{"id":101361,"date":"2017-05-30T13:39:20","date_gmt":"2017-05-30T13:39:20","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=101361"},"modified":"2017-10-11T14:42:38","modified_gmt":"2017-10-11T14:42:38","slug":"radovan-vlatkovic-es-bertrand-de-billy","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/radovan-vlatkovic-es-bertrand-de-billy\/","title":{"rendered":"Radovan Vlatkovi\u0107 and Bertrand de Billy"},"content":{"rendered":"

The National Philharmonic Orchestra will be conducted by one of the most important conductors of our times, as well as a world-famous soloist. Bertrand de Billy was born in France and has been active mainly in Germany and Austria. The programme features the Siegfried Idyll, which is a descendant of 18th<\/sup>-century serenade music. It is followed by Mozart\u2019s popular concerto from the 1780s, with Radovan Vlatkovi\u0107 playing horn solo. The second part of the programme features one of the most ambitious works of the symphonic repertoire, based on Friedrich Nietzsche\u2019s philosophical novel, whose mysterious motifs and symbols have never been deciphered!<\/p>\n","protected":false},"template":"","class_list":["post-101361","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"Ferencsik Season Pass 2. ","kiemelt_kep":{"ID":103928,"id":103928,"title":"de_billy_25_s2","filename":"de_billy_25_s2-e1507642924702.jpg","filesize":591906,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/de_billy_25_s2-e1507642924702.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/radovan-vlatkovic-es-bertrand-de-billy\/de_billy_25_s2\/","alt":"","author":"951582","description":"","caption":"","name":"de_billy_25_s2","status":"inherit","uploaded_to":101361,"date":"2017-10-10 13:40:31","modified":"2017-10-10 13:42:20","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":1639,"height":1638,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/de_billy_25_s2-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/de_billy_25_s2-300x300.jpg","medium-width":300,"medium-height":300,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/de_billy_25_s2-768x768.jpg","medium_large-width":640,"medium_large-height":640,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/de_billy_25_s2-1024x1024.jpg","large-width":640,"large-height":640,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/de_billy_25_s2-e1507642924702.jpg","1536x1536-width":1536,"1536x1536-height":1536,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/de_billy_25_s2-e1507642924702.jpg","2048x2048-width":1639,"2048x2048-height":1638,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/de_billy_25_s2-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/de_billy_25_s2-e1507642924702.jpg","person-size-2-width":165,"person-size-2-height":165,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/de_billy_25_s2-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/de_billy_25_s2-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/de_billy_25_s2-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/de_billy_25_s2-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/de_billy_25_s2-1600x722.jpg","slider-size-width":1600,"slider-size-height":722}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20171026","esemeny_idopontja":"19.30","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87689,"post_author":"1","post_date":"2016-09-08 08:02:38","post_date_gmt":"2016-09-08 08:02:38","post_content":"","post_title":"{:hu}M\u00fcpa - Bart\u00f3k B\u00e9la Nemzeti Hangversenyterem{:}{:en}M\u00fcpa - B\u00e9la Bart\u00f3k National Concert Hall{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"mupa-bartok-bela-nemzeti-hangversenyterem","to_ping":"","pinged":"","post_modified":"2016-09-08 08:02:38","post_modified_gmt":"2016-09-08 08:02:38","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/mupa-bartok-bela-nemzeti-hangversenyterem\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"{:hu}Budapest{:}{:en}Budapest{:}","orszag":"{:hu}Magyarorsz\u00e1g{:}{:en}Magyarorsz\u00e1g{:}","cim":"

