{"id":101685,"date":"2017-05-31T07:16:33","date_gmt":"2017-05-31T07:16:33","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&#038;p=101685"},"modified":"2018-06-19T14:26:25","modified_gmt":"2018-06-19T14:26:25","slug":"bernstein-kaddish-szimfonia","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/bernstein-kaddish-szimfonia\/","title":{"rendered":"Milhaud Ani maamin \u2013 cantata and Bernstein Symphony no. 3 (Kaddish)"},"content":{"rendered":"<p><strong>Information about entering the Synagogue<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>Dear Concert Goers,<\/p>\n<p>&nbsp;<\/p>\n<p>Please be aware when arriving at the concert that security checks are carried out at the entrance to the Synagogue. This can take some time. There are also limited parking spaces in the area surrounding the Synagogue, so it might be a good idea to make your journey via public transport. The doors are open from 6 pm.<\/p>\n<p>Please observe the following rules:<\/p>\n<ul>\n<li>Men must not enter the Synagogue bareheaded. Please bring something to cover your head.<br \/>\n\u2022 Please wear appropriate clothing. Sleeveless tops and short skirts are not allowed.<br \/>\n\u2022 Security checks are carried out by staff before entering the Synagogue. Kindly offer your full cooperation.<\/li>\n<\/ul>\n<p>Thank you for your understanding, we look forward to seeing you there!<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>MILHAUD: <\/strong>Ani Maamin \u2013 cantata<\/p>\n<p>One of the final works by Darius Milhaud (1892\u20131974) was the <em>Ani maamin<\/em> (&#8220;I Believe&#8221;) cantata, written in 1972, the title of which refers to the writings of Maimonides that summarise the 13 principles of Jewish faith. The 12th point of this creed, the coming of the Jewish Messiah, was especially emphasised by the writer of the cantata&#8217;s text Elie Wiesel. In the piece, the short chorus and vocal solo lines alternate with texts narrated in prose which depict Abraham, Isaac and Jacob travelling around the world and bringing the immense suffering of the Holocaust before God.\u00a0 The lines by the solo soprano appear near the middle of the piece, and alternate with the words of Abraham. To the questions of the patriarchs (How can God allow such atrocities?), the answers again and again convey unconditional faith: &#8220;The thoughts of God are inscrutable. God knows what He does.&#8221; The patriarchs finally run out of arguments and leave the heavens, but do not notice the tears in the eyes of God. And they receive a new confirmation, hope in the lives of their children. We first hear the complete text of the creed in the final movement in Hebrew: &#8220;I believe with perfect faith in the coming of the Messiah, and, though he may tarry, I will wait daily for his coming. Ani maamin.&#8221;<\/p>\n<p><strong>BERNSTEIN<\/strong>: Symphony No. 3 (&#8220;Kaddish&#8221;)<\/p>\n<p>The title of Leonard Bernstein&#8217;s Symphony No. 3, <em>Kaddish<\/em>, refers to a Jewish prayer which is usually chanted for the dead but never mentions death, and rather attests to the glory of God. Through it, mourners express that they have not lost their faith in spite of their pain. The monumental performance is scored for a narrator, soprano solo, mixed choir, boy&#8217;s choir and a large symphony orchestra. The piece&#8217;s three movements are performed in sequence without intermission: I Invocation \u2013 Kaddish 1; II Din-Torah \u2013 Kaddish 2; III Scherzo \u2013 Kaddish 3 \u2013 Finale. In all three movements, the kaddish prayer is sung in its entirety in the original Aramaic\/Hebrew language, and always with a different character. The narrator&#8217;s very personal, and in some places quite dramatic text was written by Bernstein himself, and conveys one of the main problems of the 20th century and of the composer, a crisis of faith, as well as his struggles, doubts and even his conflicts with God.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"template":"","class_list":["post-101685","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Church Season Pass 4. ","kiemelt_kep":{"ID":106635,"id":106635,"title":"sumegi-eszter-juni-21-event","filename":"sumegi-eszter-juni-21-event.png","filesize":819772,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/sumegi-eszter-juni-21-event.png","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/bernstein-kaddish-szimfonia\/sumegi-eszter-juni-21-event\/","alt":"","author":"1","description":"","caption":"","name":"sumegi-eszter-juni-21-event","status":"inherit","uploaded_to":101685,"date":"2018-04-18 07:17:15","modified":"2018-05-22 