{"id":101353,"date":"2017-05-30T16:04:07","date_gmt":"2017-05-30T16:04:07","guid":{"rendered":"http:\/\/www.filharmonikusok.hu\/?post_type=concerts&p=101353"},"modified":"2017-10-11T14:33:14","modified_gmt":"2017-10-11T14:33:14","slug":"mozart-respighi-es-honegger-bazilikaban","status":"publish","type":"concerts","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/mozart-respighi-es-honegger-bazilikaban\/","title":{"rendered":"Mozart, Respighi and Honegger in the Saint Stephen\u2019s Cathedral"},"content":{"rendered":"

Describing Biblical scenes, church windows and portraits of saints Ottorino Respighi\u2019s symphonic tetralogy Vetrate di Chiesa<\/em> (Church Windows) runs the gamut of emotions from the mystical to the ecstatic. The rarely heard work was inspired by a Gregorian chant, which Respighi transformed into a wonderfully rich and colourful way. Performed in the second half of the programme, the Symphony No. 3 is perhaps Honegger\u2019s best-known work, expressing his desire for peace after seeing the crimes perpetrated by mankind during World War II. Performed in the magnificent space of Saint Stephen\u2019s Cathedral, the programme will also feature some of Mozart\u2019s church sonatas.<\/p>\n","protected":false},"template":"","class_list":["post-101353","concerts","type-concerts","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.5","language":"en","enabled_languages":["hu","en"],"languages":{"hu":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"acf":{"alcim":"\"Churchs\" Season Pass 1. ","kiemelt_kep":{"ID":103683,"id":103683,"title":"Saint_Stephen's_Basilica_Budapest","filename":"Saint_Stephens_Basilica_Budapest.jpg","filesize":1076871,"url":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/Saint_Stephens_Basilica_Budapest.jpg","link":"https:\/\/www.filharmonikusok.hu\/en\/koncertek\/mozart-respighi-es-honegger-bazilikaban\/saint_stephens_basilica_budapest\/","alt":"","author":"1","description":"","caption":"","name":"saint_stephens_basilica_budapest","status":"inherit","uploaded_to":101353,"date":"2017-10-02 13:38:25","modified":"2017-10-05 14:05:25","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.filharmonikusok.hu\/wp-includes\/images\/media\/default.png","width":3216,"height":2136,"sizes":{"thumbnail":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/Saint_Stephens_Basilica_Budapest-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/Saint_Stephens_Basilica_Budapest-300x199.jpg","medium-width":300,"medium-height":199,"medium_large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/Saint_Stephens_Basilica_Budapest-768x510.jpg","medium_large-width":640,"medium_large-height":425,"large":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/Saint_Stephens_Basilica_Budapest-1024x680.jpg","large-width":640,"large-height":425,"1536x1536":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/Saint_Stephens_Basilica_Budapest.jpg","1536x1536-width":1536,"1536x1536-height":1020,"2048x2048":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/Saint_Stephens_Basilica_Budapest.jpg","2048x2048-width":2048,"2048x2048-height":1360,"person-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/Saint_Stephens_Basilica_Budapest-165x165.jpg","person-size-width":165,"person-size-height":165,"person-size-2":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/Saint_Stephens_Basilica_Budapest.jpg","person-size-2-width":165,"person-size-2-height":110,"album-