Liszt k\u00e9t zongoraversenye k\u00e9t \u00e9vtizeden kereszt\u00fcl p\u00e1rhuzamosan fejl\u0151d\u00f6tt: a kompoz\u00edci\u00f3s munk\u00e1t a vil\u00e1gj\u00e1r\u00f3 virtu\u00f3z kezdte el, \u00e9s a Weimarban letelepedett karmester fejezte be. (Ugyanezekben az \u00e9vekben egy harmadik zongoraversenyen is dolgozott Liszt, melynek hangneme, ak\u00e1rcsak a j\u00f3l ismert els\u0151 koncert\u00e9, Esz-d\u00far. Ezt a m\u0171vet Jay Rosenblatt rekonstru\u00e1lta 1988-ban; \u0151sbemutat\u00f3ja 1990-ben volt.) Az A-d\u00far koncert legkor\u00e1bbi v\u00e1zlatai 1839-b\u0151l sz\u00e1rmaznak, de Liszt csak 1849-ben fejezte be a m\u0171vet; ut\u00f3bb t\u00f6bbsz\u00f6r alaposan \u00e1tdolgozta, \u00e9s a m\u0171 1861-re \u00e9rte el v\u00e9gs\u0151 alakj\u00e1t.<\/p>\r\n
Liszt az egyt\u00e9teles versenym\u0171form\u00e1t kedvelte, melybe a lass\u00fa t\u00e9tel \u00e9s a scherzo egyes elemeit is be\u00e9p\u00edtette. Az A-d\u00far koncert alapgondolata, egy bens\u0151s\u00e9ges, l\u00edrai dallam, a faf\u00fav\u00f3kon hangzik fel r\u00f6gt\u00f6n a darab legelej\u00e9n, \u00e9s azonnal megism\u00e9tli a sz\u00f3l\u00f3zongora. Ezzel a t\u00e9m\u00e1val energikusabb m\u00e1sodik t\u00e9ma kontraszt\u00e1l, amely \u00f6n\u00e1ll\u00f3, Allegro agitato assai temp\u00f3j\u00fa szakassz\u00e1 fejl\u0151dik. A m\u00e1sodik t\u00e9ma k\u00e9s\u0151bb \"megszel\u00edd\u00fclve\" t\u00e9r vissza, mint expressz\u00edv von\u00f3sdallam, mely el\u0151k\u00e9sz\u00edti az els\u0151 t\u00e9ma visszat\u00e9r\u00e9s\u00e9t (\u00edzig-v\u00e9rig romantikus csell\u00f3sz\u00f3l\u00f3, zongorak\u00eds\u00e9rettel). A k\u00f6vetkez\u0151 szakasz - Allegro deciso - a kidolgoz\u00e1si r\u00e9sz szerep\u00e9t j\u00e1tssza; itt mindk\u00e9t t\u00e9ma egyszerre jelenik meg. A z\u00e1r\u00f3 szakasz diadalmas indul\u00f3zen\u00e9je kontraszt\u00e1l\u00f3 epiz\u00f3dokat - egy \u00fajabb l\u00edrai sz\u00f3l\u00f3t \u00e9s egy scherzo-jelleg\u0171 Allegro animato-t - is mag\u00e1ba foglal.<\/p>{:}{:en}
Liszt's two piano concertos evolved side by side over two decades, originating during his years as a traveling artist and completed after the move to Weimar. (Liszt also started a third piano concerto at the time; this work, in E-flat major like the well-known No.1, was reconstructed in 1988 by Jay Rosenblatt and first performed in 1990.) The earliest sketches for the A-major concerto date from September 1839, but Liszt did not complete the work until 1849, and made further revisions, sometimes extensive ones, through 1861.<\/p>\r\n
<\/p>\r\n
The concerto form favored by Liszt consists of a single movement, whose inner divisions may take on the characteristics of a slow movement or a scherzo. The second concerto's main idea, an intimate, lyrical melody, is stated at the very beginning by the woodwind and immediately repeated by the piano. It is contrasted with a more energetic second subject that evolves into an Allegro agitato assai section. This second subject later reappears thoroughly \"tamed\" as an expressive string melody, preparing the return of the main theme as a quintessentially romantic cello solo, accompanied by the piano. The following Allegro deciso functions as a development section where both subjects are taken up simultaneously. The last portion of the concerto is a triumphal march incorporating some contrasting episodes such as a final lyrical solo and a scherzo-like Allegro animato.