10:10:57","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1600,"height":583,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/sumegi-eszter-juni-21-event-150x150.png","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/sumegi-eszter-juni-21-event-300x109.png","medium-width":300,"medium-height":109,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/sumegi-eszter-juni-21-event-768x280.png","medium_large-width":640,"medium_large-height":233,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/sumegi-eszter-juni-21-event-1024x373.png","large-width":640,"large-height":233,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/sumegi-eszter-juni-21-event.png","1536x1536-width":1536,"1536x1536-height":560,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/sumegi-eszter-juni-21-event.png","2048x2048-width":1600,"2048x2048-height":583,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/sumegi-eszter-juni-21-event-165x165.png","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/sumegi-eszter-juni-21-event.png","person-size-2-width":165,"person-size-2-height":60,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/sumegi-eszter-juni-21-event-263x263.png","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/sumegi-eszter-juni-21-event-360x203.png","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/sumegi-eszter-juni-21-event-359x450.png","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/sumegi-eszter-juni-21-event-555x555.png","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/sumegi-eszter-juni-21-event-1600x583.png","slider-size-width":1600,"slider-size-height":583}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20180621","esemeny_idopontja":"20.00","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":101785,"post_author":"1","post_date":"2017-05-30 15:43:51","post_date_gmt":"2017-05-30 15:43:51","post_content":"","post_title":"Doh\u00e1ny utcai Zsinag\u00f3ga","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"dohany-utcai-zsinagoga","to_ping":"","pinged":"","post_modified":"2017-05-30 15:43:51","post_modified_gmt":"2017-05-30 15:43:51","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=places&#038;p=101785","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"Budapest","orszag":"Magyarorsz\u00e1g","cim":"","megjegyzes":"","weboldal":""},"helyszin_kategoria":"budapest","karmester":{"ID":101545,"post_author":"1","post_date":"2017-05-30 19:58:57","post_date_gmt":"2017-05-30 19:58:57","post_content":"{:hu}Fels\u0151fok\u00fa tanulm\u00e1nyait a Liszt Ferenc Zenem\u0171v\u00e9szeti F\u0151iskol\u00e1n folytatta, zeneszerz\u00e9s tan\u00e1ra Petrovics Emil, karmester tan\u00e1rai Luk\u00e1cs Ervin \u00e9s G\u00e1l Tam\u00e1s voltak. 1995-ben kit\u00fcntet\u00e9ssel diplom\u00e1zott.\r\n\r\nP\u00e1ly\u00e1ja a Magyar Telev\u00edzi\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n nyert 2. d\u00edjjal \u00e9s k\u00f6z\u00f6ns\u00e9gd\u00edjjal indult. 1996-ban a spanyolorsz\u00e1gi Cadaques-ben rendezett karmesterversenyen ugyancsak 2. d\u00edjat nyert, 1997-ben a Portug\u00e1l R\u00e1di\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n 1. helyezett lett, majd a Trent\u00f3i Antonio Pedrotti Versenyen szint\u00e9n az 1. helyen v\u00e9gzett.\r\n\r\n1997 \u0151sz\u00e9n Kocsis Zolt\u00e1n zeneigazgat\u00f3 javaslat\u00e1ra a Nemzeti Filharmonikusok els\u0151 \u00e1lland\u00f3 karmester\u00e9v\u00e9 nevezt\u00e9k ki. 1998-ben Lorin Maazel asszisztense a Salzburgi \u00dcnnepi J\u00e1t\u00e9kokon. 2000-t\u0151l 2009-ig a Pannon Filharmonikusok zeneigazgat\u00f3ja \u00e9s vezet\u0151 karmestere, ezzel p\u00e1rhuzamosan az Orchestra di Padova e del Veneto els\u0151 vend\u00e9gkarmestere.\r\n\r\nRendszeres vend\u00e9g Eur\u00f3pa, Jap\u00e1n \u00e9s az Egyes\u00fclt \u00c1llamok zenekarain\u00e1l \u00e9s koncerttermeiben. Fell\u00e9pett szinte minden magyar szimfonikus egy\u00fcttessel. 2001 \u00f3ta rendszeresen vez\u00e9nyel a Magyar \u00c1llami Operah\u00e1zban, sz\u00edvesen l\u00e1tott vend\u00e9g a k\u00fclf\u00f6ldi dalsz\u00ednh\u00e1zakban is. 2005 \u00e9s 2011 k\u00f6z\u00f6tt a Z\u00fcrichi Operah\u00e1zban dolgozott a vil\u00e1gh\u00edr\u0171 dalsz\u00ednh\u00e1z \u00e1lland\u00f3 karmesterek\u00e9nt. 2012-t\u0151l 2016-ig a Wiesbadeni Operah\u00e1z (Hessisches Staatstheater) f\u0151zeneigazgat\u00f3ja volt.\r\n\r\n<em>\u00a0<\/em>A Nemzeti Filharmonikus Zenekarral Liszt m\u0171veket, a Pannon Filharmonikusokkal Mahler I. szimf\u00f3ni\u00e1j\u00e1nak 1893-as weimari v\u00e1ltozat\u00e1t r\u00f6gz\u00edtette CD-re a Hungaroton kiad\u00e1s\u00e1ban.\r\n\r\n2011 j\u00fanius\u00e1ban sikeresen fejezte be habilit\u00e1ci\u00f3j\u00e1t a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen. 2016 \u00f3ta a szombathelyi Nemzetk\u00f6zi Bart\u00f3k Szemin\u00e1rium \u00e9s Fesztiv\u00e1l karmesterkurzus\u00e1nak professzora.\r\n\r\n2017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig vezette a Nemzeti Filharmonikusok Zenekar\u00e1t.\r\n\r\nMunk\u00e1ss\u00e1ga elismer\u00e9sek\u00e9nt 2001-ben Liszt-d\u00edjat, 2006-ban a Magyar K\u00f6zt\u00e1rsas\u00e1gi \u00c9rdemrend Lovagkeresztj\u00e9t vehette \u00e1t, 2017-ben pedig \u00c9rdemes M\u0171v\u00e9sz d\u00edjban r\u00e9szes\u00fclt.