:hu}A <em>polon\u00e9z<\/em> n\u00e9pi eredet\u0171 lengyel t\u00e1nc; h\u00e1romnegyedes l\u00fcktet\u00e9s\u00e9t az els\u0151 negyedre es\u0151 gyakori daktilus-ritmus teszi jellegzetess\u00e9. A 19. sz\u00e1zadi orosz zeneszerz\u0151k k\u00f6r\u00e9ben is n\u00e9pszer\u0171 volt, t\u00f6bbek k\u00f6z\u00f6tt Csajkovszkij t\u00f6bb oper\u00e1j\u00e1ban is szerepel t\u00e1ncbet\u00e9tk\u00e9nt. Az <em>Anyegin<\/em> polon\u00e9ze az opera III. felvon\u00e1s\u00e1nak kezdet\u00e9n, a b\u00e1li jelenet ind\u00edt\u00e1sak\u00e9nt egyszerre jelzi a helysz\u00edn gazdag pomp\u00e1j\u00e1t, illetve Tatj\u00e1n\u00e1nak naiv vid\u00e9ki kisl\u00e1nyb\u00f3l t\u00fcnd\u00f6kl\u0151 hercegn\u00e9v\u00e9 val\u00f3 \u00e1talakul\u00e1s\u00e1t. A h\u00e1romr\u00e9szes form\u00e1ban, l\u00edrai k\u00f6z\u00e9pr\u00e9sszel megkompon\u00e1lt, b\u00fcszke tart\u00e1s\u00fa t\u00e1nc az <em>Anyegin<\/em> moszkvai, 1881-es bemutat\u00f3ja ut\u00e1n hamarosan az oper\u00e1t\u00f3l f\u00fcggetlen, \u00f6n\u00e1ll\u00f3 \u00e9letre kelt. Egyfel\u0151l k\u00f6zkedvelt hangversenydarabb\u00e1 v\u00e1lt, m\u00e1sfel\u0151l visszat\u00e9rt eredeti funkci\u00f3j\u00e1hoz: mind a mai napig a b\u00e1lok kedvelt m\u0171sorsz\u00e1ma szerte a vil\u00e1gon.\r\n\r\n<strong>\u00a0<\/strong>{:}{:en}The Polonaise is a Polish dance with folk origins: the three-quarter time is characterised by the frequent dactylic rhythm of the first quarter. The dance was popular among Russian composers of the 19th century, and features as a <em>divertissement<\/em> in several of Tchaikovsky\u2019s operas. The Polonaise from <em>Eugene Onegin<\/em> comes at the start of the opera\u2019s third act as the opening to the ball scene, serving to demonstrate both the rich splendour of the venue and the transformation of Tatyana from na\u00efve country girl into glamorous princess. Following <em>Eugene Onegin<\/em>\u2019s Moscow premiere in 1881, this proud, three-part dance with a lyrical middle section took on a life of its own, independently of the opera itself. As well as becoming a much-loved concert piece, the Polonaise also saw a return to its original purpose: the piece is still played as a firm favourite at balls all over the world.{:}","post_title":"{:hu}Polon\u00e9z az Anyegin c. oper\u00e1b\u00f3l{:}{:en}Polonaise from the opera Eugene Onegin{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"polonez-az-anyegin-c-operabol","to_ping":"","pinged":"","post_modified":"2018-05-17 17:36:17","post_modified_gmt":"2018-05-17 17:36:17","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&#038;p=101622","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Csajkovszkij"]},{"ID":91090,"post_author":"1","post_date":"2016-09-08 08:57:47","post_date_gmt":"2016-09-08 08:57:47","post_content":"{:hu}Az e-moll m\u0171 Mendelssohn utols\u00f3 alkot\u00f3korszak\u00e1ban keletkezett.\r\n\r\nA Heged\u0171verseny csillog\u00f3 felsz\u00edne, a szinte t\u00fcntet\u0151en egyszer\u0171 tematika, a fin\u00e1l\u00e9 \u201eszentiv\u00e1n\u00e9ji\u201d hangulata azonban n\u00e9mileg megt\u00e9veszt\u0151: Mendelssohn sz\u00e1mos formai \u00faj\u00edt\u00e1snak is teret engedett e m\u0171v\u00e9ben, melyek a korabeli k\u00f6z\u00f6ns\u00e9g sz\u00e1m\u00e1ra igencsak meglep\u0151ek lehettek \u2013 szemben a mai hallgat\u00f3k gyan\u00fatlan t\u00f6bbs\u00e9g\u00e9vel, akik sz\u00e1m\u00e1ra r\u00e9szben \u00e9pp e m\u0171 testes\u00edti meg a mindenkori viszony\u00edt\u00e1si alapul szolg\u00e1l\u00f3 \u201eA heged\u0171verseny\u201d-t.