1095 Budapest, Komor Marcell u. 1.<\/p>","megjegyzes":"","weboldal":"http:\/\/www.muveszetekpalotaja.hu"},"helyszin_kategoria":"budapest","karmester":{"ID":87334,"post_author":"1","post_date":"2017-05-30 13:37:46","post_date_gmt":"2017-05-30 13:37:46","post_content":"{:hu}(Malina J\u00e1nos, Muzsika){:}{:en}He was born in Paris where he studied music. Starting as a member of an orchestra, he soon took on conducting. 1993-95 he was first Kapellmeister and Deputy Music Director at the Anhaltisches Theatre in Dessau, 1996-98 he held the same position at the Vienna Volksoper. 1999-2004 he was Music Director at the Gran Teatre del Liceu in Barcelona and 2002-2010 he was Music Director of the Radio Symphony Orchestra in Vienna. Bertrand de Billy is principal guest conductor of the Orchestre de Chambre de Lausanne (2013-2016). Since 2014\/2015 he is also principal guest conductor of the Dresdner Philharmonie.\r\n\r\nAlready at an early stage of his carrier engagements brought him to the state operas in Vienna, Berlin, Hamburg and Munich, to the Royal Opera House Covent Garden in London, the Grand Th\u00e9\u00e2tre de la Monnaie, Op\u00e9ra National de Paris and to the opera houses in Washington and Los Angeles amongst others. Since 1997 he has been a regular guest at the Metropolitan Opera in New York and since 2002 at the Salzburg Festival. Worldwide, he performed with leading orchestras including the Cleveland Orchestra, the Symphonieorchester des Bayerischen Rundfunks, Staatskapelle Dresden, the Orchestre de Paris, the Wiener Symphoniker as well as Museumsorchester Frankfurt, Philharmoniker Hamburg, the RSB Berlin, Konzerthaus Orchestra Berlin, Dresdner Philharmoniker, K\u00f6nigliche Kapelle Kopenhagen, NHK Symphony Orchestra, Tokyo Philharmonic Orchestra, Tokyo Metropolitan Symphony Orchestra and many more. Bertrand de Billy conducts a wide repertoire from Bach to many world premieres and premieres. With the Theater an der Wien, the Wiener Musikverein and the Wiener Konzerthaus he is as closely connected as with the Vienna and Munich State Opera as well as the Frankfurt Opera.\r\n\r\nNumerous CD and DVD recordings are documenting his work.\r\n\r\nIn France Bertrand de Billy is Chevalier de \u201el\u2019ordre national de la l\u00e9gion d\u2019honneur\u201c, du \u201eM\u00e9rite National\u201c et des \u201eArts et Lettres\u201c. In Austria he got the \u201eGoldene Ehrenzeichen f\u00fcr Verdienste um die Republik \u00d6sterreich\u201c.{:}","post_title":"{:hu}Bertrand de Billy{:}{:en}Bertrand de Billy{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"bertrand-de-billy","to_ping":"","pinged":"","post_modified":"2019-11-05 19:22:51","post_modified_gmt":"2019-11-05 19:22:51","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=87334","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":91411,"post_author":"1","post_date":"2016-09-08 08:57:51","post_date_gmt":"2016-09-08 08:57:51","post_content":"{:hu}