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/Saint_Stephens_Basilica_Budapest-263x263.jpg","album-size-width":263,"album-size-height":263,"news-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/Saint_Stephens_Basilica_Budapest-360x203.jpg","news-lead-size-width":360,"news-lead-size-height":203,"director-index-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/Saint_Stephens_Basilica_Budapest-359x450.jpg","director-index-size-width":359,"director-index-size-height":450,"person-lead-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/Saint_Stephens_Basilica_Budapest-555x555.jpg","person-lead-size-width":555,"person-lead-size-height":555,"slider-size":"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2017\/05\/Saint_Stephens_Basilica_Budapest-1600x722.jpg","slider-size-width":1600,"slider-size-height":722}},"kiemelt_kep_en":null,"megjegyzes":"","esemeny_datum":"20171014","esemeny_idopontja":"20.00","sajat_program":true,"esemeny_tipusa":["koncertek"],"esemeny_helyszine":{"ID":87780,"post_author":"1","post_date":"2016-09-08 08:02:38","post_date_gmt":"2016-09-08 08:02:38","post_content":"","post_title":"{:hu}Szent Istv\u00e1n Bazilika{:}{:en}Saint Stephen's Basilica{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"szent-istvan-bazilika","to_ping":"","pinged":"","post_modified":"2016-09-08 08:02:38","post_modified_gmt":"2016-09-08 08:02:38","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/places\/szent-istvan-bazilika\/","menu_order":0,"post_type":"places","post_mime_type":"","comment_count":"0","filter":"raw","varos":"{:hu}Budapest{:}{:en}Budapest{:}","orszag":"{:hu}Magyarorsz\u00e1g{:}{:en}Hungary{:}","cim":"","megjegyzes":"","weboldal":""},"helyszin_kategoria":"budapest","karmester":{"ID":101545,"post_author":"1","post_date":"2017-05-30 19:58:57","post_date_gmt":"2017-05-30 19:58:57","post_content":"{:hu}Fels\u0151fok\u00fa tanulm\u00e1nyait a Liszt Ferenc Zenem\u0171v\u00e9szeti F\u0151iskol\u00e1n folytatta, zeneszerz\u00e9s tan\u00e1ra Petrovics Emil, karmester tan\u00e1rai Luk\u00e1cs Ervin \u00e9s G\u00e1l Tam\u00e1s voltak. 1995-ben kit\u00fcntet\u00e9ssel diplom\u00e1zott.\r\n\r\nP\u00e1ly\u00e1ja a Magyar Telev\u00edzi\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n nyert 2. d\u00edjjal \u00e9s k\u00f6z\u00f6ns\u00e9gd\u00edjjal indult. 1996-ban a spanyolorsz\u00e1gi Cadaques-ben rendezett karmesterversenyen ugyancsak 2. d\u00edjat nyert, 1997-ben a Portug\u00e1l R\u00e1di\u00f3 Nemzetk\u00f6zi Karmesterverseny\u00e9n 1. helyezett lett, majd a Trent\u00f3i Antonio Pedrotti Versenyen szint\u00e9n az 1. helyen v\u00e9gzett.\r\n\r\n1997 \u0151sz\u00e9n Kocsis Zolt\u00e1n zeneigazgat\u00f3 javaslat\u00e1ra a Nemzeti Filharmonikusok els\u0151 \u00e1lland\u00f3 karmester\u00e9v\u00e9 nevezt\u00e9k ki. 1998-ben Lorin Maazel asszisztense a Salzburgi \u00dcnnepi J\u00e1t\u00e9kokon. 2000-t\u0151l 2009-ig a Pannon Filharmonikusok zeneigazgat\u00f3ja \u00e9s vezet\u0151 karmestere, ezzel p\u00e1rhuzamosan az Orchestra di Padova e del Veneto els\u0151 vend\u00e9gkarmestere.\r\n\r\nRendszeres vend\u00e9g Eur\u00f3pa, Jap\u00e1n \u00e9s az Egyes\u00fclt \u00c1llamok zenekarain\u00e1l \u00e9s koncerttermeiben. Fell\u00e9pett szinte minden magyar szimfonikus egy\u00fcttessel. 