{:}{:en}Hamar pursued his advanced studies at Budapest\u2019s Franz Liszt Academy of Music, graduating with honours in 1995 after studying music composition under Emil Petrovics and conducting under Ervin Luk\u00e1cs and Tam\u00e1s G\u00e1l. He launched his career by taking second place and the audience prize at the Hungarian Television International Conducting Competition. He has also won prizes at several other international competitions (taking second place at the Cadaqu\u00e9s Orchestra International Conducting Competition in Spain and first place at both the Portuguese Radio Conducting Competition and the Antonio Pedrotti International Conducting Competition in Trento, Italy). In 1997, he was invited by Zolt\u00e1n Kocsis to serve as first permanent conductor of the Hungarian National Philharmonic Orchestra. After working as Lorin Maazel\u2019s assistant at the Salzburg Festival in 1998, he spent the years from 2000 to 2009 as the music director of the Pannon Philharmonic while simultaneously serving as first guest conductor of the Orchestra di Padova e del Veneto.\r\n\r\nA regular guest with orchestras and at concert halls around Europe, Japan and the USA, he has also appeared with nearly every symphonic ensemble in Hungary. Hamar has regularly conducted at the Hungarian State Opera since 2001 and is a welcome guest at opera houses in other countries as well. Between 2005 and 2011, he worked as a permanent conductor at the world-famous Opernhaus Z\u00fcrich. He has recorded works by Liszt together with the Hungarian National Philharmonic and Mahler\u2019s <em>First Symphony<\/em> with the Pannon Philharmonic. From 2012 to 2016, he served as the chief music director of Wiesbaden\u2019s opera house.\r\n\r\nHe headed the Hungarian National Philharmonic as Musical Director from March 2017 to August 2020.{:}","post_title":"{:hu}Hamar Zsolt{:}{:en}Zsolt Hamar{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"hamar-zsolt-3","to_ping":"","pinged":"","post_modified":"2020-08-10 08:31:17","post_modified_gmt":"2020-08-10 08:31:17","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=101545","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":101634,"post_author":"3","post_date":"2017-05-30 09:48:52","post_date_gmt":"2017-05-30 09:48:52","post_content":"{:hu}Darius Milhaud (1892\u20131974) a 20. sz\u00e1zad egyik legterm\u00e9kenyebb \u00e9s legsokoldal\u00fabb zeneszerz\u0151je; k\u00f6zel 450 m\u0171vet kompon\u00e1lt, az oper\u00e1t\u00f3l a gyermekeknek sz\u00e1nt zongoradarabokig az \u00f6sszes l\u00e9tez\u0151 m\u0171fajban. Az 1920-as \u00e9vek avatgardj\u00e1nak jelent\u0151s alakja, a francia \u201eHatok\u201d n\u00e9ven ismert csoport tagja, az \u00fct\u0151hangszerek, a jazz-elemek, a politonalit\u00e1s \u00e9s az aleat\u00f3ria haszn\u00e1lat\u00e1nak egyik \u00fatt\u00f6r\u0151je. Utols\u00f3 m\u0171veinek egyike az 1972-ben keletkezett <em>Ani maamin <\/em>(\u201eHiszek\u201d) kant\u00e1ta, melynek c\u00edme a k\u00f6z\u00e9pkor kiemelked\u0151 gondolkod\u00f3j\u00e1nak, Maimonid\u00e9sznek a zsid\u00f3 hitigazs\u00e1gokat 13 pontban \u00f6sszefoglal\u00f3 \u00edr\u00e1s\u00e1ra utal. Maimonid\u00e9sz (Mose ben Maimon, 1135\/8\u20131204) rabbi, filoz\u00f3fus, orvos \u00e9s jog\u00e1sz Spanyolorsz\u00e1gban, majd Egyiptomban tev\u00e9kenykedett; egyik f\u0151 m\u0171ve a Misn\u00e1hoz \u00edrt komment\u00e1rok, melyekben ez a hitvall\u00e1s is tal\u00e1lhat\u00f3. A sz\u00f6veg n\u00e9pszer\u0171 v\u00e1ltozata, illetve verses, gyakran \u00e9nekelt form\u00e1ja, a <em>Yigdal <\/em>a zsid\u00f3 im\u00e1ds\u00e1gok r\u00e9sz\u00e9t k\u00e9pezi. A hitvall\u00e1s 12. pontja, amely a Messi\u00e1s v\u00e1r\u00e1s\u00e1r\u00f3l sz\u00f3l, t\u00f6bb 20. sz\u00e1zadi zenei feldolgoz\u00e1st is inspir\u00e1lt. Azriel Daniel Fastagnak tulajdon\u00edtj\u00e1k azt a dallamot, amelyet a legenda szerint Fastag a Treblink\u00e1ba tart\u00f3 marhavagonban kompon\u00e1lt a hitvall\u00e1s sz\u00f6veg\u00e9re. Hamarosan sorst\u00e1rsai is vele \u00e9nekelt\u00e9k, \u00e9s k\u00e9s\u0151bb m\u00e9g sokszor hangzott fel a koncentr\u00e1ci\u00f3s t\u00e1borokban. K\u00e9t fiatalember v\u00e1llalkozott r\u00e1, hogy a mozg\u00f3 szerelv\u00e9nyr\u0151l leugorva elviszi a dallamot Fastag mester\u00e9nek, az \u00fcld\u00f6ztet\u00e9sek el\u0151l Amerik\u00e1ba emigr\u00e1lt modzitzi haszid rabbinak. Az egyik fiatalember meghalt a kerekek alatt, de a m\u00e1sik t\u00fal\u00e9lte az ugr\u00e1st, \u00e9s eljutatta a k\u00fcldem\u00e9nyt a c\u00edmzetthez. Erre a t\u00f6rt\u00e9netre is utalhat Milhaud m\u0171v\u00e9nek alc\u00edme: \u201eUn chant perdu et retrouv\u00e9\u201d (\u201eAz elveszett \u00e9s \u00fajra megtal\u00e1lt dal\u201d).