1870 kar\u00e1csony\u00e1n, Cosima sz\u00fclet\u00e9snapj\u00e1n hangzott el el\u0151sz\u00f6r a Siegfried-idill, melyet Wagner a Siegfried harmadik felvon\u00e1s\u00e1nak t\u00e9m\u00e1ib\u00f3l \u00e1ll\u00edtott \u00f6ssze. A beteljes\u00fcl\u0151 boldogs\u00e1g, a tettekre, harcokra k\u00e9sz\u00fcl\u0151 ifj\u00fai er\u0151 dallamait vonultatja fel benne a szerz\u0151, a dr\u00e1ma t\u0171z\u00f6n \u00e1tt\u00f6r\u0151, eg\u00e9sz vil\u00e1got megh\u00f3d\u00edt\u00f3 heroizmus\u00e1t lecsillap\u00edtja, elcsendes\u00edti.<\/p>\r\n

Wagner \u00e9letrajz\u00edr\u00f3i szerint ez a nyugodtabb \u00e9s egyens\u00falyra t\u00f6rekv\u0151 hang h\u00edven t\u00fckr\u00f6zi a komponista kiegyens\u00falyozott \u00e9lethelyzet\u00e9t: m\u0171veit egyre nagyobb sikerrel j\u00e1tssz\u00e1k, a N\u00fcrnbergi mesterdalnokok m\u00fcncheni premierje (1868) meghozta a r\u00e9g\u00f3ta \u00e1h\u00edtott nagy \u00e1tt\u00f6r\u00e9st, 1869-ben megsz\u00fcletett els\u0151 fi\u00fagyermeke (Siegfried Richard), a Nibelung-ciklus befejez\u00e9s\u00e9hez k\u00f6zeledett, 1870-re elh\u00e1rult az akad\u00e1ly Wagner \u00e9s Cosima Liszt h\u00e1zass\u00e1ga el\u0151l. A m\u0171vet kora reggel, a tribscheni villa l\u00e9pcs\u0151h\u00e1z\u00e1ban, Cosima szob\u00e1j\u00e1nak ajtaja el\u0151tt mutatta be Wagner, a szimfonikus egy\u00fcttest ennek megfelel\u0151en kamarazenekari m\u00e9ret\u0171re reduk\u00e1lta.<\/p>\r\n

A Siegfried-idill tulajdonk\u00e9ppen a 18. sz\u00e1zadi szeren\u00e1d-muzsik\u00e1k k\u00e9sei lesz\u00e1rmazottja. Zenei anyaga a Br\u00fcnnhilde \u00e9bred\u00e9s\u00e9t k\u00eds\u00e9r\u0151 var\u00e1zslatos dallammal indul. A folytat\u00e1sban Siegfried k\u00fcrtmot\u00edvuma csend\u00fcl fel, majd a kompoz\u00edci\u00f3 tet\u0151pontj\u00e1n az erdei mad\u00e1r \u00e9neke.<\/p>{:}{:en}

The Siegried Idyll, which Wagner composed utilising themes from the third act of his Siegfried opera, was first performed at Christmas 1870 on Cosima's birthday. Wagner presents the vigorous melodies of fulfilled happiness from the opera, placing those depicting all conquering heroism on the back burner.<\/p>\r\n

<\/p>\r\n

According to Wagner's biographers, this more relaxed and balanced tone faithfully reflects the happiness of the composer's private life: his works were being performed more frequently, and the Munich premiere of Meistersingers (1868) brought him his long awaited major breakthrough. In 1869, Cosima gave birth to Wagner's first son (Siegfried Richard), and he was close to completing the Ring Cycle. By 1870, there were no longer any obstacles preventing him marrying Cosima Liszt. This composition was first performed in the early morning on the steps of the Tribschen Villa, in front of Cosima's door, Wagner having adjusted the score to chamber music proportions.<\/p>\r\n

<\/p>\r\n

The Siegfried Idyll is actually a late manifestation of the 18th century serenade music. Its musical material commences with the enchanting melody accompanying Br\u00fcnnhilde's awakening. Subsequently we hear Siegfried's horn motif and in the culmination of the composition, forest bird song.