2001 \u00f3ta rendszeresen vez\u00e9nyel a Magyar \u00c1llami Operah\u00e1zban, sz\u00edvesen l\u00e1tott vend\u00e9g a k\u00fclf\u00f6ldi dalsz\u00ednh\u00e1zakban is. 2005 \u00e9s 2011 k\u00f6z\u00f6tt a Z\u00fcrichi Operah\u00e1zban dolgozott a vil\u00e1gh\u00edr\u0171 dalsz\u00ednh\u00e1z \u00e1lland\u00f3 karmesterek\u00e9nt. 2012-t\u0151l 2016-ig a Wiesbadeni Operah\u00e1z (Hessisches Staatstheater) f\u0151zeneigazgat\u00f3ja volt.\r\n\r\n\u00a0<\/em>A Nemzeti Filharmonikus Zenekarral Liszt m\u0171veket, a Pannon Filharmonikusokkal Mahler I. szimf\u00f3ni\u00e1j\u00e1nak 1893-as weimari v\u00e1ltozat\u00e1t r\u00f6gz\u00edtette CD-re a Hungaroton kiad\u00e1s\u00e1ban.\r\n\r\n2011 j\u00fanius\u00e1ban sikeresen fejezte be habilit\u00e1ci\u00f3j\u00e1t a Liszt Ferenc Zenem\u0171v\u00e9szeti Egyetemen. 2016 \u00f3ta a szombathelyi Nemzetk\u00f6zi Bart\u00f3k Szemin\u00e1rium \u00e9s Fesztiv\u00e1l karmesterkurzus\u00e1nak professzora.\r\n\r\n2017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig vezette a Nemzeti Filharmonikusok Zenekar\u00e1t.\r\n\r\nMunk\u00e1ss\u00e1ga elismer\u00e9sek\u00e9nt 2001-ben Liszt-d\u00edjat, 2006-ban a Magyar K\u00f6zt\u00e1rsas\u00e1gi \u00c9rdemrend Lovagkeresztj\u00e9t vehette \u00e1t, 2017-ben pedig \u00c9rdemes M\u0171v\u00e9sz d\u00edjban r\u00e9szes\u00fclt.{:}{:en}Hamar pursued his advanced studies at Budapest\u2019s Franz Liszt Academy of Music, graduating with honours in 1995 after studying music composition under Emil Petrovics and conducting under Ervin Luk\u00e1cs and Tam\u00e1s G\u00e1l. He launched his career by taking second place and the audience prize at the Hungarian Television International Conducting Competition. He has also won prizes at several other international competitions (taking second place at the Cadaqu\u00e9s Orchestra International Conducting Competition in Spain and first place at both the Portuguese Radio Conducting Competition and the Antonio Pedrotti International Conducting Competition in Trento, Italy). In 1997, he was invited by Zolt\u00e1n Kocsis to serve as first permanent conductor of the Hungarian National Philharmonic Orchestra. After working as Lorin Maazel\u2019s assistant at the Salzburg Festival in 1998, he spent the years from 2000 to 2009 as the music director of the Pannon Philharmonic while simultaneously serving as first guest conductor of the Orchestra di Padova e del Veneto.\r\n\r\nA regular guest with orchestras and at concert halls around Europe, Japan and the USA, he has also appeared with nearly every symphonic ensemble in Hungary. Hamar has regularly conducted at the Hungarian State Opera since 2001 and is a welcome guest at opera houses in other countries as well. Between 2005 and 2011, he worked as a permanent conductor at the world-famous Opernhaus Z\u00fcrich. He has recorded works by Liszt together with the Hungarian National Philharmonic and Mahler\u2019s First Symphony<\/em> with the Pannon Philharmonic. From 2012 to 2016, he served as the chief music director of Wiesbaden\u2019s opera house.\r\n\r\nHe headed the Hungarian National Philharmonic as Musical Director from March 2017 to August 2020.