<\/p>{:}","post_title":"{:hu}Zongoraverseny A-d\u00far{:}{:en}Concerto for Piano and Orchestra No. 2, in A major{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"a-dur-zongoraverseny","to_ping":"","pinged":"","post_modified":"2017-05-29 14:08:57","post_modified_gmt":"2017-05-29 14:08:57","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/muvek\/a-dur-zongoraverseny\/","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Liszt"]},{"ID":101390,"post_author":"3","post_date":"2017-05-29 14:08:19","post_date_gmt":"2017-05-29 14:08:19","post_content":"{:hu}Dohn\u00e1nyi Ern\u0151 (1877\u22121960) m\u00e9g nem volt huszon\u00f6t \u00e9ves 1. (d-moll) szimf\u00f3ni\u00e1j\u00e1nak 1902-es manchesteri bemutat\u00f3ja idej\u00e9n, de m\u00e1r igen tekint\u00e9lyes zenei m\u00faltat tudhatott maga m\u00f6g\u00f6tt. 1897-es deb\u00fct\u00e1l\u00e1sa \u00f3ta sikeres hangversenyek tucatjait adta Eur\u00f3p\u00e1ban \u00e9s az Amerikai Egyes\u00fclt \u00c1llamokban, s jelent\u0151s alkot\u00e1sok sz\u00fclettek zeneszerz\u0151i m\u0171hely\u00e9ben is. Gondoljunk csak az els\u0151 opuszk\u00e9nt jegyzett m\u0171v\u00e9re, a c-moll zongora\u00f6t\u00f6sre, mely nemcsak Brahms \u00e9s az ifj\u00fa Bart\u00f3k tetsz\u00e9s\u00e9t nyerte el, de az\u00f3ta is igen gyakran j\u00e1tszott, m\u00e9lt\u00e1n n\u00e9pszer\u0171 darabja az \u00e9letm\u0171nek. Az a rutin, mely az op. 1-es kvintettet \u00e9s a hangverseny\u00fcnk\u00f6n felcsend\u00fcl\u0151 op. 9-es szimf\u00f3ni\u00e1t jellemzi, persze nem v\u00e9letlen: Dohn\u00e1nyi a pozsonyi gyermek\u00e9vek illetve a budapesti Zeneakad\u00e9mi\u00e1n t\u00f6lt\u00f6tt h\u00e1rom esztend\u0151 alatt k\u00f6zel sz\u00e1z kisebb\u2212nagyobb kompoz\u00edci\u00f3t vetett pap\u00edrra. Az opusz-sz\u00e1mot nem kapott alkot\u00e1sok egy jelent\u0151s r\u00e9sze persze nyilv\u00e1nval\u00f3an csup\u00e1n tanul\u00f3darab, de az\u00e9rt vannak k\u00f6zt\u00fck eml\u00edt\u00e9sre m\u00e9lt\u00f3 m\u0171vek is, mint p\u00e9ld\u00e1ul az 1896-os millenniumi kir\u00e1lyd\u00edj p\u00e1ly\u00e1zat\u00e1n els\u0151 d\u00edjat nyert F-d\u00far szimf\u00f3nia.\r\n\r\nDohn\u00e1nyi most hallhat\u00f3 szimf\u00f3ni\u00e1ja teh\u00e1t tulajdonk\u00e9ppen m\u00e1r a\u00a0m\u00e1sodik\u00a0<\/em>az \u00e9letm\u0171ben, de az \u201eels\u0151 szimf\u00f3nia\u201d figyelmet k\u00e9r\u0151 gesztusa semmik\u00e9pp nem vitathat\u00f3 el t\u0151le: el\u00e9g csak hatalmas appar\u00e1tus\u00e1ra, m\u00e9lt\u00f3s\u00e1gteljes \u00f6tt\u00e9teles szerkezet\u00e9re vagy roppant virtu\u00f3z zeneszerz\u00e9s-technikai megold\u00e1saira gondolnunk. Az a grandi\u00f3zus