<\/p>{:}","post_title":"{:hu}Siegfried-idill{:}{:en}Siegfried Idyll{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"siegfried-idill","to_ping":"","pinged":"","post_modified":"2017-07-25 12:36:10","post_modified_gmt":"2017-07-25 12:36:10","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/siegfried-idill\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Wagner"]},{"ID":101453,"post_author":"3","post_date":"2017-05-29 18:54:33","post_date_gmt":"2017-05-29 18:54:33","post_content":"{:hu}A. Mozart a versenym\u0171veit vagy saj\u00e1t haszn\u00e1latra, vagy zen\u00e9sz-koll\u00e9g\u00e1i, bar\u00e1tai, a kor kiemelked\u0151 hangszerj\u00e1t\u00e9kosai sz\u00e1m\u00e1ra kompon\u00e1lta. Ez a kiemelked\u0151 virtu\u00f3z a k\u00fcrtversenyek eset\u00e9ben Joseph Leutgeb, 1764 \u00e9s 1773 k\u00f6z\u00f6tt salzburgi udvari k\u00fcrt\u00f6s volt, akinek a neve m\u00e1r kor\u00e1n felbukkan a Mozart-csal\u00e1d levelez\u00e9s\u00e9ben. Leutgeb sz\u00f3listak\u00e9nt beutazta Eur\u00f3p\u00e1t; 1770-ben p\u00e9ld\u00e1ul P\u00e1rizsban, a h\u00edres Concerts Spirituels<\/em> keret\u00e9ben j\u00e1tszotta k\u00e9t vagy h\u00e1rom saj\u00e1t k\u00fcrtverseny\u00e9t (ezek a m\u0171vek sajnos nem maradtak fenn). 1777-ben B\u00e9csben telepedett le, s mikor Mozart 1781-ben szint\u00e9n a cs\u00e1sz\u00e1rv\u00e1rost v\u00e1lasztotta \u00e1lland\u00f3 lakhely\u00e9\u00fcl, odak\u00f6lt\u00f6z\u00e9se ut\u00e1n hamarosan felvette a kapcsolatot Leutgebbel. A Mozart \u00e9s Leutgeb k\u00f6zti bar\u00e1ts\u00e1g k\u00f6zvetlens\u00e9g\u00e9t jelzi, hogy a k\u00fcrtversenyek szerz\u0151i k\u00e9zirataiban az el\u0151ad\u00f3ra vonatkoz\u00f3, id\u0151nk\u00e9nt tr\u00e9f\u00e1s bejegyz\u00e9sek olvashat\u00f3k \u2013 annak ellen\u00e9re, hogy a k\u00fcrt\u00f6s majdnem 25 \u00e9vvel volt id\u0151sebb a zeneszerz\u0151n\u00e9l. Kapcsolatuk igen gy\u00fcm\u00f6lcs\u00f6z\u0151 volt: Mozart a h\u00e1rom befejezett k\u00fcrtversenyen k\u00edv\u00fcl m\u00e9g a befejezetlen D-d\u00far koncertet, valamint k\u00e9t kamaram\u0171, a K 407-es k\u00fcrtkvintett \u00e9s a K 452-es zongorakvintett k\u00fcrtsz\u00f3lam\u00e1t is Leutgeb sz\u00e1m\u00e1ra \u00edrta.\r\n\r\nA h\u00e1rom befejezett k\u00fcrtverseny mindegyike Esz-d\u00far hangnem\u0171. Tal\u00e1n a legn\u00e9pszer\u0171bb k\u00f6z\u00fcl\u00fck a K\u00f6chel-jegyz\u00e9kben 447-es sz\u00e1mot visel\u0151 kompoz\u00edci\u00f3, amely feltehet\u0151en 1787-ben, a Don Giovanni<\/em> \u00e9v\u00e9ben keletkezett. A Mozart kor\u00e1ban haszn\u00e1latos, \u00fagynevezett nat\u00fark\u00fcrt<\/em>\u00f6n csak a term\u00e9szetes felhangok voltak j\u00e1tszhat\u00f3k, \u00edgy a k\u00f6z\u00e9pfekv\u00e9sben a felhangsoron k\u00edv\u00fcl es\u0151 hangokat egy saj\u00e1tos technik\u00e1val sz\u00f3laltatt\u00e1k meg: a j\u00e1t\u00e9kos jobb \u00f6kl\u00e9t a hangszer t\u00f6lcs\u00e9r\u00e9be helyezve (ezt nevezik fojt\u00e1s<\/em>nak) m\u00f3dos\u00edtani tudta az adott hang magass\u00e1g\u00e1t. Ez jelent\u0151en kib\u0151v\u00edtette a hangszer kifejez\u00e9si eszk\u00f6zt\u00e1r\u00e1t: a hagyom\u00e1nyos r\u00e9zf\u00fav\u00f3s-, \u201eszign\u00e1l\u201d-tematika mellett a l\u00edrai, \u00e9nekl\u0151 karakter\u0171 zen\u00e9k megsz\u00f3laltat\u00e1s\u00e1ra is alkalmass\u00e1 tette. Mozart k\u00fcrtversenyeiben, \u00edgy a K 447-es darabban is b\u0151s\u00e9gesen kihaszn\u00e1lja a fojt\u00e1s-technika \u00e9s a Leutgeb \u00fcgyess\u00e9ge adta lehet\u0151s\u00e9geket: m\u00e1r a m\u0171 nyit\u00f3t\u00e9tel\u00e9nek f\u0151- illetve mell\u00e9kt\u00e9m\u00e1ja is kimondottan \u00e9nekl\u0151 karakter\u0171, az Asz-d\u00far \u00a0lass\u00fa t\u00e9tel, a Romanze<\/em> hallgat\u00e1sakor pedig szinte \u00fagy \u00e9rezz\u00fck, mintha egy opera\u00e1ri\u00e1t hallan\u00e1nk, a jellegzetes mozarti kromatik\u00e1val megt\u0171zdelve. A 6\/8-os, \u201evad\u00e1sz\u201d-karakter\u0171 finale k\u00e9zirat\u00e1ba Mozart k\u00e9t helyre is be\u00edrta Leutgeb nev\u00e9t (mindk\u00e9t helyen egy r\u00f6vid, koron\u00e1s