{:}","post_title":"{:hu}Hamar Zsolt{:}{:en}Zsolt Hamar{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"hamar-zsolt-3","to_ping":"","pinged":"","post_modified":"2020-08-10 08:31:17","post_modified_gmt":"2020-08-10 08:31:17","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=101545","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw"},"hazigazda":null,"muvek":[{"ID":101679,"post_author":"1","post_date":"2017-05-30 12:44:56","post_date_gmt":"2017-05-30 12:44:56","post_content":"{:hu}A. Mozart 1772 \u00e9s 1780 k\u00f6z\u00f6tt tizenh\u00e9t r\u00f6vid, egyt\u00e9teles darabot kompon\u00e1lt a salzburgi d\u00f3m sz\u00e1m\u00e1ra, melyeket a mis\u00e9k keret\u00e9ben adtak el\u0151. Ezek a ma \u201etemplomi szon\u00e1t\u00e1k\u201d-k\u00e9nt ismert, a szerz\u0151 \u00e1ltal egyszer\u0171en csak \u201eszon\u00e1t\u00e1\u201d-nak nevezett m\u0171vek val\u00f3sz\u00edn\u0171leg a Szentlecke (P\u00e1l apostol valamelyik level\u00e9nek r\u00e9szlete) \u00e9s az Evang\u00e9lium k\u00f6z\u00f6tt hangzottak el (a zeneszerz\u0151 egyik level\u00e9ben \u201eSonate all\u2019epistola\u201d-k\u00e9nt eml\u00edti \u0151ket). Sz\u0171kre szabott terjedelm\u00fcket a liturgikus funkci\u00f3 hat\u00e1rozta meg: a salzburgi d\u00f3mban a k\u00f3rus illetve hangszerek k\u00f6zrem\u0171k\u00f6d\u00e9s\u00e9vel megsz\u00f3laltatott miset\u00e9telek \u00f6ssz-j\u00e1t\u00e9kideje nem lehetett t\u00f6bb h\u00e1romnegyed \u00f3r\u00e1n\u00e1l. A darabok mindegyike szon\u00e1ta-form\u00e1ban \u00edr\u00f3dott, s el\u0151ad\u00f3-appar\u00e1tusuk is hasonl\u00f3: az osztr\u00e1k-d\u00e9ln\u00e9met egyh\u00e1zzenei gyakorlatban szok\u00e1sos, a br\u00e1cs\u00e1t n\u00e9lk\u00fcl\u00f6z\u0151 von\u00f3skar \u00e9s orgona, 1776-t\u00f3l kezdve n\u00e9h\u00e1ny szon\u00e1t\u00e1ban f\u00fav\u00f3sokkal kieg\u00e9sz\u00edtve. Az orgona a m\u0171vek mintegy fel\u00e9ben t\u00f6bb-kevesebb sz\u00f3l\u00f3szerepet kap.\r\n\r\nAz 1776-os, \u00be-es K 244<\/strong>-es F-d\u00far szon\u00e1t\u00e1ban csak id\u0151nk\u00e9nt \u00e9s r\u00f6vid id\u0151re, mintegy meglepet\u00e9sszer\u0171en l\u00e9p el\u0151t\u00e9rbe az orgona, a K 274<\/strong>-es G-d\u00farban (1777) pedig kiz\u00e1r\u00f3lag k\u00eds\u00e9r\u0151 (continuo) szerepet j\u00e1tszik.\u00a0 Az 1780-ban keletkezett K 336<\/strong>-os sz\u00e1m\u00fa C-d\u00far darab az utols\u00f3 a templomi szon\u00e1t\u00e1k sor\u00e1ban. F\u00fav\u00f3sok nem szerepelnek benne, viszont az orgona mindv\u00e9gig az el\u0151t\u00e9rben \u00e1ll: mintha csak egy versenym\u0171-nyit\u00f3t\u00e9telt hallan\u00e1nk, a v\u00e9g\u00e9n a szok\u00e1sos kadenci\u00e1val. A K. 329<\/strong>-es C-d\u00far szon\u00e1ta 1779-ben \u00edr\u00f3dott, akkor, amikor Mozart p\u00e1rizsi utaz\u00e1sa ut\u00e1n visszat\u00e9rt Salzburgba, \u00e9s \u00fajra felvette a szolg\u00e1latot a herceg\u00e9rsekn\u00e9l, ez\u00fattal nem koncertmesterk\u00e9nt, hanem udvari \u00e9s d\u00f3morgonistak\u00e9nt. A nagy zenekart foglalkoztat\u00f3, pomp\u00e1s darabban a von\u00f3sok mellett k\u00e9t oboa, k\u00e9t k\u00fcrt, k\u00e9t trombita \u00e9s \u00fcstdobok is megsz\u00f3lalnak, s az orgona mellett a k\u00e9t oboa j\u00e1tszik sz\u00f3l\u00f3t.{:}{:en}Between 1772 and 1780 Mozart composed a dozen of short, one-movement pieces for Salzburg Cathedral, to be performed during mass. The \u201cchurch sonatas\u201d, as they are known today, involve strings without a viola and an organ, as well as the occasional woodwind instrument. The organ has a solo role, in particular in the last C-major sonata, the K 336. In the K 244 the keyboard instrument has a brief part, and in the K 274 it plays continuo. The orchestra in the C-major K 329 further includes two oboes, two horns, two trumpets and kettle drums.