\r\n\r\nMilhaud a kant\u00e1t\u00e1t az Union of American Hebrew Congregations megrendel\u00e9s\u00e9re, a szervezet fenn\u00e1ll\u00e1s\u00e1nak 100. \u00e9vfordul\u00f3j\u00e1ra kompon\u00e1lta, Elie Wiesel sz\u00f6veg\u00e9re. A sz\u00f6vegk\u00f6nyv \u00e1lland\u00f3an, mintegy m\u00e1ni\u00e1kusan visszat\u00e9r\u0151 eleme a Maimonid\u00e9sz-hitvall\u00e1s els\u0151 k\u00e9t szava, amely a francia nyelv\u0171 sz\u00f6vegben gyakrabban hangzik el h\u00e9ber\u00fcl, mint franci\u00e1ul: \u201eAni maamin\u201d. A m\u0171ben r\u00f6vid k\u00f3rus-, illetve vok\u00e1lis sz\u00f3l\u00f3t\u00e9telek v\u00e1ltakoznak pr\u00f3z\u00e1ban elmondott narr\u00e1tor-sz\u00f6vegekkel, melyeknek szerepl\u0151i \u00c1brah\u00e1m, Izs\u00e1k \u00e9s J\u00e1kob, akik k\u00f6rbej\u00e1rnk a vil\u00e1gban, \u00e9s Isten el\u00e9 viszik a zsid\u00f3k szenved\u00e9seit. Ennek a feladatnak a teljes\u00edt\u00e9se a Holokauszt idej\u00e9n nyomaszt\u00f3v\u00e1, szinte elviselhetetlenn\u00e9 v\u00e1lik sz\u00e1mukra; b\u0171ntudatot \u00e9s tehetetlens\u00e9get \u00e9reznek a vil\u00e1gban zajl\u00f3 sz\u00f6rny\u0171s\u00e9gek miatt. Az els\u0151 k\u00f3rust\u00e9tel hitvall\u00e1sa ut\u00e1n egyre ink\u00e1bb teret nyernek a k\u00e9ts\u00e9gek, a v\u00edv\u00f3d\u00e1sok, az Isten l\u00e1tsz\u00f3lagos k\u00f6z\u00f6mb\u00f6ss\u00e9ge \u00e9s hallgat\u00e1sa miatti k\u00e9ts\u00e9gbees\u00e9s. \u201eHallgat\u00e1s Istene, besz\u00e9lj. Kegyetlens\u00e9g Istene, mosolyogj. A sz\u00f3 Istene, v\u00e1laszolj\u2026\u201d A szopr\u00e1n sz\u00f3lista t\u00e9telei a m\u0171 k\u00f6zepe t\u00e1j\u00e1n, egy csokorba k\u00f6tve k\u00f6vetik egym\u00e1st, \u00c1brah\u00e1m szavaival v\u00e1ltakozva. \u00c1brah\u00e1m k\u00e9rd\u00e9seire (Hogy engedhet meg Isten ennyi szenved\u00e9st, milli\u00f3nyi \u00e1rtatlan gyermek hal\u00e1l\u00e1t, Belsent, Birkenaut, Majdaneket\u2026?!) a v\u00e1laszok \u00fajra \u00e9s \u00fajra a felt\u00e9tel n\u00e9lk\u00fcli hitet k\u00f6zvet\u00edtik: a vil\u00e1got Isten teremtette, a termtm\u00e9nynek el kell fogadnia, an\u00e9lk\u00fcl, hogy k\u00e9rdezne. \u201eIsten gondolatai kif\u00fcrk\u00e9szhetetlenek. Isten tudja, mit csin\u00e1l.\u201d V\u00e9g\u00fcl a p\u00e1tri\u00e1rk\u00e1k kifogynak az \u00e9rvekb\u0151l, elhagyj\u00e1k az eget, s nem veszik \u00e9szre, hogy Isten k\u00f6nnyezik. \u00c9s \u00faj meger\u0151s\u00edt\u00e9st kapnak, a gyermekeikbe vetett rem\u00e9nyt. \u201eHiszek, \u00c1brah\u00e1m, Treblinka ellen\u00e9re; Hiszek, Izs\u00e1k, Belsen miatt; Hiszek, J\u00e1kob, Majdanek ellen\u00e9re\u2026 Ani maamin. Im\u00e1dkozzatok, emberek. Im\u00e1dkozzatok Istenhez, Isten ellen\u00e9ben, Isten\u00e9rt\u2026 Hiszek benned, m\u00e9g akaratod ellen\u00e9re is, m\u00e9g ha meg is b\u00fcntetsz a hitem miatt.\u201d \u2013 \u00e9nekli a k\u00f3rus a z\u00e1r\u00f3t\u00e9telben. A maimonid\u00e9szi 12. pont (kiss\u00e9 r\u00f6vid\u00edtett) teljes sz\u00f6veg\u00e9t itt, a m\u0171 v\u00e9g\u00e9n halljuk el\u0151sz\u00f6r h\u00e9ber\u00fcl, amikor a k\u00f3rus egyetlen sz\u00f3lamm\u00e1 egyes\u00fclve, a Fastag-f\u00e9le dallam kezdet\u00e9t id\u00e9zve, fortissimo \u00e9nekli: \u201eHiszek a Messi\u00e1s elj\u00f6vetel\u00e9ben, \u00e9s m\u00e9g ha k\u00e9slekedik is, minden nap v\u00e1rom az elj\u00f6vetel\u00e9t. Ani maamin.\u201d\r\n\r\n&nbsp;\r\n\r\n&nbsp;{:}{:en}One of the final works by Darius Milhaud (1892\u20131974) was the <em>Ani maamin<\/em> (\"I Believe\") cantata, written in 1972, the title of which refers to the writings of Maimonides that summarise the 13 principles of Jewish faith. The 12th point of this creed, the coming of the Jewish Messiah, was especially emphasised by the writer of the cantata's text Elie Wiesel. In the piece, the short chorus and vocal solo lines alternate with texts narrated in prose which depict Abraham, Isaac and Jacob travelling around the world and bringing the immense suffering of the Holocaust before God.\u00a0 The lines by the solo soprano appear near the middle of the piece, and alternate with the words of Abraham. To the questions of the patriarchs (How can God allow such atrocities?), the answers again and again convey unconditional faith: \"The thoughts of God are inscrutable. God knows what He does.\" The patriarchs finally run out of arguments and leave the heavens, but do not notice the tears in the eyes of God. And they receive a new confirmation, hope in the lives of their children. We first hear the complete text of the creed in the final movement in Hebrew: \"I believe with perfect faith in the coming of the Messiah, and, though he may tarry, I will wait daily for his coming. Ani maamin.