\r\n\r\n\u00cdgy p\u00e9ld\u00e1ul a sz\u00f3lista azonnali bel\u00e9p\u00e9se akkoriban m\u00e9g sokkal v\u00e1ratlanabb hat\u00e1st kelthetett, aminthogy az egyes t\u00e9telek k\u00f6z\u00f6tti \u201e\u00e1tk\u00f6t\u00e9s\u201d is (a lass\u00fa t\u00e9tel el\u0151tt a fagott kitartott hangj\u00e1val, majd a fin\u00e1l\u00e9t megel\u0151z\u0151, tematik\u00e1j\u00e1ban egyben a nyit\u00f3t\u00e9telre is visszautal\u00f3 r\u00f6vid, szinte besz\u00e9dszer\u0171 heged\u0171sz\u00f3l\u00f3val) egy addig csak m\u00e1s m\u0171fajokb\u00f3l ismert megold\u00e1s felbukkan\u00e1s\u00e1nak meglepet\u00e9s\u00e9t v\u00e1lthatta ki. S \u00e9pp\u00edgy k\u00e1r volna \u00e1tsiklanunk afelett a kisebb forradalom felett, amelyet az els\u0151 t\u00e9tel sz\u00f3l\u00f3kadenci\u00e1j\u00e1nak ki\u00edr\u00e1sa (teh\u00e1t nem az el\u0151ad\u00f3 saj\u00e1t improviz\u00e1ci\u00f3j\u00e1ra b\u00edz\u00e1sa), s egy\u00fattal a f\u0151t\u00e9ma visszat\u00e9r\u00e9se el\u00e9 helyez\u00e9se jelentett (a megszokottabb, k\u00f6zvetlen\u00fcl a t\u00e9tel v\u00e9ge el\u0151tti megsz\u00f3lal\u00e1ssal szemben).\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<p style=\"text-align: justify;\"><\/p>{:}{:en}Mendelssohn composed his first violin concerto in D minor at the age of thirteen. Twenty-three years had to pass for him to revisit the genre. The E-minor concerto was written in his last creative period, presumably as a kind of summary of his efforts, even if he chose a lighter genre to do so in comparison with the Elijah oratorio, completed around the same period. The glittering surface of the Violin Concerto, the conspicuously simple theme, the \u201cMidsummer Night\u2019s\u201d feel of the finale, however, are somewhat misleading. Mendelssohn incorporated numerous formal innovations in his work, which would have taken the audiences of the time by surprise \u2013 as opposed to the majority of unsuspecting audiences of our day, for whom the work is The Violin Concerto, an ultimate point of reference. For example, the soloist\u2019s entry at the very beginning (with none of the \u201cobligatory\u201d orchestral introduction) would have been unexpected at the time, as were the \u201ctransitions\u201d between the movements, such as the extended note of the bassoon before the slow movement, and the short, almost speech-like, violin solo preceding the finale, whose theme refers back to the opening movement. These would have undoubtedly elicited surprise at the employment of solutions familiar from other genres. Mention must also be made of Mendelssohn\u2019s truly revolutionary solution of writing out of the solo cadence in the first movement, leaving no space for the soloist\u2019s improvisation, and placing it before the recapitulation of the main theme, as opposed to its usual place at the end of the movement.