t\u00f3nus ugyanakkor, amely az 1. szimf\u00f3ni\u00e1t sokszor uralja, alapvet\u0151en nem jellemz\u0151 a szerz\u0151re (viszont \u00e9rdekes m\u00f3don az \u00e9vtizedekkel k\u00e9s\u0151bb, m\u00e1r a m\u00e1sodik vil\u00e1gh\u00e1bor\u00fa idej\u00e9n keletkezett 2. szimf\u00f3ni\u00e1ban is megjelenik). A mindig v\u00e1laszt\u00e9kos, elb\u0171v\u00f6l\u0151en \u00e9rz\u00e9keny \u00e9s egy\u00e9nien eklektikus\u2212romantikus Dohn\u00e1nyi-st\u00edlus tipikus jegyeit azonban \u00edgy is felfedezheti a figyelmes hallgat\u00f3: p\u00e9ld\u00e1ul a nyit\u00f3t\u00e9tel atomszf\u00e9rateremt\u0151 indul\u00e1s\u00e1ban, a m\u00e9lyr\u0151l j\u00f6v\u0151, m\u00e9gis visszafogott \u00e9let\u00f6r\u00f6m\u00f6t sug\u00e1rz\u00f3 m\u00e1sodik t\u00e9ma\u00a0hangulat\u00e1ban \u00e9s modul\u00e1ci\u00f3iban\u00a0vagy n\u00e9h\u00e1ny sejtelmes f\u00fav\u00f3s-\u00e1ll\u00e1sban. A f\u00fav\u00f3sokat \u00e1ltal\u00e1ban is sok j\u00e1tszanival\u00f3val l\u00e1tta el a szerz\u0151: eml\u00e9kezetesen finom sz\u00f3l\u00f3t kapott p\u00e9ld\u00e1ul az angolk\u00fcrt a meglep\u0151en sokf\u00e9le karaktert felvonultat\u00f3 II., lass\u00fa t\u00e9tel elej\u00e9n. Hasonl\u00f3an \u00f6sszetett a III. t\u00e9telk\u00e9nt megsz\u00f3lal\u00f3 Scherzo \u00e9s az V. t\u00e9tel is. El\u0151bbi minim\u00e1lis alapanyagb\u00f3l \u00e9p\u00edtkez\u0151, metrikai j\u00e1t\u00e9kokkal \u00e9s n\u00e9mi ir\u00f3ni\u00e1val f\u0171szerezett tabl\u00f3t \u00e9p\u00edt; ut\u00f3bbi pedig k\u00fcl\u00f6n\u00f6sen komplex darab v\u00e1rakoz\u00e1ssal teli bevezet\u00e9ssel, lassan kibontott \u201et\u00e9ma \u00e9s vari\u00e1ci\u00f3k\u201d-szakasszal, s v\u00e9g\u00fcl tekint\u00e9lyes z\u00e1r\u00f3f\u00fag\u00e1val. E k\u00e9t nagyszab\u00e1s\u00fa t\u00e9tel k\u00f6zt h\u00e1bor\u00edtatlan szigetk\u00e9nt \u00e1ll egy r\u00f6pke Intermezzo (IV. t\u00e9tel), melynek beiktat\u00e1sa m\u00e9g feszesebb\u00e9 teszi a nagy amb\u00edci\u00f3val kompon\u00e1lt ciklust.{:}{:en}Ern\u0151 Dohn\u00e1nyi\u2019s Symphony No. 1 (op. 9) was premi\u00e8red under the baton of Hans Richter in early 1902 in Manchester. The Bratislava-born pianist and composer could boast a remarkable oeuvre even though he was not even 25 years old. Four years earlier, freshly graduated from the Music Academy, he had embarked on an immensely successful musical career that took him on tour around Europe and the United States, while he also composed many important works. His D-minor first symphony (1900\u20131901) was one of them. It was in fact his second work in the genre. (The first, the F-major symphony, which won a Millennial Royal Award, never came out in print and was not assigned an opus number either.) Composed for an immense orchestra in five movements, the ambitious work attests to creative invention and virtuoso skills. While the monumentality and even pathos of the work was not typical for Dohn\u00e1nyi, it will reveal the composer\u2019s hallmarks \u2013 the always subtle, charmingly affectionate music, eclectic in an individual way \u2013 to the attentive listener.