\"\r\n\r\n&nbsp;{:}","post_title":"{:hu}Ani maamin - kant\u00e1ta{:}{:en}Ani maamin - cantata {:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ani-maamin-kantata","to_ping":"","pinged":"","post_modified":"2018-05-18 07:51:01","post_modified_gmt":"2018-05-18 07:51:01","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&#038;p=101634","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Milhaud"]},{"ID":91376,"post_author":"1","post_date":"2016-09-08 08:57:51","post_date_gmt":"2016-09-08 08:57:51","post_content":"{:hu}Leonard Bernstein (1918\u20131990) 3. szimf\u00f3ni\u00e1j\u00e1nak keletkez\u00e9st\u00f6rt\u00e9nete 1955-re ny\u00falik vissza; ekkor rendelte meg a m\u0171vet a Koussevitzky-Alap\u00edtv\u00e1ny a Bostoni Szimfonikus Zenekar alap\u00edt\u00e1s\u00e1nak 75. \u00e9vfordul\u00f3j\u00e1ra. A zeneszerz\u0151 azonban karmesteri elfoglalts\u00e1gai miatt csak 1961-ben fogott hozz\u00e1 a kompon\u00e1l\u00e1shoz, amit v\u00e9g\u00fcl 1963 november\u00e9ben fejezett be. A hangszerel\u00e9sen v\u00e9gzett utols\u00f3 sim\u00edt\u00e1sok k\u00f6zben \u00e9rte az \u00e1ltala nagyra becs\u00fclt J. F. Kennedy elleni mer\u00e9nylet h\u00edre, ez\u00e9rt a szimf\u00f3ni\u00e1t a meggyilkolt eln\u00f6k eml\u00e9k\u00e9nek aj\u00e1nlotta. A m\u0171 alc\u00edme, a <em>kaddis<\/em> egy zsid\u00f3 im\u00e1ds\u00e1g, amelyet \u00e1ltal\u00e1ban halotti imak\u00e9nt ismernek. Val\u00f3j\u00e1ban t\u00f6bbf\u00e9le funkci\u00f3ban, t\u00f6bbf\u00e9le alkalommal is mondj\u00e1k, s a sz\u00f6vege nem is a hal\u00e1lr\u00f3l, hanem Isten dics\u0151\u00edt\u00e9s\u00e9r\u0151l sz\u00f3l. A gy\u00e1szol\u00f3k azt fejezik ki vele, hogy a hit\u00fcket f\u00e1jdalmuk ellen\u00e9re sem vesz\u00edtett\u00e9k el, s az ima, amelyet hossz\u00fa ideig (a meghalt sz\u00fcl\u0151k\u00e9rt 11 h\u00f3napig) mondanak minden nap, az \u00e9letbe val\u00f3 visszat\u00e9r\u00e9s\u00fcket seg\u00edti. (A <em>hal\u00e1l<\/em> sz\u00f3 jellemz\u0151 m\u00f3don egyszer sem fordul el\u0151 benne, viszont az <em>\u00e9let<\/em> h\u00e1romszor is.)\r\n\r\nBernstein m\u0171ve hatalmas el\u0151ad\u00f3-appar\u00e1tust foglalkoztat: narr\u00e1tor, szopr\u00e1n sz\u00f3lista, vegyeskar, fi\u00fakar \u00e9s szimfonikus zenekar szerepel benne, a zenekarban a nagy l\u00e9tsz\u00e1m\u00fa f\u00fav\u00f3s- \u00e9s von\u00f3skar mellett h\u00e1rfa, cseleszta, zongora \u00e9s sokf\u00e9le \u00fct\u0151hangszer is helyet kap. A darab h\u00e1rom t\u00e9tele sz\u00fcnet n\u00e9lk\u00fcl k\u00f6veti egym\u00e1st: I. Invok\u00e1ci\u00f3\u00a0 \u2013 Kaddis 1; II. Din-t\u00f3ra \u2013 Kaddis 2; III. Scherzo \u2013 Kaddis 3 \u2013 Finale. A kaddis-ima mindh\u00e1rom t\u00e9telben teljes eg\u00e9sz\u00e9ben elhangzik az eredeti ar\u00e1mi\/h\u00e9ber nyelven \u00e9nekelve, mindig m\u00e1s karakterrel. A narr\u00e1tor szavait a zeneszerz\u0151 \u00edrta, miut\u00e1n k\u00e9t sz\u00f6veg\u00edr\u00f3val val\u00f3 egy\u00fcttm\u0171k\u00f6d\u00e9se is sikertelen volt. Ezek a nagyon szem\u00e9lyes monol\u00f3gok a 20. sz\u00e1zad egyik k\u00f6zponti probl\u00e9m\u00e1j\u00e1t, a hit v\u00e1ls\u00e1g\u00e1t visszhangozz\u00e1k, amit Bernstein maga is \u00e1t\u00e9lt: a helyenk\u00e9nt eg\u00e9szen dr\u00e1mai sz\u00f6veg a zeneszerz\u0151 v\u00edv\u00f3d\u00e1sait, k\u00e9telyeit, s\u0151t, Istennel val\u00f3 perleked\u00e9s\u00e9t k\u00f6zvet\u00edti.\r\n\r\nAz els\u0151 kaddist megel\u0151z\u0151 Invok\u00e1ci\u00f3 a m\u0171 keletkez\u00e9si idej\u00e9re, az atomh\u00e1bor\u00fa fenyeget\u00e9s\u00e9re is utal: \u00d3, Aty\u00e1m\u2026Kaddist akarok mondani\/ Saj\u00e1t kaddisomat, amelyet tal\u00e1n\/ Soha m\u00e1s nem mond el ut\u00e1nam \/\u2026oly kev\u00e9s az id\u0151m\u2026\/egy perc, egy \u00f3ra t\u00e1n?...\/A v\u00e9g el\u00e9rhet, am\u00edg \u00e9nekel\u00fcnk.\u201d Fortissimo robban be a kaddis els\u0151, vad, aszimmetrikus ritmusokban tobz\u00f3d\u00f3 megzen\u00e9s\u00edt\u00e9se. A II. t\u00e9tel els\u0151 fel\u00e9nek k\u00fcl\u00f6n alc\u00edme van: Din-t\u00f3ra (sz\u00f3 szerint \u201ea t\u00f3ra t\u00f6rv\u00e9nye\u201d). A narr\u00e1tor itt \u201etiszteletteljes d\u00fchvel\u201d k\u00e9ri sz\u00e1mon az Aty\u00e1t\u00f3l azt, hogy elfordult a saj\u00e1t k\u00e9p\u00e9re teremtett embert\u0151l. Szavait szenved\u00e9lyes zenekari szakasz, majd a k\u00f3rus egyre k\u00e9ts\u00e9gbeesettebben ism\u00e9telgetett Amenjei er\u0151s\u00edti meg, melyek v\u00e9g\u00fcl fokozatosan halkul\u00f3, teljes hangzavarba torkollnak (a nyolc sz\u00f3lamra bomlott k\u00f3rus sz\u00f3lamai elcs\u00fasztatva, k\u00fcl\u00f6nb\u00f6z\u0151 ritmusban \u00e9nekelnek). Ek\u00f6zben a narr\u00e1tor, kit\u00f6r\u00e9s\u00e9b\u0151l mag\u00e1hoz t\u00e9rv\u00e9n bocs\u00e1nat\u00e9rt esedezik, \u00e9s szeretn\u00e9 az Aty\u00e1t elaltatni. A m\u00e1sodik kaddist mintegy altat\u00f3dalk\u00e9nt a szopr\u00e1n sz\u00f3lista \u00e9nekli. A narr\u00e1tor az \u00e1ltala vizion\u00e1lt \u00e1lomban (a csipkel\u0151d\u0151, j\u00e1t\u00e9kos hangv\u00e9tel\u0171 Scherz\u00f3ban) szeretn\u00e9 el\u00e9rni, hogy az Atya \u00fajra higgyen a teremtett vil\u00e1gban \u00e9s az emberben. A harmadik kaddist szinte \u00e9szrev\u00e9tlen\u00fcl, a zenekari sz\u00f6vetbe \u00e1gyazva kezdi \u00e9nekelni a fi\u00fakar. Az \u00e1lomb\u00f3l gyeng\u00e9d von\u00f3s-zene \u00e9breszt fel, s a narr\u00e1tor rezign\u00e1ltan \u00e9rz\u00e9keli, hogy a sziv\u00e1rv\u00e1ny sz\u00ednei elhalv\u00e1nyultak \u00e9s a hajnal h\u0171v\u00f6s, de fel\u00e9bredt\u00fcnk, \u00e9s m\u00e9g \u00e9l\u00fcnk. Egyek vagyunk az Aty\u00e1val, egy\u00fctt szenved\u00fcnk vele \u00e9s k\u00f6lcs\u00f6n\u00f6sen \u00fajrateremtj\u00fck egym\u00e1st. A kaddis sz\u00f6veg\u00e9nek nagy r\u00e9sz\u00e9t a szerz\u0151 a rem\u00e9nyt sug\u00e1rz\u00f3, impulz\u00edv z\u00e1r\u00f3 f\u00fag\u00e1ra tartogatja.