le\u00e1ll\u00e1s ut\u00e1n a k\u00fcrt viszi tov\u00e1bb a zenei folyamatot), mintha csak tr\u00e9f\u00e1san figyelmeztetni akarta volna bar\u00e1tj\u00e1t, hogy el ne felejtsen bel\u00e9pni\u2026{:}{:en}Horn Concerto in E-flat major no. 3, K. 447<\/strong>\r\n\r\nAll of Mozart\u2019s three horn concertos are in E-flat major. The K. 447 is thought to have been composed in the same year as Don Giovanni. The natural horn it would have been played on originally had no valves, meaning that pitch changes could be achieved through, among other things, modulating lip tension and placing the hand in the bell. The main theme and secondary theme of the opening movement are highly melodious, and the slow movement feels like an opera aria, together with the characteristically Mozartian chromatic passages. The concerto rounds off with a \u201chunting\u201d style finale in 6\/8 time.{:}","post_title":"{:hu}K\u00fcrtverseny Esz-d\u00far no. 3, K. 447{:}{:en}Horn Concerto in E-flat major no. 3, K. 447{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"kurtverseny-esz-dur-no-3-k-447","to_ping":"","pinged":"","post_modified":"2017-10-11 14:44:34","post_modified_gmt":"2017-10-11 14:44:34","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=101453","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Mozart"]},{"ID":101455,"post_author":"3","post_date":"2017-05-29 18:56:02","post_date_gmt":"2017-05-29 18:56:02","post_content":"{:hu} \r\n\r\nZarathustra (g\u00f6r\u00f6g\u00fcl Zoroaster) a Krisztus el\u0151tti id\u0151kben \u00e9lt perzsa vall\u00e1salap\u00edt\u00f3 pr\u00f3f\u00e9ta volt. Nev\u00e9t a nyugati civiliz\u00e1ci\u00f3 sz\u00e1m\u00e1ra a nagyhat\u00e1s\u00fa n\u00e9met filoz\u00f3fus-k\u00f6lt\u0151, Friedrich Nietzsche (1844\u20131900) tette ismertt\u00e9: az \u0151 f\u0151m\u0171ve az 1883 \u00e9s 1885 k\u00f6z\u00f6tt keletkezett Im\u00edgyen sz\u00f3la Zarathustra. Nietzsche, Zarathustra \u00e9let\u00e9b\u0151l \u00e9s tan\u00edt\u00e1s\u00e1b\u00f3l kiindulva, val\u00f3j\u00e1ban a saj\u00e1t gondolatait \u00edrta le az emberi l\u00e9t nagy k\u00e9rd\u00e9seir\u0151l: a term\u00e9szet \u00e9s az ember, az egy\u00e9n \u00e9s a t\u00e1rsadalom kapcsolat\u00e1r\u00f3l, az er\u00e9nyr\u0151l, a b\u0171nr\u0151l, a t\u00falvil\u00e1gr\u00f3l stb. Amikor Richard Strauss 1896 augusztus\u00e1ban befejezte, s m\u00e9g ugyanazon \u00e9v november\u00e9ben be is mutatta azonos c\u00edm\u0171 szimfonikus k\u00f6ltem\u00e9ny\u00e9t (melyet alc\u00edme szerint \u201eNietzsche ut\u00e1n szabadon\u201d kompon\u00e1lt), a zenei vil\u00e1g jelent\u0151s r\u00e9sze \u00e9rtetlen\u00fcl reag\u00e1lt: hogyan lehets\u00e9ges egy filoz\u00f3fiai munk\u00e1t a zen\u00e9be \u00e1t\u00fcltetni? A k\u00e9rd\u00e9sre maga a zeneszerz\u0151 adta meg a v\u00e1laszt egy n\u00e9h\u00e1ny h\u00f3nappal k\u00e9s\u0151bb \u00edrt level\u00e9ben: \u201eNem sz\u00e1nd\u00e9koztam filozofikus zen\u00e9t \u00edrni, vagy ak\u00e1r zenei portr\u00e9t festeni Nietzsche nagy m\u0171v\u00e9r\u0151l. Sokkal ink\u00e1bb k\u00edv\u00e1ntam zen\u00e9be \u00e1t\u00fcltetni az emberis\u00e9g fejl\u0151d\u00e9s\u00e9nek eszm\u00e9j\u00e9t a kezdetekt\u0151l a vall\u00e1son s a tudom\u00e1nyon kereszt\u00fcl Nietzsche ember feletti ember fogalm\u00e1ig.