\r\n\r\n&nbsp;{:}","post_title":"{:hu}Heged\u0171verseny e-moll, op. 64{:}{:en}Violin Concerto in E minor, Op. 64{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"hegeduverseny-e-moll-op-64","to_ping":"","pinged":"","post_modified":"2018-05-17 17:25:33","post_modified_gmt":"2018-05-17 17:25:33","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/hegeduverseny-e-moll-op-64\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Mendelssohn"]},{"ID":91955,"post_author":"1","post_date":"2016-09-08 08:58:00","post_date_gmt":"2016-09-08 08:58:00","post_content":"{:hu}I. Andante \u2013 Allegro con anima\r\n\r\nII. Andante cantabile, con alcuna licenza\r\n\r\nIII. Valse. Allegro moderato\r\n\r\nIV. Finale. Andante maestoso \u2013 Allegro vivace\r\n\r\n&nbsp;\r\n\r\nAz 1888-ban kompon\u00e1lt V. szimf\u00f3nia a zeneszerz\u0151 utols\u00f3 alkot\u00f3peri\u00f3dus\u00e1ban keletkezett. Csajkovszkij (1840\u20131893) eset\u00e9ben ez az alkot\u00f3peri\u00f3dus az \u00f6sszegz\u00e9s, az \u00f6sszefoglal\u00e1s gondolat\u00e1val \u00e9s ig\u00e9ny\u00e9vel kapcsol\u00f3dik \u00f6ssze.\r\n\r\nA m\u0171 \u201esors szimf\u00f3nia\u201d, nyit\u00f3t\u00e9m\u00e1j\u00e1nak kopog\u00e1sa \u2013 Csajkovszkij szavaival \u00e9lve \u2013 \u201eteljes meghajl\u00e1s a sors, illetve a v\u00e9gzet kif\u00fcrk\u00e9szhetetlen parancsa el\u0151tt.\u201d Ez a t\u00e9ma (els\u0151 \u00edzben a klarin\u00e9t sz\u00f3laltatja meg) mott\u00f3szer\u0171en minden t\u00e9telben visszat\u00e9r. Minden t\u00e9tel \u00f6n\u00e1ll\u00f3, saj\u00e1t zenei gondolatb\u00f3l \u00e9p\u00edtkezik, a \u201esors-t\u00e9ma\u201d id\u00e9zetszer\u0171 haszn\u00e1lata ink\u00e1bb a kompoz\u00edci\u00f3 epikus jelleg\u00e9nek meger\u0151s\u00edt\u00e9s\u00e9t szolg\u00e1lja.\r\n\r\nA szon\u00e1taform\u00e1j\u00fa els\u0151 t\u00e9tel mozgalmass\u00e1ga, tematikus sokf\u00e9les\u00e9ge, karaktergazdags\u00e1ga nem kiz\u00e1r\u00f3lag a sors el\u0151tti \u201eteljes meghajl\u00e1s\u201d narrat\u00edv\u00e1j\u00e1t hordozza. A lass\u00fa t\u00e9tel gy\u00f6ny\u00f6r\u0171 t\u00e9m\u00e1j\u00e1t a k\u00fcrt csend\u00edti meg. A t\u00e9tel dr\u00e1mai cs\u00facspontj\u00e1n, melyet temp\u00f3v\u00e1lt\u00e1s \u00e9s h\u00e1romszoros forte dinamika jelez, \u00fcstdobperg\u00e9s k\u00f6zepette a f\u00fav\u00f3skaron jelentkezik a \u201esors-t\u00e9ma\u201d.\r\n\r\nA fin\u00e1l\u00e9 el\u0151k\u00e9sz\u00edt\u00e9sek\u00e9nt hat, ahogy a harmadik t\u00e9tel eleg\u00e1ns kering\u0151je szinte \u00e9szrev\u00e9tlen\u00fcl cs\u00faszik \u00e1t a der\u0171s hangulatb\u00f3l valami bizonytalan, megfoghatatlan balsejtelembe: a \u201esors-t\u00e9ma\u201d augment\u00e1lt (hosszabb ritmus\u00e9rt\u00e9kekben mozg\u00f3) alakban s\u00f6t\u00e9t \u00e1rnyk\u00e9nt jelenik meg a t\u00e9tel v\u00e9g\u00e9n. A final\u00e9 andante bevezet\u00e9se egy\u00e9rtelm\u0171 visszautal\u00e1s a nyit\u00f3t\u00e9tel kezdet\u00e9re (ott mollban, itt d\u00farban indul), az Allegro vivace felirat\u00fa f\u0151r\u00e9sz a szimf\u00f3nia alaphangj\u00e1t diadalmasra hangolja \u00e1t. A n\u00e9pies orosz t\u00e1nc-epiz\u00f3d a IV. szimf\u00f3nia hasonl\u00f3 dramaturgiai pillanat\u00e1nak rokona: \u00e9letigenl\u00e9st, a k\u00f6z\u00f6ss\u00e9g erej\u00e9t fejezi ki. Csajkovszkij szavaival, \u201e\u00d6r\u00fclj m\u00e1sok \u00f6r\u00f6m\u00e9nek \u2013 tov\u00e1bb \u00e9lhetsz!