{:}","post_title":"{:hu}F-d\u00far templomi szon\u00e1ta K. 244{:}{:en}Church Sonata F-major K. 244{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"f-dur-k-244","to_ping":"","pinged":"","post_modified":"2017-09-28 10:50:12","post_modified_gmt":"2017-09-28 10:50:12","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=101679","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Mozart"]},{"ID":101417,"post_author":"3","post_date":"2017-05-29 18:28:57","post_date_gmt":"2017-05-29 18:28:57","post_content":"{:hu}Ottorino Respighit legismertebb m\u0171vei \u2013 a R\u00f3ma<\/em>-ciklus vagy a Trittico Botticelliano <\/em>\u2013 ok\u00e1n legink\u00e1bb impresszionista zeneszerz\u0151nek tartj\u00e1k. A zenei hangfest\u00e9s mellett ugyanakkor \u00e9l\u00e9nken \u00e9rdekl\u0151d\u00f6tt a r\u00e9gi korok zen\u00e9je ir\u00e1nt is. E k\u00e9t ir\u00e1nyzat egyes\u00fcl az 1925\u20131926-ban kompon\u00e1lt Templomablakok<\/em> (Vetrate di chiesa) c\u00edm\u0171 zenekari m\u0171v\u00e9ben. A sz\u0171k f\u00e9l\u00f3r\u00e1s ciklus alc\u00edme szerint \u201en\u00e9gy szimfonikus impresszi\u00f3\u201d, ugyanakkor a r\u00e9gi egyh\u00e1zzene megid\u00e9z\u00e9se \u00e9rdek\u00e9ben a zeneszerz\u0151 mod\u00e1lis dallamokat is feldolgozott benne.\r\n\r\nA t\u00e9telek n\u00e9gy r\u00e9gi \u00f3lom\u00fcveg templomablakot, illetve az ezeken l\u00e1that\u00f3 bibliai, illetve a katolikus kereszt\u00e9ny hagyom\u00e1nyhoz k\u00f6t\u0151d\u0151 t\u00f6rt\u00e9neteket jelen\u00edtenek meg. A t\u00e9telekhez a zeneszerz\u0151 saj\u00e1t komment\u00e1rokat is \u00edrt, s ezek seg\u00edts\u00e9g\u00e9vel szinte magunk el\u0151tt l\u00e1thatjuk a sz\u00ednes templomablakokat:\r\n

    \r\n \t
  1. La fuga in Egitto (Menek\u00fcl\u00e9s Egyiptomba). Kis karav\u00e1n haladt a sivatagon kereszt\u00fcl a csillagos \u00e9jszak\u00e1ban, a vil\u00e1g legnagyobb kincs\u00e9t hordozva.<\/li>\r\n \t
  2. San Michele Arcangelo (Szent Mih\u00e1ly arkangyal). \u00c9s nagy csata t\u00e1madt az \u00e9gben; Mih\u00e1ly \u00e9s az \u0151 angyalai k\u00fczd\u00f6ttek a s\u00e1rk\u00e1nnyal \u00e9s angyalaival. De az ut\u00f3bbiak alulmaradtak, \u00e9s nincs sz\u00e1mukra hely a Mennyben.<\/li>\r\n \t
  3. Il Mattutino di Santa Chiara (Szent Kl\u00e1ra matutinuma). De J\u00e9zus Krisztus, az \u0151 v\u0151leg\u00e9nye, aki nem akarta egyed\u00fcl hagyni \u0151t szomor\u00fas\u00e1g\u00e1ban, angyalaival csod\u00e1latosan Szent Ferenc templom\u00e1ba vitette, hogy r\u00e9szt vehessen a matutinumon.<\/li>\r\n \t
  4. S. Gregorio Magno (Nagy Szent Gergely). \u00cdme a p\u00e1pa! \u00c1ldd az Urat! \u00c9nekelj az Istennek! Alleluja!<\/li>\r\n<\/ol>\r\nK\u00fcl\u00f6n\u00f6sk\u00e9ppen azonban m\u00e9gsem egy konkr\u00e9t l\u00e1tv\u00e1ny\u00e9lm\u00e9ny, de m\u00e9g csak nem is maguk a t\u00e9m\u00e1k inspir\u00e1lt\u00e1k a ciklus zen\u00e9j\u00e9t. Respighi a n\u00e9gy t\u00e9telt eredetileg sz\u00f3l\u00f3 zongor\u00e1ra, gregori\u00e1n t\u00e9m\u00e1k alapj\u00e1n \u00edrott prel\u0171d\u00f6knek sz\u00e1nta, s a zongoradarabok csak a meghangszerel\u00e9s\u00fck ut\u00e1n nyert\u00e9k el v\u00e9gleges c\u00edm\u00fcket. Az els\u0151 t\u00e9tel egy szeml\u00e9l\u0151d\u0151, melankolikus hangulat\u00fa vari\u00e1ci\u00f3sorozat egy egyszer\u0171 t\u00e9ma felett. A m\u00e1sodik t\u00e9telben Respighi dr\u00e1mai er\u0151vel jelen\u00edti meg az egekben zajl\u00f3 csat\u00e1t. A harmadik t\u00e9tel ism\u00e9t kontemplat\u00edv, a ferences rend Assisi Szent Kl\u00e1ra \u00e1ltal alap\u00edtott n\u0151i \u00e1ga el\u0151tti tiszteletad\u00e1s. Azt a csod\u00e1t \u00f6nti zen\u00e9be, amely szerint