\u201d\r\nRichard Strauss szabadon form\u00e1lt kompoz\u00edci\u00f3j\u00e1nak \u00f6sszetart\u00f3 erej\u00e9t n\u00e9h\u00e1ny vissza-visszat\u00e9r\u0151 alapmot\u00edvum adja. A m\u0171 egyes szakaszainak m\u00f6g\u00f6ttes tartalm\u00e1ra a partit\u00fara megfelel\u0151 helyeire bejegyzett, Nietzsch\u00e9t\u0151l k\u00f6lcs\u00f6nz\u00f6tt nyolc fejezetc\u00edm utal: \u201eA t\u00falvil\u00e1giaskod\u00f3kr\u00f3l\u201d, \u201eA nagy v\u00e1gyakoz\u00e1sr\u00f3l\u201d, \u201eAz \u00f6r\u00f6m\u00f6kr\u0151l \u00e9s szenved\u00e9lyekr\u0151l\u201d, \u201eS\u00edrdal\u201d, \u201eA tudom\u00e1nyr\u00f3l\u201d, \u201eA l\u00e1badoz\u00f3\u201d, \u201eT\u00e1ncdal\u201d, \u201e\u00c9jszakai v\u00e1ndor dal\u201d. A partit\u00fara kezdet\u00e9n a zeneszerz\u0151 a k\u00f6lt\u0151-filoz\u00f3fus bevezet\u0151 szavait id\u00e9zi: \u201eZarathustra harminc\u00e9ves volt, amikor elhagyta sz\u00fcl\u0151f\u00f6ldj\u00e9t\u2026 \u00e9s a hegyek k\u00f6z\u00e9 h\u00faz\u00f3dott. Itt \u00e9lvezte szellem\u00e9t \u00e9s mag\u00e1ny\u00e1t, s nem unt r\u00e1 t\u00edz teljes \u00e9vig. V\u00e9g\u00fcl m\u00e9gis m\u00e1st gondolt sz\u00edv\u00e9ben, egy reggel pirkadatkor felkelt, kil\u00e9pett a napf\u00e9nyre, \u00e9s \u00edgy sz\u00f3lt a naphoz:\u2026 Zarathustra ember akar lenni \u00fajra.\u201d\r\nA szimfonikus k\u00f6ltem\u00e9ny els\u0151 21 \u00fctem\u00e9t Stanley Kubrick 2001: \u0170rod\u00fcsszeia c\u00edm\u0171 filmje \u00f3ta az is ismeri, aki m\u00e9g soha nem hallott Richard Straussr\u00f3l vagy Zarathustr\u00e1r\u00f3l. Ez a rendk\u00edv\u00fcl er\u0151teljes bevezet\u00e9s, egy csod\u00e1latos napfelkelte v\u00edzi\u00f3ja az eg\u00e9sz m\u0171 magva, kiindul\u00e1sa: itt expon\u00e1lj\u00e1k a trombit\u00e1k az alaphangb\u00f3l \u00e9s kvintb\u0151l \u00e1ll\u00f3, v\u00e9gtelen\u00fcl egyszer\u0171 \u201e\u0151smot\u00edvumot\u201d, illetve a term\u00e9szetet szimboliz\u00e1l\u00f3 C moll\/d\u00far hangnemet, s m\u00e1r itt teljes pomp\u00e1j\u00e1ban sz\u00f3lal meg a zenekar, amely az igen nagy l\u00e9tsz\u00e1m\u00fa von\u00f3s- \u00e9s f\u00fav\u00f3skar mellett egy h\u00e1rf\u00e1t, orgon\u00e1t \u00e9s k\u00fcl\u00f6nf\u00e9le \u00fct\u0151hangszereket is tartalmaz. \u00c1m a f\u00e9nyek hamar kialszanak, Zarathustra al\u00e1sz\u00e1ll a f\u00f6ldre, s m\u00e1ris az emberi v\u00e1gyakoz\u00e1s izgatottan felfel\u00e9 t\u00f6r\u0151 mot\u00edvum\u00e1t halljuk, amelynek H alap\u00fa hangneme mindv\u00e9gig az emberi szellemet jelk\u00e9pezi. Finom utal\u00e1sok (a gregori\u00e1n Credo illetve a Magnificat kezd\u0151hangjai) jelzik \u201eA t\u00falvil\u00e1giaskod\u00f3kr\u00f3l\u201d felirattal ell\u00e1tott, sok sz\u00f3lamra osztott von\u00f3skari szakasz formahat\u00e1rait. \u201eA tudom\u00e1nyr\u00f3l\u201d sz\u00f3l\u00f3 r\u00e9sznek az \u0151smot\u00edvumra \u00e9p\u00fcl\u0151 f\u00fagat\u00e9m\u00e1ja (a f\u00faga a \u201elegtud\u00f3sabb\u201d zenei forma) tartalmazza a C-d\u00far \u00e9s a H-d\u00far akkordot is. A sz\u00f3l\u00f3heged\u0171n megsz\u00fclet\u0151, megint csak az \u0151smot\u00edvumra \u00e9p\u00edtett \u201eT\u00e1ncdal\u201d a b\u00e9csi kering\u0151 apote\u00f3zisa. A hatalmas k\u00fczdelmeket megjelen\u00edt\u0151, rendk\u00edv\u00fcl sz\u00e9ls\u0151s\u00e9ges \u00e9rzelmi-indulati sk\u00e1l\u00e1t bej\u00e1r\u00f3 m\u0171 h\u00e1romszoros pian\u00f3ban elhal\u00f3 befejez\u00e9se ember \u00e9s term\u00e9szet ellent\u00e9t\u00e9nek feloldhatatlans\u00e1g\u00e1t sugallja: az \u00e9teri magass\u00e1gba emelt, t\u00f6bbsz\u00f6r megism\u00e9telt H-d\u00far z\u00e1r\u00f3akkord a m\u00e9lyvon\u00f3sokon pengetett C hanggal v\u00e1ltakozik \u2013 s az \u201eutols\u00f3 sz\u00f3\u201d ez\u00e9 a C hang\u00e9\u2026{:}{:en}Zarathustra or Zoroaster was a prophet living in ancient Persia. His name