\u201d{:}{:en}I. Andante \u2013 Allegro con anima\r\n\r\nII. Andante cantabile, con alcuna licenza\r\n\r\nIII. Valse. Allegro moderato\r\n\r\nIV. Finale. Andante maestoso \u2013 Allegro vivace\r\n\r\n&nbsp;\r\n\r\nTchaikovsky (1840\u20131893) composed his Symphony No. 5 in 1888, during his final creative period. For Tchaikovsky, this period brought together the act of summarising with the idea and the need to recapitulate.\r\n\r\nThe rhythmic pattern of the opening theme to this \u2018symphony of fate\u2019 is \u2013 in Tchaikovsky\u2019s words \u2013 \u201ca complete resignation before fate, which is the same as the inscrutable predestination of fate\u201d. The theme (played here on the clarinet) returns as a motto in each of the movements. While all the individual movements feature their own musical ideas, the \u2018theme of fate\u2019 is used to reinforce the epic character of the composition.\r\n\r\nThe liveliness, thematic diversity and rich character of the first movement, which is in sonata form, does more than carry the narrative of the \u2018total acceptance\u2019 of one\u2019s fate. The beautiful theme of this slow-tempo movement is brought to a close by the horn, while, at the dramatic climax of the movement marked by a change of pace and a triple forte dynamic, the \u2018Fate theme\u2019 appears in the brass section amid the rattle of kettle drums.\r\n\r\nIn the build-up to the finale, the elegant waltz of the third movement almost imperceptibly glides from a joyous atmosphere to an uncertain, intangible foreboding: the \u2018theme of fate\u2019 appears in an augmented form as a dark shadow hanging over the end of the movement. The Andante opening to the Finale recalls the beginning of the opening movement (starting there in the major key, here in the minor one), while the main Allegro vivace section is aligned with the basic triumphant sound of the symphony as a whole. The popular Russian dance episode is akin to a similar dramatic moment from in Symphony No. 4, expressing an affirmation of life and the strength of togetherness. As Tchaikovsky said: \u201cRejoice in others' rejoicing. To live is still possible!\u201d\r\n\r\n<strong>\u00a0<\/strong>{:}","post_title":"{:hu}V. szimf\u00f3nia e-moll, op. 64{:}{:en}Symphony No. 5 in E minor, op. 64{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"v-szimfonia-2","to_ping":"","pinged":"","post_modified":"2018-05-17 17:27:53","post_modified_gmt":"2018-05-17 17:27:53","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/v-szimfonia-2\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Csajkovszkij"]}],"muvekrol_reszletesen":true,"kozr_szemelyek":[],"muveszekrol_reszletesen":null,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the <em>Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;{:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"link","jegyarak":"5.200 Ft, 4.300 Ft, 3.600 Ft, 2.900 Ft, 2.100 Ft","hivatkozas_gomb_szovege":"Tov\u00e1bb","hivatkozas_gomg_url-je":"https:\/\/nfz.jegy.hu\/","youtube_id":"","old_id":"","muvek_feluldefinialasa":false,"is_muvekrol_reszletesen_en":true,"is_muveszekrol_reszletesen_en":false},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/101692","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=101692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}