Kl\u00e1r\u00e1t, amikor s\u00falyos betegs\u00e9ge miatt nem tudott felkelni, angyalok vitt\u00e9k el az \u00e9jszakai zsolozsm\u00e1ra. A negyedik t\u00e9tel csendesen kezd\u0151dik, s \u2013 a R\u00f3ma feny\u0151i<\/em> ciklus z\u00e1r\u00f3t\u00e9tel\u00e9hez, a Via Appia feny\u0151ihez hasonl\u00f3an \u2013 nagy fokoz\u00e1s v\u00e9g\u00e9n, hatalmas Alleluj\u00e1ban teljesedik ki. Szent Gergely p\u00e1pa, illetve a r\u00f3la elnevezett gregori\u00e1n zene el\u0151tt hajt fejet: Gergely gy\u0171jtette ugyanis \u00f6ssze az addig sz\u00e1jhagyom\u00e1ny \u00fatj\u00e1n terjed\u0151 egysz\u00f3lam\u00fa latin egyh\u00e1zi \u00e9nekeket, \u00e9s \u00e9p\u00edtette be azokat a mis\u00e9k rendj\u00e9be.{:}{:en}Composed between 1925 and 1926, Church Windows is subtitled \u201cfour symphonic impressions\u201d, and the composer sought to evoke old church music by setting modal tunes. The movements depict four old stained-glass windows with Biblical and Catholic-tradition stories. The first, Flight into Egypt is a contemplative, melancholic series of variations on a simple tune. The second, Saint Michael the Archangel, depicts a dramatic battle scene. The third, the Matins of Saint Claire, is once again introspective, depicting the story of Saint Claire who was too ill and carried to mass by angels. The fourth, Saint Gregory the Great, pays homage to Pope Gregory and the plainchant that bears his name.{:}","post_title":"{:hu}Templomablakok{:}{:en}Vetrate di Chiesa (Church Windows){:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"templomablakok","to_ping":"","pinged":"","post_modified":"2017-09-19 14:14:56","post_modified_gmt":"2017-09-19 14:14:56","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=101417","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Respighi"]},{"ID":101681,"post_author":"1","post_date":"2017-05-30 12:45:25","post_date_gmt":"2017-05-30 12:45:25","post_content":"","post_title":"{:hu}G-d\u00far templomi szon\u00e1ta K. 274{:}{:en}Church Sonata G-major K. 274{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"g-dur-k-274","to_ping":"","pinged":"","post_modified":"2017-09-28 10:56:01","post_modified_gmt":"2017-09-28 10:56:01","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=101681","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Mozart"]},{"ID":101419,"post_author":"3","post_date":"2017-05-29 18:30:10","post_date_gmt":"2017-05-29 18:30:10","post_content":"{:hu}A szimf\u00f3nia a zenei forma, mely a 18. sz\u00e1zad v\u00e9g\u00e9t\u0151l egy \u00e9vsz\u00e1zadon kereszt\u00fcl a zeneszerz\u0151i tud\u00e1s legf\u0151bb pr\u00f3bak\u00f6v\u00e9nek sz\u00e1m\u00edtott, a 20. sz\u00e1zadban viszont h\u00e1tt\u00e9rbe szorult. R\u00e9sze volt ebben a k\u00e9s\u0151romantikus szerz\u0151k szimf\u00f3ni\u00e1inak, melyek terjedelmess\u00e9g\u00fckkel lej\u00e1ratt\u00e1k a m\u0171fajt a romantika-ellenes fiatalabb nemzed\u00e9k el\u0151tt. Shoenberg \u00e9s Bart\u00f3k egy\u00e1ltal\u00e1n nem \u00edrtak szimf\u00f3ni\u00e1t, Stravinsky is csak rendhagy\u00f3t. Ann\u00e1l meglep\u0151bb, hogy a romantik\u00e1val annyira szemben\u00e1ll\u00f3 francia Hatok csoportj\u00e1b\u00f3l ker\u00fclt ki a 20. sz\u00e1zad egyik nagy szimfonikus szerz\u0151je: Arthur Honegger (1892-1955).