\r\n\r\n \r\n\r\n {:}","post_title":"{:hu}I. szimf\u00f3nia{:}{:en}Symphony No. 1{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"i-szimfonia","to_ping":"","pinged":"","post_modified":"2017-09-11 14:17:02","post_modified_gmt":"2017-09-11 14:17:02","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=muvek&p=101390","menu_order":0,"post_type":"muvek","post_mime_type":"","comment_count":"0","filter":"raw","szerzo":["Dohn\u00e1nyi"]}],"muvekrol_reszletesen":true,"kozr_szemelyek":[{"ID":85522,"post_author":"1","post_date":"2016-09-21 08:12:26","post_date_gmt":"2016-09-21 08:12:26","post_content":"{:hu} R\u00e1nki Dezs\u0151 Budapesten v\u00e9gezte tanulm\u00e1nyait, 1973-ban szerzett diplom\u00e1t a Zeneakad\u00e9mi\u00e1n, Kadosa P\u00e1l \u00e9s Rados Ferenc n\u00f6vend\u00e9kek\u00e9nt. M\u00e9g tanul\u00f3\u00e9vei alatt, 1969-ben, 18 \u00e9vesen nyerte meg a zwickaui nemzetk\u00f6zi Schumann-verseny I. d\u00edj\u00e1t, ez id\u0151 \u00f3ta koncertezik vil\u00e1gszerte. Rendszeresen fell\u00e9pett Eur\u00f3pa legt\u00f6bb orsz\u00e1g\u00e1ban, t\u00f6bb \u00edzben \u00c9szak- \u00e9s D\u00e9l-Amerik\u00e1ban, \u00e9s 2-3 \u00e9vente Jap\u00e1nban. J\u00e1tszott t\u00f6bbek k\u00f6z\u00f6tt a Berlini Filharmonikusokkal, a Londoni Filharmonikusokkal, az amszterdami Concertgebouw zenekar\u00e1val, a p\u00e1rizsi Orchestre National-lal, a toki\u00f3i NHK zenekar\u00e1val, \u00e9s sz\u00e1mos neves karmesterrel, pl. Solti Gy\u00f6rggyel, V\u00e9gh S\u00e1ndorral, Lorin Maazellel, Zubin Meht\u00e1val. Jelent\u0151s szerepet j\u00e1tszik \u00e9let\u00e9ben a kamarazene, az ut\u00f3bbi k\u00e9t \u00e9vtizedben \u00e9vi 10-15 koncertet ad Klukon Edit t\u00e1rsas\u00e1g\u00e1ban n\u00e9gykezes \u00e9s k\u00e9tzongor\u00e1s m\u0171vekkel.<\/p>{:}{:en} Dezs\u0151 R\u00e1nki completed his studies in 1973, when he graduated from the Budapest Music Academy as a pupil of P\u00e1l Kadosa and Ferenc Rados. While still an 18 year old student, he won first prize at the Zwickau International Schumann Competition and has given concerts ever since. He regularly performs in most European countries and has toured both North and South America on a number of occasions. He visits Japan every 2 to 3 years. He has played among others with the Berlin Philharmonic, the London Philharmonic, the Amsterdam Concertgebouw, the Orchestre National de Paris, the Tokyo NHK Orchestra and worked with a host of distinguished conductors such as Sir Georg Solti, S\u00e1ndor V\u00e9gh, Lorin Maazel and Zubin Mehta. He is an active chamber music performer and in recent years, has given 10 to 15 concerts a year with his partner and wife Edit Klukon, performing music for\u00a0 piano duet and two pianos. (photo: Zsuzsa Pet\u0151)<\/p>{:}","post_title":"{:hu}R\u00e1nki Dezs\u0151{:}{:en}Dezs\u0151 R\u00e1nki{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ranki-dezso","to_ping":"","pinged":"","post_modified":"2020-04-26 11:00:37","post_modified_gmt":"2020-04-26 