was made known to modern man by the German philosopher and poet Friedrich Nietzsche\u2019s (1844\u20131900) seminal work, Also sprach Zarathustra<\/em> (Thus Spoke Zarathustra, 1885). In writing his work, as Strauss wrote, \u201cI did not intend to write philosophical music or to portray in music Nietzsche\u2019s great work. I wished to convey by means of music an idea of the development of the human race from its origin, through the various phases of its development, religious and scientific, up to Nietzsche\u2019s idea of the Superman.\u201d The large-scale tone poem explores the gamut of human emotion.{:}","post_title":"{:hu}Im\u00edgyen sz\u00f3la Zarathustra - szimfonikus k\u00f6ltem\u00e9ny, op.30{:}{:en}Also sprach Zarathustra {:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"imigyen-szol-zaratustra-szimfonikus-koltemeny","to_ping":"","pinged":"","post_modified":"2017-10-11 14:46:22","post_modified_gmt":"2017-10-11 14:46:22","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=101455","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["R. Strauss"]}],"muvekrol_reszletesen":true,"kozr_szemelyek":[{"ID":101706,"post_author":"1","post_date":"2017-05-30 13:41:56","post_date_gmt":"2017-05-30 13:41:56","post_content":"{:hu}Radovan Vlatkovi\u0107<\/strong> Z\u00e1gr\u00e1bban sz\u00fcletett 1962-ben. Tanulm\u00e1nyait Horv\u00e1torsz\u00e1gban \u00e9s N\u00e9metorsz\u00e1gban v\u00e9gezte. Salzburgban \u00e9s Madridban tan\u00edtott. Sz\u00f3listak\u00e9nt sz\u00e1mos rangos szimfonikus zenekarral \u00e9s kamarazenei egy\u00fcttessel l\u00e9pett fel. Sofia Gubaidulina, Heinz Holliger \u00e9s horv\u00e1t szerz\u0151k m\u0171veinek \u0151sbemutat\u00f3ja f\u0171z\u0151dik a nev\u00e9hez. 2008-ban mutatta be Krzysztof Penderecki sz\u00e1m\u00e1ra \u00edrt K\u00fcrtverseny\u00e9t, amelyet a szerz\u0151 vez\u00e9nyelt a Br\u00e9mai Filharmonikusok \u00e9l\u00e9n.{:}{:en}Radovan Vlatkovic<\/strong> - Born in Zagreb in 1962 he completed his studies with Professor Prerad Deti\u010dek at the Zagreb Academy of Music and Professor Michael H\u00f6ltzel at the Music Academy in Detmold, Germany. Radovan Vlatkovi\u0107 is the recipient of many first prizes in national and international competitions, including the Premio Ancona in 1979 and the ARD Competition in Munich in 1983 \u2013 the first to be awarded to a horn player for fourteen years. This led to numerous invitations to music festivals throughout Europe including Salzburg, Vienna, Edinburgh and Dubrovnik to name but a few, the Americas, Australia, Israel, Korea as well as regular appearances in Japan.\r\n\r\nFrom 1982 until 1990 he served as Principal Horn with the Radio Symphony Orchestra Berlin (now Deutsches Symphonie Orchester) under Maestros Riccardo Chailly and Vladimir Ashkenazy. From 1992 to 1998 he held the post of Horn Professor at the Stuttgart Musikhochschule. 1998 he became Horn Professor at the renowned Mozarteum in Salzburg. Since 2000 he holds the Horn Chair \u201cCanon\u201d at the \u201cQueen Sofia\u201d School in Madrid.\r\n\r\nRadovan Vlatkovi\u0107 has appeared as soloist with many distinguished symphony and chamber orchestras including the Bavarian Symphony Orchestra, Stuttgart Radio Orchestra, Deutsches Symphonie Orchester, Munich Chamber Orchestra, BBC Symphony Orchestra, City of Birmingham Symphony Orchestra, English Chamber Orchestra, Scottish Chamber Orchestra, Academy of Saint Martin in the Fields, Mozarteum Orchestra, Camerata Academica Salzburg, Vienna Chamber Orchestra, Santa Cecilia Orchestra Rome, Rotterdam Philharmonie, the orchestras of Berne, Basel and Z\u00fcrich, the Lyon and Strassbourg Orchestras, NHK Orchestra, Tokyo Metropolitan and Yomiuri Orchestra, Adelaide and Melbourne Orchestras.