\u00a0 Els\u0151 szimf\u00f3ni\u00e1j\u00e1t k\u00e9s\u0151n, h\u00fasz\u00e9vi zeneszerz\u0151i tapasztalattal maga m\u00f6g\u00f6tt kompon\u00e1lta, s ezt m\u00e9g tov\u00e1bbi n\u00e9gy k\u00f6vette. Leggyakrabban tal\u00e1n a 3. Hangzik el hangversenyeken, hiszen vil\u00e1gos fel\u00e9p\u00edt\u00e9se nem okoz neh\u00e9zs\u00e9get a hallgat\u00f3nak. Ez is megrendel\u00e9sre k\u00e9sz\u00fclt: a z\u00fcrichi Pro Helvetia alap\u00edtv\u00e1ny k\u00e9rte fel a szerz\u0151t, s ez\u00e9rt a bemutat\u00f3ra is itt ker\u00fclt sor 1946-ban.\r\n\r\nB\u00e1r a m\u0171 a h\u00e1bor\u00fa ut\u00e1n keletkezett, mag\u00e1n viseli a h\u00e1bor\u00fa megpr\u00f3b\u00e1ltat\u00e1sainak \u00e9lm\u00e9ny\u00e9t. Rendelkez\u00e9s\u00fcnkre \u00e1ll a szerz\u0151 saj\u00e1t vallom\u00e1sa szimf\u00f3ni\u00e1j\u00e1r\u00f3l: \u201cA modern ember ellenszeg\u00fcl\u00e9s\u00e9t akartam ebben a munk\u00e1ban jelk\u00e9pezni a barb\u00e1rs\u00e1g, butas\u00e1g, szenved\u00e9s, g\u00e9piess\u00e9g, b\u00fcrokr\u00e1cia \u00e1radata ellen, ami n\u00e9h\u00e1ny \u00e9ve ostromol benn\u00fcnket. Zenei nyelven jelen\u00edtettem meg azt a harcot, amely s\u00falyos, vak er\u0151knek val\u00f3 megh\u00f3dol\u00e1s \u00e9s a boldogs\u00e1g, a b\u00e9keszeretet \u00f6szt\u00f6ne, az isteni mened\u00e9k \u00e9rz\u00e9se k\u00f6z\u00f6tt zajlik a sz\u00edvekben. Szimf\u00f3ni\u00e1m dr\u00e1ma, amely, ha \u00fagy tetszik, h\u00e1rom val\u00f3s\u00e1gos vagy jelk\u00e9pes szem\u00e9ly: a boldogtalans\u00e1g, a boldogs\u00e1g \u00e9s az ember k\u00f6z\u00f6tt j\u00e1tsz\u00f3dik\u00bc\u201d\r\n\r\nHonegger m\u0171v\u00e9nek alc\u00edme is van: \u201cLiturgikus szimf\u00f3nia<\/em>\u201d. A szerz\u0151 ugyanis a t\u00e9telek f\u00f6l\u00e9 a katolikus liturgia egy-egy latin nyelv\u0171 mondat\u00e1t \u00edrta. \u201cDies irrae<\/em>\u201d (\u201cA harag napja\u201d) az els\u0151 t\u00e9tel mott\u00f3ja. A m\u00e1sodik\u00e9 a 130. Zsolt\u00e1r kezd\u0151sora: \u201cDe profundis clamavi<\/em>\u201d (\u201cA m\u00e9lys\u00e9gb\u0151l ki\u00e1ltok\u201d). A z\u00e1r\u00f3t\u00e9tel f\u00f6l\u00f6tt pedig a mise k\u00f6ny\u00f6rg\u00e9se \u00e1ll: \u201cDona nobis pacen<\/em>\u201d (\u201cAdj nek\u00fcnk b\u00e9k\u00e9t\u201d). A szimf\u00f3nia ennek ellen\u00e9re, hogy val\u00f3ban egy liturgikus-vall\u00e1sos kompoz\u00edci\u00f3r\u00f3l van sz\u00f3, az id\u00e9zetek csup\u00e1n mott\u00f3k\u00e9nt szolg\u00e1lnak.\r\n\r\nIsm\u00e9t id\u00e9zz\u00fck a szerz\u0151t: \u201cA Dies irrae-ben az isteni haraggal szembeker\u00fcl\u0151 emberi r\u00e9m\u00fcletet akartam festeni, \u00f6r\u00f6k brut\u00e1lis \u00e9rz\u00e9seket, a v\u00e9gzet j\u00e1t\u00e9k\u00e1nak dobott, \u00fcld\u00f6z\u00f6tt kis n\u00e9peket, amint hi\u00e1ba pr\u00f3b\u00e1lj\u00e1k meg elker\u00fclni sorsuk kegyetlen csapd\u00e1it\u00bcDe profundis\u00bcAz istent\u0151l elhagyott ember f\u00e1jdalmas elm\u00e9lked\u00e9se \u2013 tulajdonk\u00e9ppen m\u00e1r im\u00e1ds\u00e1g\u00bc Bez\u00e1rult az \u00e9s \u2013de: Hatalmas a rem\u00e9nys\u00e9g, er\u0151sebb mindenn\u00e9l\u00bc\r\n\r\nDona nobis Pacem\u00bc Nincs ostob\u00e1bb dolog a civiliz\u00e1ci\u00f3ban elszabadult barb\u00e1rs\u00e1gn\u00e1l. Ezt akartam a 3. t\u00e9tel elej\u00e9n kifejezni: kollekt\u00edv butas\u00e1g \u00e1radat\u00e1t. Nyomaszt\u00f3 indul\u00f3nak k\u00e9pzeltem, sz\u00e1nd\u00e9kosan form\u00e1ltam eleve h\u00fcly\u00e9nek a basszusklarin\u00e9ton megsz\u00f3lal\u00f3 dallamot\u00bc Folytat\u00f3dik a h\u00fclye felvonul\u00e1s, a g\u00e9pies\u00edtett ludak hossz\u00fa csapata kacs\u00e1zik ritmikusan\u00bc Ekkor a l\u00e1zad\u00e1s \u00e9rz\u00e9se t\u00f6r fel az \u00e1ldozatok soraiban. Szervezett\u00e9 v\u00e1lik \u00e9s n\u0151 a felkel\u00e9s. Hirtelen hatalmas ki\u00e1lt\u00e1s szakad fel h\u00e1romszor is az elnyomott keblekb\u0151l: Dona nobis pacem!