11:00:37","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/?post_type=artists&p=85522","menu_order":0,"post_type":"artists","post_mime_type":"","comment_count":"0","filter":"raw","hangszer":"{:hu}zongora{:}{:en}piano{:}"}],"muveszekrol_reszletesen":true,"kozr_szemelyek_feluldefinialasa":"","kozr_intezmenyek":[{"ID":87472,"post_author":"1","post_date":"2016-09-08 07:58:44","post_date_gmt":"2016-09-08 07:58:44","post_content":"{:hu}![\"\"](\"https:\/\/www.filharmonikusok.hu\/wp-content\/uploads\/2016\/09\/MNF_Mupa_Evad-egyuttese_2019_20_foto_Csibi-Szilvia10-555x555-1-300x300.jpg\")
\r\n\r\nA Nemzeti Filharmonikus Zenekar Magyarorsz\u00e1g egyik vezet\u0151 szimfonikus zenekara t\u00f6bb mint kilencven \u00e9ve. Ferencsik J\u00e1nos, Kobayashi Ken-Ichiro ut\u00e1n 1997-ben Kocsis Zolt\u00e1n f\u0151zeneigazgat\u00f3 ir\u00e1ny\u00edt\u00e1sa alatt a zenekar meg\u00fajult, a nemzeti szimfonikus egy\u00fctteshez m\u00e9lt\u00f3 sokoldal\u00fas\u00e1ggal nemcsak a klasszikus m\u0171veket, hanem ezek mellett a megszokott reperto\u00e1rr\u00f3l hi\u00e1nyz\u00f3 fontos alkot\u00e1sokat is megsz\u00f3laltatott, tov\u00e1bb\u00e1 a k\u00f6zelm\u00falt \u00e9s napjaink magyar zen\u00e9j\u00e9t is megismerteti k\u00f6z\u00f6ns\u00e9g\u00e9vel, valamint n\u00e9pszer\u0171ek kamarazenei \u00e9s ifj\u00fas\u00e1gi sorozatai is. \u00a02017 m\u00e1rcius\u00e1t\u00f3l 2020 augusztus\u00e1ig a a zenekarn\u00e1l kor\u00e1bban \u00e9veken \u00e1t els\u0151 \u00e1lland\u00f3 karmesterk\u00e9nt k\u00f6zrem\u0171k\u00f6d\u0151, komoly nemzetk\u00f6zi karriert maga m\u00f6g\u00f6tt tudhat\u00f3, Liszt Ferenc-d\u00edjas Hamar Zsolt t\u00f6lt\u00f6tte be a Nemzeti Filharmonikusok zeneigazgat\u00f3i posztj\u00e1t.\r\n\r\nAz egy\u00fcttes reperto\u00e1rj\u00e1n hangs\u00falyosan szerepel a Bart\u00f3k-\u00e9letm\u0171; m\u00e9rt\u00e9kad\u00f3 interpret\u00e1ci\u00f3i 2006 \u00f3ta a Bart\u00f3k \u00daj Sorozatban jelennek meg, de sz\u00ednfoltot k\u00e9pviselnek reperto\u00e1rj\u00e1n Kocsis Zolt\u00e1n Debussy, Rachmaninov, Bart\u00f3k m\u0171veib\u0151l k\u00e9sz\u00edtett \u00e1tiratai is. Hangversenyb\u00e9rleti el\u0151ad\u00e1sain vil\u00e1gh\u00edr\u0171 vend\u00e9gm\u0171v\u00e9szek \u00e9s vend\u00e9gkarmesterek l\u00e9pnek fel, valamint feladat\u00e1nak tekinti a kiemelked\u0151 p\u00e1lyakezd\u0151 magyar muzsikusok megh\u00edv\u00e1s\u00e1t is. Olyan neves helysz\u00edneken \u00e9s fesztiv\u00e1lokon l\u00e9pett fel az ut\u00f3bbi \u00e9vtizedekben, mint a New York-i Avery Fisher Hall, a toki\u00f3i Suntory Hall, a birminghami Symphony Hall, az ath\u00e9ni Megaron, a br\u00fcsszeli Bozar K\u00f6zpont, a bukaresti Enescu Fesztiv\u00e1l, a Colmari \u00e9s a Kan\u00e1ri-szigeteki Fesztiv\u00e1l. Az elm\u00falt 15 \u00e9vben mintegy 40 orsz\u00e1gban t\u00f6bb mint 330 k\u00fclf\u00f6ldi turn\u00e9koncertet adott.