{:}{:en}<strong><em>I. Invocation - Kaddish 1; II. Din-Torah - Kaddish 2; III. Scherzo - Kaddish 3 - Finale<\/em><\/strong>\r\n\r\nFor Jews, the word Kaddish (Sanctification) has strong emotional associations: Kaddish is a communal prayer of the dead which is recited not only at burials and remembrances, but in practically every synagogue service. Interestingly, there is no reference to death in the words of the prayer, but three times the works ch\u00e1j\u00e9 and ch\u00e1jim are heard, which mean life. In truth Kaddish is not so much a funeral song but rather a glorification of God, and thus has a fundamental role in the liturgy. The Kaddish was written in the mixed language of Hebrew and Aramaic used in Jesus's time. (Some believe that the Lord's Prayer also evolved from this doxology). Sources prove that certain details of the Kaddish became fixed by the end of the first century, but the form familiar to us today only emerged in the 12th century when in folk use, it came to be associated with grief.\r\n\r\nIn his symphony composed in 1963, Leonard Bernstein exploits the dual meanings of this prayer: that the Kaddis is said not just for the dead but is also a celebration of life. The narrator is mourning for humanity standing on the brink of suicide (we should not forget that the possibilities for total atomic war seemed far from remote in the early sixties.) At the same time, Bernstein was personally convinced that humans - like a creator, an artist or merely a dreamer - are a divine manifestation and thus indestructible. This duality has two stylistic layers in the music: this is embodied by dramatic contrasts between episodes composed in chromatic and dodecaphonic techniques and those that are simple and diatonic. Another dichotomy is illustrated by Bernstein using a female voice, entrusting to a soprano the material which in the liturgy is said exclusively by men. In Bernstein's symphony, the female gender represents that half of humanity which recognises God intuitively and which is capable of most closely attaining the transcendent sphere - in contrast to the \"masculine\" rational and organised view of worldly matters. (36 years earlier, Bernstein employed the same device in his First Symphony when he set the prophet Jermaiah's words for mezzo-soprano voice.) Bernstein seems not have been happy with the original version of the Kaddish and in 1977, set about revising the work. He excised certain passages, rewrote others and most of all, changed the text of the narrator. He also made it possible for not just women but men to perform it. In places Bernstein's text - for example when God is accused of infidelity to humanity - approaches the borders of blasphemy (or indeed crosses them). In truth, it is such a profoundly and uniquely Jewish attitude, with the relationship of God and Izrael so intimate and personal that in certain cases, believers can quarrel with the Lord. In the Old Testament, Job also quarrels with God who ultimately answers him.\r\n\r\nOn November 22nd, 1963, when Bernstein had reached the orchestration of the Amen episode, fate provided him with the dedication for his symphony: it reads \"To the beloved memory of John F. Kennedy.\"{:}","post_title":"{:hu}III. szimf\u00f3nia (\"Kaddish\"){:}{:en}Symphony no. 3 (Kaddish){:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"iii-kaddis-szimfonia","to_ping":"","pinged":"","post_modified":"2018-05-18 07:51:25","post_modified_gmt":"2018-05-18 07:51:25","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/iii-kaddis-szimfonia\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Bernstein"]}],"muvekrol_reszletesen":true,"kozr_szemelyek":[{"ID":86532,"post_author":"1","post_date":"2018-03-12 14:32:56","post_date_gmt":"2018-03-12 14:32:56","post_content":"{:hu}Hajl\u00e9konyan, a \u00bbgyilkos\u00ab magas hangokat is magabiztosan megfogva \u00e9nekelt, megrend\u00edt\u0151en adva el\u0151 a szerelm\u00e9\u00e9rt k\u00f6ny\u00f6rg\u0151 \u00e9s att\u00f3l b\u00facs\u00fat vev\u0151 menyasszony foh\u00e1sz\u00e1t.