\r\n\r\nFrom 2000 \u2013 2003 he has been Artistic Director of the September Chamber Music Festival in Maribor, Slovenia. He regularly performs with Andr\u00e1s Schiff, Heinz Holliger, Elmar Schmid and Klaus Thunemann. Very much in demand as chamber musician he has performed at Gidon Kremer\u2019s Lockenhaus, Svyatoslav Richter\u2019s December Evenings in Moscow, Oleg Kagan and Natalia Gutman\u2019s Kreuth, Rudolf Serkin\u2019s Marlboro, Andr\u00e1s Schiff\u2019s Mondsee, Vicenza and Ittingen Festivals as well as Kuhmo, Prussia Cove and Casals Festival in Prades.\r\n\r\nRadovan Vlatkovi\u0107 has participated in first performances of works by Elliott Carter, Sofia Gubaidulina, Heinz Holliger and several Croatian composers who have written concertos for him. In May 2008 he premiered the Horn Concerto written for him by Krzysztof Penderecki together with the Bremen Philharmonic and the composer conducting. There were further performances in Japan, Taiwan as well as in Poland for the occasion of the composers seventy-fifth birthday. Further performances are scheduled for Germany, Spain, Italy and Croatia as well as a performance in the Berlin Philharmonic Hall with his former Orchestra, Deutsches Symphonie Orchester under Vladimir Ashkenazy. In the season 2008\/09 Vlatkovic continued his activity as \u201cartist-in-Residence\u201d with the Verdi Orchestra in Milano.\r\n\r\nRadovan Vlatkovi\u0107 has received the German Critics Award for several of his discs. His numerous recordings include Mozart and Strauss Concertos with the English Chamber Orchestra and Jeffrey Tate, works by Saint-Saens with the Ensemble Orchestral de Paris and Jean-Jacques Kantorow, the Britten Serenade for tenor, horn and strings with Neil Jenkins and the Oriol Ensemble in Berlin, Concertos for two horns by Leopold Mozart and Fasch with Herrmann Baumann and Academy of Saint Martin in the Fields and Iona Brown. More recordings including chamber music have been issued by EMI, DECCA, Philips, Deutsche Grammophon, Teldec, Dabringhaus & Grimm and Denon labels.\r\n\r\nIn 2014 Vlatkovi\u0107 was awarded an Honorary Membership of the Royal Academy of Music (Hon RAM), an honour bestowed upon only 300 distinguished musicians worldwide.{:}","post_title":"{:hu}Radovan Vlatkovi\u0107{:}{:en}Radovan Vlatkovic{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"radovan-vlatkovic","to_ping":"","pinged":"","post_modified":"2017-10-20 10:36:18","post_modified_gmt":"2017-10-20 10:36:18","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=101706","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}k\u00fcrt{:}{:en}French horn{:}"}],"muveszekrol_reszletesen":true,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}\"\"\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\"\"\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"link","jegyarak":"5.200 Ft, 4.300 Ft, 3.600 Ft, 2.900 Ft, 2.100 Ft","jegyvasarlas_gomb":"","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","hivatkozas_gomb_szovege":"Tov\u00e1bb","hivatkozas_gomg_url-je":"https:\/\/nfz.jegy.hu\/","is_muvekrol_reszletesen_en":true,"is_muveszekrol_reszletesen_en":true},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/101361","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=101361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}