\u201d{:}{:en}\u201cDies irae\u201d. Allegro marcato\r\n\r\n\u201cDe profundis clamavi\u201d. Adagio\r\n\r\n\u201cDona nobis pacem\u201d. Andante\r\n\r\nIn 1946 the composer wrote, \u201cI wanted to symbolise the reaction of modern man against the tide of barbarity, stupidity, suffering [...] the inner conflict between a surrender to blind forces and the instinct of happiness, the love of peace and feelings of a divine refuge\u201d\r\n\r\nDies irae expresses \u201cthe day of wrath, the explosion of strength and of hate which destroys everything and leaves nothing but debris and ruin [...].\u201d De profundis \u201cis a plea to a higher force whom one asks for help and to whom one wants to offer what remains of all that is pure and noble at the depth of one\u2019s soul.\u201d \u201cDona nobis pacem [...] there is nothing more insane in civilisation than unbridled barbarity. That is what I wished to express at the start of the third movement.\u201d\r\n\r\n {:}","post_title":"{:hu}III. szimf\u00f3nia \"Liturgikus\"{:}{:en}Symphony No. 3 \u201cSymphonie Liturgique\u201d {:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"iii-szimfonia-liturgikus","to_ping":"","pinged":"","post_modified":"2017-09-19 14:15:59","post_modified_gmt":"2017-09-19 14:15:59","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=101419","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Honegger"]},{"ID":101676,"post_author":"1","post_date":"2017-05-30 12:40:59","post_date_gmt":"2017-05-30 12:40:59","post_content":"","post_title":"{:hu}C-d\u00far templomi szon\u00e1ta K. 336{:}{:en}Church Sonata C-major K. 336{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"c-dur-k-336","to_ping":"","pinged":"","post_modified":"2017-09-28 10:56:45","post_modified_gmt":"2017-09-28 10:56:45","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=101676","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Mozart"]},{"ID":101683,"post_author":"1","post_date":"2017-05-30 12:45:51","post_date_gmt":"2017-05-30 12:45:51","post_content":"","post_title":"{:hu}C-d\u00far templomi szon\u00e1ta K. 329{:}{:en}Church Sonata C-major K. 329{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"c-dur-k-329","to_ping":"","pinged":"","post_modified":"2017-09-28 10:57:21","post_modified_gmt":"2017-09-28 10:57:21","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=101683","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Mozart"]}],"muvekrol_reszletesen":true,"kozr_szemelyek":[],"muveszekrol_reszletesen":true,"kozr_szemelyek_feluldefinialasa":"

     <\/p>\n

     <\/p>\n

     <\/p>\n","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}\"\"\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\"\"\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"link","jegyarak":"2.500 Ft - helyfoglal\u00e1s \u00e9rkez\u00e9si sorrendben","jegyvasarlas_gomb":"","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","hivatkozas_gomb_szovege":"Tov\u00e1bb","hivatkozas_gomg_url-je":"https:\/\/nfz.jegy.hu\/","is_muvekrol_reszletesen_en":true,"is_muveszekrol_reszletesen_en":true},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/101353","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=101353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}