{:}{:en}\r\nThe Hungarian National Philharmonic Orchestra has been one of Hungary\u2019s leading symphony orchestras for over ninety years. The era marked by the name of J\u00e1nos Ferencsik and Kobayashi Ken-Ichiro was followed by a new chapter in the history of the orchestra when in 1997 Zolt\u00e1n Kocsis became general music director until his death. In almost two decades the National Philharmonic Orchestra underwent renewal. After the death of Zolt\u00e1n Kocsis, the Ferenc Liszt Award-winning Zsolt Hamar held the post of Musical Director at the Hungarian National Philharmonic from March 2017 to August 2020. He previously worked with the orchestra as its first permanent conductor and built up an impressive international career.\r\n\r\nThe Orchestra is one of the top interpreters of the work of B\u00e9la Bart\u00f3k, and the albums of the Bart\u00f3k New Series<\/em> have won numerous accolades in Hungary and abroad. The orchestra perform not only classics but also numerous other important works previously missing from the repertoire, many of which require a large orchestral apparatus. It attaches great importance to introducing contemporary Hungarian works to the audiences. It has given many popular chamber music concerts and hosted events for young people.\r\n\r\nThe orchestra\u2019s concerts have featured world-famous soloists and conductors. It supports young musicians recently embarked on an international career. In recent decades, the National Philharmonic Orchestra has appeared in the greatest venues and festivals around the world, including the Avery Fisher Hall in New York, the Suntory Hall in Tokyo, the Birmingham Symphony Hall, the Megaron in Athens, Bozar Centre in Brussels, the Enescu Festival in Bucharest, the Beethoven Festival in Bogot\u00e1, as well as the Colmar and Canary Island Festivals. In the past two decades, the National Philharmonic Orchestra has given more than 330 concerts in some 40 countries.\r\n\r\n \r\n\r\n \r\n\r\n {:}","post_title":"{:hu}Nemzeti Filharmonikus Zenekar{:}{:en}Hungarian National Philharmonic Orchestra{:}","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"nemzeti-filharmonikus-zenekar","to_ping":"","pinged":"","post_modified":"2020-08-10 08:27:54","post_modified_gmt":"2020-08-10 08:27:54","post_content_filtered":"","post_parent":0,"guid":"http:\/\/www.filharmonikusok.hu\/institutions\/nemzeti-filharmonikus-zenekar\/","menu_order":0,"post_type":"institutions","post_mime_type":"","comment_count":"0","filter":"raw"}],"gombtipus":"jegy","jegyarak":"5.200 Ft, 4.300 Ft, 3.600 Ft, 2.900 Ft, 2.100 Ft","jegyvasarlas_gomb":"http:\/\/nfz.jegy.hu\/program\/ferencsik-berlet-1-ranki-dezso-zongora-hamar-zsolt-karmester-80728","elkeltek_a_jegyek":false,"youtube_id":"","old_id":"","hivatkozas_gomb_szovege":"Tov\u00e1bb","hivatkozas_gomg_url-je":"https:\/\/nfz.jegy.hu\/"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts\/101336","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/concerts"}],"about":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/types\/concerts"}],"wp:attachment":[{"href":"https:\/\/www.filharmonikusok.hu\/en\/wp-json\/wp\/v2\/media?parent=101336"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}