\r\n\r\n(P\u00e9ter Zolt\u00e1n, Operaport\u00e1l){:}{:en}She graduated from the Franz Liszt Academy of Music in 1993, and since then has been one of the leading soloists with the Hungarian State Opera. She has performed at the Komische Oper in Berlin and in Salzburg, and audiences applauded her performances of Tosca in Vienna, Frankfurt and Toronto, and of Aida in Pittsburgh, Barcelona and Peking. She has sung in more than 30 leading roles, including in all of Puccini's operas, and her repertoire also includes works of Rossini, Mozart and Verdi, as well as the great roles of Strauss and Wagner. This worthy and excellent artist was twice the Chamber Singer for the Hungarian State Opera, and this year won the Kossuth Prize.{:}","post_title":"{:hu}S\u00fcmegi Eszter{:}{:en}Eszter S\u00fcmegi{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"sumegi-eszter","to_ping":"","pinged":"","post_modified":"2019-11-05 18:23:46","post_modified_gmt":"2019-11-05 18:23:46","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&#038;p=86532","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}szopr\u00e1n{:}{:en}soprano{:}"}],"muveszekrol_reszletesen":true,"kozr_szemelyek_feluldefinialasa":"<p>Milhaud:\u00a0 Ani maamin kant\u00e1ta-r\u00e9szletek<\/p>\n<p>Szopr\u00e1n\/Soprano:<\/p>\n<p>B\u00f3di Zs\u00f3fia, Krist\u00f3fi \u00c1gnes, Sz\u00e9ll Cec\u00edlia<\/p>\n<p>pr\u00f3za:\u00a0\u00a0 Lisztes L\u00e1szl\u00f3, Szasz\u00e1k Zsolt, Tassonyi Bal\u00e1zs, T\u00f3th Dominik<\/p>\n<p>&nbsp;<\/p>\n<p>Bernstein: \u00a0 (&#8220;Kaddish&#8221;) szimf\u00f3nia,<\/p>\n<p>narr\u00e1tor: Dunai Tam\u00e1s<\/p>\n<p>&nbsp;<\/p>\n<p>S\u00fcmegi Eszter szopr\u00e1n<\/p>\n<p>&nbsp;<\/p>\n","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}<img class=\"size-medium wp-image-115524 alignnone\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the <em>Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;{:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":87528,"post_author":"1","post_date":"2016-09-08 07:58:45","post_date_gmt":"2016-09-08 07:58:45","post_content":"{:hu}<img class=\"alignnone size-medium wp-image-115522\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/10\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia11_555x555-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>A Nemzeti \u00c9nekkar 1985-ben alakult \u00c1llami \u00c9nekkar n\u00e9ven, 2016. janu\u00e1r 1-t\u0151l vezet\u0151 karnagya Somos Csaba. Az \u00e9nekkar Magyarorsz\u00e1g egyik vezet\u0151 hivat\u00e1sos k\u00f3rusa, amelynek profilja a zenekar-k\u00eds\u00e9retes kompoz\u00edci\u00f3k, orat\u00f3riumok, valamint a cappella m\u0171vek el\u0151ad\u00e1sa. Reperto\u00e1rja ennek megfelel\u0151en rendk\u00edv\u00fcl gazdag, a kora barokk Sch\u00fctz alkot\u00e1sait\u00f3l Bach, a b\u00e9csi klasszikusok \u00e9s a 19. sz\u00e1zad zeneszerz\u0151inek kompoz\u00edci\u00f3in kereszt\u00fcl a 20. sz\u00e1zad \u00e9s a kort\u00e1rs zen\u00e9ig minden ir\u00e1nyba nyitott, m\u0171faji hat\u00e1rok n\u00e9lk\u00fcl, de a ritk\u00e1n m\u0171sorra ker\u00fcl\u0151 alkot\u00e1sok megsz\u00f3laltat\u00e1s\u00e1ban is elk\u00f6telezett. A reperto\u00e1rj\u00e1n hangs\u00falyosan jelen lev\u0151 19. sz\u00e1zadi orat\u00f3riumok mellett az egy\u00fcttes kiemelt fontoss\u00e1got tulajdon\u00edt a kort\u00e1rs m\u0171vek el\u0151ad\u00e1s\u00e1nak, sz\u00e1mos m\u0171 \u0151sbemutat\u00f3ja, illetve magyarorsz\u00e1gi bemutat\u00f3ja f\u0171z\u0151dik a nev\u00e9hez.\r\n\r\nA k\u00f3rus visszat\u00e9r\u0151 k\u00f6zrem\u0171k\u00f6d\u0151je a Nemzeti Filharmonikusok martonv\u00e1s\u00e1ri ny\u00e1ri Beethoven-sorozat\u00e1nak, kiemelked\u0151 szerepl\u0151je a zenekar csal\u00e1di matin\u00e9 koncertsorozat\u00e1nak, valamint a Kocsis Zolt\u00e1n m\u0171v\u00e9szeti vezet\u00e9s\u00e9vel 2006 \u00f3ta fel\u00e9p\u00fcl\u0151 Bart\u00f3k \u00daj Sorozatnak. A Nemzeti Filharmonikusok Richard Strauss oper\u00e1it bemutat\u00f3 nagy siker\u0171 sz\u00e9ri\u00e1j\u00e1ban \u00e9s Schoenberg M\u00f3zes \u00e9s \u00c1ron c\u00edm\u0171 oper\u00e1j\u00e1ban, az \u00e9nekkar mellett t\u00f6bb tagja sz\u00f3listak\u00e9nt is fell\u00e9pett. Az \u00e9nekkar a hazai koncertek mellett nemzetk\u00f6zi felk\u00e9r\u00e9seknek is eleget tesz, rendszeresen koncertezik a magyarok \u00e1ltal is lakott hat\u00e1ront\u00fali telep\u00fcl\u00e9seken. A Nemzeti \u00c9nekkar a M\u00fcp\u00e1ban megrendezett nagyszab\u00e1s\u00fa Wagner-napok rendszeresen megh\u00edvott k\u00f6zrem\u0171k\u00f6d\u0151je.{:}{:en}<img class=\"alignnone size-medium wp-image-115522\" src=\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/10\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia11_555x555-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" \/>\r\n\r\nThe Hungarian National Choir (originally called State Choir) was founded in 1985. Between 1990 and 2016 it was headed by M\u00e1ty\u00e1s Antal, who was succeeded by Csaba Somos on 1 January 2016. The choir is one of Hungary\u2019s leading professional choirs. It boasts a rich repertoire chiefly consisting of orchestra-accompanied and a capella choral music, as well as oratorios, ranging from works by the early-Baroque Sch\u00fctz to Bach, Viennese Classical, 19<sup>th<\/sup> and 20<sup>th<\/sup>-century composers, and contemporary music. The Hungarian National Choir is open to every genre and is dedicated to performing rarely heard works. While the backbone of the repertoire consists of 19<sup>th<\/sup>-century oratorios, the Hungarian National Choir attaches great importance to performing contemporary music. Numerous world and national premi\u00e8res are linked with its name.\r\n\r\nThey are\u00a0 returning guests at the Hungarian National Philharmonic Orchestra\u2019s summer Beethoven series in Martonv\u00e1s\u00e1r. It regularly appears in the Orchestra\u2019s family matin\u00e9e concerts, as well as the <em>Bart\u00f3k New Series<\/em>, launched in 2006. The successful performance of Richard Strauss\u2019s operas and Schoenberg\u2019s <em>Moses and Aron<\/em> has involved the National Choir and many of its soloists. In addition to concerts at home, the choir performs extensively abroad and regularly gives concerts in minority Hungarian areas across the border. The Hungarian National Choir is a regular participant of large-scale events at the Palace of Art, such as the Wagner Days.{:}","post_title":"{:hu}Nemzeti \u00c9nekkar (karigazgat\u00f3: Somos Csaba){:}{:en}Hungarian National Choir (choirmaster: Csaba Somos){:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-enekkar-karigazgato-somos-csaba","to_ping":"","pinged":"","post_modified":"2020-07-22 10:07:10","post_modified_gmt":"2020-07-22 10:07:10","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-enekkar-karigazgato-somos-csaba\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":87531,"post_author":"1","post_date":"2016-09-08 07:58:45","post_date_gmt":"2016-09-08 07:58:45","post_content":"1988-ban a Budapest F\u0151v\u00e1rosi Tan\u00e1cs VB., a M\u0171vel\u0151d\u00e9si Miniszt\u00e9rium \u00e9s a Budapest F\u0151v\u00e1ros XV. Ker\u00fcleti Tan\u00e1cs VB. ifj. Sapszon Ferenc Liszt-d\u00edjas karnagy tanulm\u00e1nyterve alapj\u00e1n megalap\u00edtotta a Kod\u00e1ly Zolt\u00e1n Magyar K\u00f3rusiskol\u00e1t (KZMK). A Magyarorsz\u00e1gon m\u00e1ig egyed\u00fcl\u00e1ll\u00f3 int\u00e9zm\u00e9ny Kod\u00e1ly nemzetnevel\u0151 elveit szeretn\u00e9 megval\u00f3s\u00edtani, ez\u00e9rt nevel\u00e9s\u00e9nek eg\u00e9sz\u00e9ben fontos szerepet t\u00f6lt be a zenei nevel\u00e9s. A tizenk\u00e9t \u00e9vfolyamos, f\u0151v\u00e1rosi \u00e9s pest megyei beiskol\u00e1z\u00e1s\u00fa int\u00e9zm\u00e9nyben egy nevel\u00e9si egys\u00e9gben \u00e9l \u00e1ltal\u00e1nos iskola, gimn\u00e1zium, zeneiskola \u00e9s zenem\u0171v\u00e9szeti szakk\u00e9pz\u00e9s.\r\n\r\nIgaz\u00e1n hat\u00e9kony zenei nevel\u00e9s a teljes embert harmonikusan fejleszt\u0151, emberk\u00f6zpont\u00fa nevel\u0151iskol\u00e1ban val\u00f3sulhat meg. Ahol az iskola eg\u00e9sz\u00e9t \u00e1tj\u00e1rja, \u00e1thatja a kod\u00e1lyi gondolat; ahol az iskola folyos\u00f3j\u00e1n, kir\u00e1ndul\u00e1sain \u00e9s minden mozzanat\u00e1ban ugyanaz az \u00e9rt\u00e9krend hat; ahol nem \u00f6nt\u00f6rv\u00e9ny\u0171 szakt\u00e1rgyak hadakoznak egym\u00e1ssal, hanem egy \u00e1tfog\u00f3 gondolkod\u00e1sm\u00f3d \u00e9rv\u00e9nyes\u00fcl. A m\u0171velts\u00e9gi ter\u00fcletek m\u00e1s-m\u00e1s m\u00f3don, de egym\u00e1st tisztelve, kieg\u00e9sz\u00edtve, er\u0151s\u00edtve, harm\u00f3ni\u00e1ban \u00f6sszefogva szolg\u00e1lj\u00e1k a n\u00f6veked\u00e9st. (Pl. a nyelv, amely a fogalmi gondolkod\u00e1sba bevezet, vagy a zene, amely legk\u00f6zvetlenebb\u00fcl hat, ami az ar\u00e1nyok vil\u00e1g\u00e1t, a rendet hordozza, \u00e9s az \u00e9let s\u0171r\u00edtett tapasztalatait, a mor\u00e1lis \u00e9rt\u00e9keket \u00e9rzelmi er\u0151vel gazdagon sug\u00e1rozza.)","post_title":"{:hu}Kod\u00e1ly Zolt\u00e1n Magyar K\u00f3rusiskola Gyermekkara (karigazgat\u00f3: Sapszon Borb\u00e1la, Sapszon Ferenc){:}{:en}The Children Choir of the Zolt\u00e1n Kod\u00e1ly Hungarian Choral School (chorus master: Ferenc Sapszon Jr.){:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"a-kodaly-zoltan-magyar-korusiskola-gyermekkara-karigazgato-ifj-sapszon-ferenc","to_ping":"","pinged":"","post_modified":"2018-03-06 12:37:15","post_modified_gmt":"2018-03-06 12:37:15","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/a-kodaly-zoltan-magyar-korusiskola-gyermekkara-karigazgato-ifj-sapszon-ferenc\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"link","jegyarak":"2.500 Ft - helyfoglal\u00e1s \u00e9rkez\u00e9si sorrendben","hivatkozas_gomb_szovege":"Tickets ","hivatkozas_gomg_url-je":"https:\/\/nfz.jegy.hu\/program\/templomi-berlet-4-81025\/383531?event_disabler=3","youtube_id":"","old_id":"","muvek_feluldefinialasa":false,"is_muvekrol_reszletesen_en":false,"is_muveszekrol_reszletesen_en":true},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/101685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=101685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}